Bottom line: arrive at Sanhe at 3: 00 in the morning.
Shanglian: Three Zhu Six Bridges, Nine Rivers and Eighteen Rivers;
Bottom line: one tea, four dishes, two powders and five thousand articles.
The first part: cold wine,1:2: 3;
Bottom line: lilacs, a hundred heads and a thousand heads.
The first part: a palm is the sky, and five fingers are three long and two short;
Bottom line: Liuhe is in the ground, and seven floors extend in all directions.
Part I: There are three cups and five lamps in the village shop.
Bottom line: Daming Kingdom unifies all parties, regardless of north and south.
Extended data
As early as before the Qin and Han Dynasties, China people had the custom of hanging peach symbols during the Spring Festival. The so-called Fu Tao refers to writing the names of the legendary gods "Shen Tu" and "Lei Yu" on two mahogany boards and hanging them on the left and right doors to drive away ghosts and suppress evil spirits. This custom lasted for more than 1000 years, and it was not until the Five Dynasties that people began to paste couplets on mahogany boards.
According to "Songshi Shu Family", Meng Chang, the master of Shu after the Five Dynasties, "in addition to the year after year, the bachelor's degree was inscribed with a peach symbol, and a bedroom door was set around. At the end of the year (AD 964), the bachelor was lucky enough to write a poem by Yin Xun. Because of his non-job, he pretended to write a poem: Qing Yu in the New Year, Jia Jienuo. Changchun. " This is the earliest Spring Festival couplets in China.
After the Song Dynasty, it has become quite common for people to hang Spring Festival couplets in the New Year. In Wang Anshi's poems, the phrase "Thousands of households always change new peaches for old ones" is a true portrayal of the grand occasion at that time. Because the appearance of Spring Festival couplets is closely related to peach symbols, the ancients also called Spring Festival couplets "peach symbols".
Reference source
Baidu encyclopedia-Spring Festival couplets