Mao Dun (1896 ~ 198 1), whose real name is Shen Dehong and Yan Bingren, is a famous modern novelist, literary critic, cultural activist and social activist, one of the pioneers of the May 4th New Culture Movement and one of the founders of China revolutionary literature and art. 1896 was born in wuzhen, Tongxiang county, Zhejiang province on July 4th. This land of plenty south of Taihu Lake is the most developed agricultural area in modern China. It is very close to modern Shanghai, and it is also a place where people gather. This has caused Mao Dun's open cultural mentality and delicate writing style to face the world bravely.

He lost his father when he was ten. The "first teachers" of many writers and politicians in China are widowed mothers, and Mao Dun was raised by her mother. After finishing the preparatory course at Peking University, he was unable to continue his studies, worked in Shanghai Commercial Press, reformed the old-fashioned novel monthly, and became the chief critic of the Literature Research Association. At this time. Participated in the Shanghai * * * production team, organized the China * * * production party, went to Guangzhou to attend the second Kuomintang Congress, and served as the Minister of Propaganda Department of the Kuomintang Central Committee. The Acting Minister of Propaganda Department is Mao Zedong. After the cooperation between the two countries broke down, he went into exile in Shanghai and Japan from Wuhan, and began to write his first trilogy Eclipse (disillusionment, vacillation and pursuit) and Rainbow, so he picked up a novelist's pen. This experience of upper-level political struggle has created his summary of the times and the whole social vision of literature, and the theme of his early works is also taken from this. He wrote the novel Midnight, the short story Lin Jiabao and the rural trilogy (spring silkworm, autumn harvest and winter remnant) during the period of the Left League. During the Anti-Japanese War, he traveled to Hong Kong, Xinjiang, Yan 'an, Chongqing, Guilin and other places, and published novels such as Corrosion, Frosty Leaves as Red as February Flowers, Exercise and Before and After Tomb-Sweeping Day. The literary and art circles celebrated his fiftieth birthday, and his reputation grew bigger and bigger. After the founding of People's Republic of China (PRC), he served as vice chairman of the Federation of Literary and Art Circles, minister of culture, chairman of writers' association and vice chairman of China People's Political Consultative Conference. It is difficult for him to create it at once. In the "unprecedented" sun and moon, I was criticized and pulled aside. After a little stability, I secretly wrote the sequel to Frost Leaves as Red as February Flowers and the memoir The Road I Walked. Died in 198 1 year.

Main work

Midnight was published in 1933, which shocked the literary world in China. Qu Qiubai called this year "Midnight Year", which shows its great influence. This novel takes the sharp contradiction between the national capitalist Wu Sunfu and the comprador Zhao as the main line, and describes the broad picture of China society in the early 1930s from all directions and angles: workers' strikes, peasant riots, revolutionary movements suppressed and destroyed by reactionary authorities, the activities of imperialist brokers, the merger of national small and medium-sized industries, the thrilling struggle in the public debt market, the actions of various landlords and various contradictions within capitalist families ...

Midnight is a novel written by Mao Dun 1896- 198 1, a famous modern writer in China. The first edition was published in 1933, which caused a strong response. Qu Qiubai once wrote and commented: "This is China's first successful realistic novel." "In the future literary history of 1933, there is no doubt that the publication of Midnight will be recorded." The historical development of Midnight and Year of Chinese Goods confirmed Qu Qiubai's prediction. For more than half a century, Midnight not only has a wide readership in China, but also has been translated into more than ten languages, such as English, German, Russian and Japanese, which has a wide influence in the world. Ichiro Xintian, a famous Japanese literary researcher, chose midnight when recommending the top ten masterpieces of world literature in the 20th century. He thinks this is a masterpiece comparable to Proust and Garcia Marquez.

Mao Dun's novels are famous for his panoramic observation of social life. The stage background of Midnight is Shanghai in the early 1930s. Instead of intercepting an alley or a street corner, the writer shows all aspects of this modern city from the perspective of overlooking: the luxurious living room of capitalists, bizarre nightclubs, intricate struggles in factories, screaming fires in the securities market, the rhetoric of poets and professors, and the tragic love of ladies and gentlemen, all of which are combined into the plot of Midnight. At the same time, through some details, the writer touched on the rural scene and the ongoing war in the Central Plains, further expanding the life capacity of his works, thus realizing his intention: "to describe the social phenomenon in China on a large scale" and "to fully show the turbulent China in 1930." Of course, Mao Dun's "large-scale" and "comprehensive" descriptions are not random pieces of life. His elaborate structure and careful layout, through the history of the protagonist Wu Sunfu's career rise and fall and the history of his personality development, touched other multiple clues, making the whole article not only present colorful scenes, but also advance in depth along a meaningful direction. Finally, Wu Sunfu's tragedy symbolically implies the writer's rational understanding of the social nature of China: "China did not embark on the road of capitalist development, and China was more colonized under the oppression of imperialism." Mao Dun writes novels almost with the attitude of writing history. The plot of Midnight is embedded in the real historical time and space from May to July of 1930. The bond trading and the war between Chiang Kai-shek and Chiang Kai-shek described in the novel are all well-documented and true historical facts. Midnight introduces this kind of non-fictional discourse into the novel and blends it with fictional discourse, which should be said to be a bold and creative stylistic experiment. The epic of Midnight undoubtedly benefits from the ingenious adjustment and combination of poetry and history.

The overall layout of Midnight is epic, but the detailed description is extremely euphemistic and meticulous, analyzing the characters' psychology until its subtle and trembling ripples. As early as the 1930s, Mr. Wu Mi pointed out this feature and praised it greatly, saying that Midnight was "beautifully written, full of beauty, and the brushwork was uncontrollable". It is extremely commendable that its subtleties can be restored and changed. Mao Dun thinks that Wu Mi's comments really appreciate "the author's ingenuity".

Eclipse describes the life experiences and ideological trends of some petty-bourgeois intellectuals before and after the Great Revolution. Lin's Shop focuses on the rise and fall of the small shop run by Lin Boss, describes the relationship between Lin Boss and the whole society from many aspects, and explains the important idea that the bankruptcy of Lin Boss's small shop is the future of the whole industry and commerce. "Spring Silkworm" clearly tells people that the real way out for farmers is to look beyond the bumper harvest through the fact that the life of silkworm in old Bao Tong is more difficult. Like Midnight, Lin Jiapu and Spring Silkworm are also very representative social analysis novels. It has been selected as a Chinese textbook for middle schools for a long time and is a model essay for teenagers to learn. Lin Jiabao and Midnight have also been made into movies, which have aroused strong repercussions in the vast urban and rural areas of China.

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Keywords contradiction, Wen Yiduo, introduction, work,

Hello, Mao Dun (1896? His real name is Shen Dehong and his name is Yan Bing. 1896 was born in wuzhen, Tongxiang county, Zhejiang province on July 4th. Mao Dun was born in a family with novel ideas and received a new education since childhood. He was admitted to Peking University Preparatory School and worked in the Commercial Press after graduation. Since then, he has embarked on the road of reforming China's literature and art. He is the pioneer of the New Culture Movement, the founder of China's revolutionary literature and art, and Mao Dun is also a famous writer, literary critic, cultural activist and social activist in modern China. Representative works include the novel Midnight, Spring Silkworm and literary criticism Reading at Night. 198 1 03 14, knowing that he would get sick, Mao dun donated 250,000 yuan to set up the Mao dun literature prize to encourage the creation of contemporary excellent novels. The main novels: Midnight, Eclipse Trilogy, Erosion, Rainbow, Exercise, Frost Leaves as Red as February Flowers, Frost Leaves as Red as February Flowers, the sequel, Multi-angle Relationship Short Story: Reward, Creation, Spring Silkworm and Big Nose. Smoke Cloud, Where there is a will, there is a way, Suicide Essay: Praise of Poplar, Whistle Selling Tofu, Rayon, Impression of the National Games, A Glimpse in the Car, Amid Firecrackers, Talking about the Moon, Anecdotes in Fog and Mountains and Rivers.

A Brief Introduction to the Contradictory Work Eclipse

Eclipse consists of three novellas, disillusionment, vacillation and pursuit, with the ideological trend and life experiences of some petty-bourgeois intellectuals before and after the Great Revolution as the theme. Disillusionment is about Shanghai on the eve of the revolution and Wuhan in the climax of the revolution. The heroine Zhang Jing is emotionally fragile and full of fantasy. She lacks the courage to fight; Weak will. She is easily filled with hope and disappointment in life. Zhang Jing hates the noise and "money worship" in Shanghai and is disappointed in reading and love. Encouraged by the revolutionary situation, she went to Wuhan, the center of the revolution. She changed jobs three times, but each time she "just added some disillusioned sadness". Zhang Jing held this fragile feeling and fantasy, seeking personal spiritual sustenance and comfort, and the result was disillusionment again and again, which reflected the characteristics and fate of some intellectuals under the impact of the revolutionary wave. Shake tells the story of a small county near Wuhan during the Great Revolution. As a revolutionary alliance, Fang Luolan, the head of the Kuomintang county party department, wavered in compromise when the revolutionary situation changed dramatically, which encouraged the counter-revolutionary arrogance. He knew the evil of Hu Guoguang's involvement in the revolution and dared not expose it or fight it. He is afraid of the power of the people. When the revolution encountered setbacks, he was not only helpless, but also decided to leave the revolution for personal safety. Hu Guoguang is an "old fox with a long history". He used all kinds of despicable means to sneak into the revolutionary camp and covered up his speculative and destructive behavior with a disguised revolutionary mask. There is not much pen and ink about revolutionary Li Ke, but his keen, decisive and unyielding revolutionary spirit is outlined. When the revolutionary crisis was exposed, Li Ke came to this county town as a special correspondent. It was he who pointed out the root of the county's past work, who risked his life to convince the people who were deceived and incited by Hu Guoguang, and who moved the revolutionary armed forces to Nanxiang to prepare to continue fighting when the revolution failed. It is precisely because of these reflections of struggling life and the appearance of Li Ke that Shake has become the least gloomy one in the trilogy. The third part of Eclipse, Pursuit, as Mao Dun said in Reading Ni Huanzhi, is intended to "expose1the morbidness and confusion of intellectuals in the early spring of 928". The characters written in it were once excited at the height of the revolution. When the revolution was at a low ebb and white terror enveloped the whole country, they refused to go along with the reactionaries, but they were restricted by class and could not recognize their own right path. So although they pursued their goals, they were inevitably defeated in the end. Zhang's "saving the country through education" and Wang's "saving the country through news" failed; Zhang Qiuliu can only destroy herself and others in the self-anesthesia of sensory enjoyment. Another character, Shi Xun, is too suspicious and decadent to ask for more happiness. "Ideals don't correspond to facts" is the same conclusion that these people reached after their "pursuit" failed. 13 Zan 1, 525 browse

Contradictory life stories, major works.

Mao dun (1896 July 4th-198 1 March 27th), formerly known as Shen Dehong, was named Yan Bing. Han nationality, Tongxiang, Jiaxing, Zhejiang. China, a famous modern writer, literary critic, cultural activist and social activist, was one of the pioneers of the May 4th New Culture Movement and one of the founders of revolutionary literature and art in China. 1896 was born in Wuzhen, Tongxiang County, Zhejiang Province on July 4th. This is the land of plenty in the south of Taihu Lake, and it is the most developed agricultural area in modern China. It is adjacent to modern Shanghai, and it is also a place where people gather. This has made Mao Dun brave in facing the world with an open cultural mentality and exquisite writing style. During the Cultural Revolution, I secretly wrote the sequel to Frost Leaves as Red as February Flowers and the memoir The Road I Walked. Mao Dun died on March 27th, 198 1. Mao Dun (Shen Dehong) Brief Introduction Many writers and politicians in China have "first teachers" who are widowed, and Mao Dun was raised by his stepmother. At the age of seven, Mao Dun went to school with his father, and his stepmother personally guided him to learn new things. At the age of 8, my father was seriously ill, went to Wuzhen Lizhi Primary School to study, and then transferred to Youcai Senior Primary School. From the posthumous works of Chairman Mao Zedong, Zhou Yang, Mao Dun and Guo Moruo, we can see that he showed the thought of caring for the country and the people, strengthening the body and eliminating evil spirits. 13 years old, with the help of his mother, he boarded the train in Huzhou, ended his childhood and began his middle school life. 16 years old, scholar, familiar with traditional Chinese medicine, open-minded reformist, quite successful in resuming studies. After completing the preparatory course in Peking University, he was unable to pursue further studies. He joined the Shanghai Commercial Press, reformed the old-fashioned Novel Monthly, became the chief critic and one of the founders of the Literature Research Association. Actively carrying out the revolutionary literature movement has made pioneering contributions to the study of Lu Xun and his works. His knowledge and talent were discovered by the general manager and the director of the editorial department, and he was transferred to the Chinese Department to help Mr. Sun Lao cooperate in translation. Mao Dun finished translating a book popular with young people in one month, named Clothes, and then translated Food and Accommodation, and later helped him compile a fairy tale magazine. This is the first stop of Mao Dun's literary creation. 19 18 wrote the fairy tale "Looking for Happiness", and the fairy tale works also include "Dahuai". At this time, he took part in the Shanghai * * * production team to build the China * * * production party, went to Guangzhou to attend the second Kuomintang Congress, and served as the Minister of Propaganda Department of the Kuomintang Central Committee. The Acting Minister of Propaganda Department is Mao Zedong. After the cooperation between the two countries broke down, he went into exile in Shanghai and Japan from Wuhan, and began to write his first novels Eclipse (Disillusionment, Shake and Pursuit) and Rainbow, so he picked up a novelist's pen. This experience of upper-level political struggle has created his summary of the times and the whole social vision of literature, and the theme of his early works is also taken from this. During the Left-wing League period, he wrote a novel Midnight, a short story Creation, Lin Jiabao and a rural trilogy (Spring Silkworm, Autumn Harvest and Can Winter). During the Anti-Japanese War, he traveled to Hong Kong, Xinjiang, Yan 'an, Chongqing, Guilin and other places, and published novels such as Corrosion, Frosty Leaves as Red as February Flowers, Exercise and Before and After Tomb-Sweeping Day. He also wrote essays such as Praise of Poplar, Talk about Mountains and Rivers, and Gentleman in the Woods to express his complex feelings by symbolic means. The literary and art circles celebrated his fiftieth birthday, and his reputation grew bigger and bigger. After the founding of People's Republic of China (PRC), he served as vice chairman of the Federation of Literary and Art Circles, minister of culture, chairman of writers' association and vice chairman of China People's Political Consultative Conference. It is difficult for him to create it at once. Mao Dun's pen names are Mao Dun, Lang Loss, Zhu Xuan, Fang Bi, Zhi Jing, Bu Lao, Xing Tian and Xing Feng. They are all his pen names, and there are dozens of them. However, Mao Dunhe is not always his most commonly used pen name. Life of Mao Dun1896 On July 4th, Mao Dun was born in Wuzhen, Tongxiang County, Zhejiang Province. His father Yongxi Shen was a scholar in the late Qing Dynasty. He is proficient in Chinese medicine. He is an open-minded reformer and attaches great importance to new learning. In addition to natural sciences such as sound, light, chemistry, electricity and mathematics, he also likes to spread social science works with progressive ideas. My mother, Chen Aizhu, is a liberal arts, visionary and strong-willed woman. Mao Dun 10 lost his father. As a child, he accepted the knowledge of literature, history and geography taught by his mother. Mao Dun said, "My first teacher is my mother". Mao Dun's enlightenment education began earlier. I studied at home and in a private school before elementary school. At the age of 8, he entered Wuzhen Lizhi Primary School and later transferred to Zhicai Senior Primary School, becoming the first student of the school. Here, he not only read textbooks on Chinese, self-cultivation and arithmetic, but also became interested in painting. At that time, in the eyes of ordinary conservatives, children were forbidden to read novels and other "casual books", but Mao Dun got the permission of informed parents. The Journey to the West's Romance of the Three Kingdoms, The Water Margin, Strange Tales from a Lonely Studio and The Scholars are all his favorite books at this time. From Mao Dun's essays in primary school, we can see that at that time, he showed the thought of worrying about the country and the people, strengthening the body and eliminating evil. Mao Dun spent his middle school days in three middle schools in Zhejiang. 1909 was admitted to Huzhou No.3 Middle School in Zhejiang Province, 19 1 transferred to Jiaxing Middle School in autumn. Soon, the Revolution of 1911 broke out, and Mao Dun warmly welcomed the revolution and became a voluntary propagandist of the revolution. At school, Mao Dun and several classmates attacked an unpopular academic supervisor and were expelled from the school. So I transferred to Hangzhou Anding Middle School and graduated there. In middle school life, although some teachers left a deep impression and positive guidance on Mao Dun, the whole learning atmosphere is outdated. "If you don't read books below the Qin and Han Dynasties, parallel prose is the authentic article, and poetry should learn the seven sons of Jian 'an; ..... tolerance to Tsinghua shukuang ("my middle school and later"). All this once gave Mao Dun the accomplishment of classical literature, but in his memory, it was more ordinary, gray and suffocating. He spends almost all his spare time reading novels. Classical novels inspired his literary thinking, and at the same time, they also showed their marks on his creative style. 19 13, Mao Dun was admitted to the first class of Peking University Preparatory School. After graduating from preparatory school, I started to work to make a living because of my family's financial difficulties. 1965438+In August 2006, I went to work in the Compilation Institute of Shanghai Commercial Press. I began to revise English correspondence papers of the English Department, and then cooperated with others to translate books. In this way, the original text of "basic necessities of life" was translated. Soon, he went to the Chinese Department to write Fables of China, and also participated in the editing of Student Magazine. 1at the beginning of 920, when the May 4th literary revolution was in full swing, Mao Dun began to be responsible for the editing of the new trend column of Fiction Monthly. At this time, he successively wrote the Declaration of Novel Tide, Discussion on New and Old Literature and What is the responsibility of a writer now? And so on, revealing Mao Dun's early literary view. In June of the same year 165438+ 10, Mao Dun took over and completely innovated Novel Monthly; At the end of February, 65438+ contacted Zheng Zhenduo, Ye and Zhou Zuoren. , and initiated the establishment of the Literature Research Association in June, 192 1. At that time, Mao Dun was mainly engaged in the discussion of literary theory, literary criticism and translation of foreign literature. According to incomplete statistics, in the year of 192 1, Mao Dun published about 130 translations. He devoted himself to the literary revolution with abundant energy. Two years later, due to the dissatisfaction of the old school of the Commercial Press with the innovation of Novel Monthly, Mao Dun resigned as the editor-in-chief of the magazine and transferred to the Chinese Department. At the same time, Mao Dun took an active part in social revolutionary activities. 192 1 At the beginning of the year, Mao Dun joined the Shanghai * * * production team. In July of the same year, China * * * Production Party was founded, and he became one of the earliest party member of China * * * Production Party. After 1922, under the cover of the editor of Novel Monthly, he became a liaison in the Central Committee of the Communist Party of China. During this period, he also taught in the party-run civilian girls' school and Shanghai University to train cadres for the revolutionary cause. 1925 May 10, Shen Yanbing published a long article "On Proletarian Art" in the first issue of Literature Weekly 127. The issues of Literature Weekly 173, 175 and 196 published in June17 and June 196 will continue to be published. This is the slogan of revolutionary literature put forward by Shen Yanbing in 1924. The article is divided into five parts. The first section discusses the formation of proletarian art; The second section discusses the conditions for the emergence of proletarian art; The third section discusses the category of proletarian art; The fourth section discusses the literary phenomenon of the Soviet Union and the content of proletarian art; The fifth section discusses the formation of proletarian art. The May 30th Movement broke out in 1925, and Mao Dun directly devoted himself to the mass revolutionary movement. In June, and Zheng Zhenduo founded the Axiom Daily, which was forced to close soon. In August, as a staff representative, I participated in the strike struggle of the Commercial Press. After the Kuomintang held the Xishan Conference, Mao Dun and Hui established the Kuomintang Shanghai Party Department in Shanghai at the behest of the Central Committee. 1At the end of 925, Mao Dun and Yun were elected as representatives of the Shanghai Party Department of the left-wing Kuomintang and went to Guangzhou to attend the Second National Congress of the Kuomintang. After the meeting, I stayed in Guangzhou as a secretary in the Propaganda Department of the Kuomintang Central Committee and a contemporary minister in Mao Zedong. 1In March, 926, Mao Dun returned to Shanghai after the "Zhongshan Ship Incident". In June 5438, the Northern Expeditionary Army occupied Wuhan and established the National Government. When Mao Dun arrived in Wuhan, he first worked as an instructor at Wuhan Branch of the Central Military and Political School. /kloc-in the spring of 0/927, he became the editor-in-chief of the Republic of China Daily in Hankou. From April to July, he wrote more than 30 editorials and comments for the magazine. In July, Wang Jingwei organized a * * * meeting and openly rebelled. Mao Dun left Wuhan to prepare for the Nanchang Uprising. After arriving in Jiujiang, he returned to Shanghai via Guling because the road was blocked. At this time, he was wanted by the Kuomintang reactionaries. Since then, he started writing and other literary activities under the pseudonym of Mao Dun. 1September, 927, published "Disillusionment",1June, 928, successively completed the creation of "Shake and Pursuit"-the trilogy of solar eclipse. In July of the same year, he left Shanghai for Japan, first living in Tokyo and then moving to Kyoto. During his stay in Japan, he wrote the novel Rainbow (unfinished) and some short stories and prose poems. And other works such as Miscellaneous Myths, General Theory of Western Literature, Nordic Myth ABC, and China Myth Research ABC; From Guling to Tokyo, I read papers by Ni Huanzhi and others. 1930 In April, Mao Dun returned to Shanghai from Japan. Soon, he joined the Chinese Left-wing Writers' Union and once served as the executive secretary of the "Left-wing Union". Since then, Mao Dun and Lu Xun have been together, engaged in revolutionary literary and artistic activities and social struggles. 193 1 year, in order to protest against the bloody massacre policy of the Kuomintang reactionaries, Lu Xun and Mao Dun published the Declaration on Slaughtering a Large Number of Revolutionary Writers for the Kuomintang. 1February, 932, published the Book of Shanghai Literary and Art Circles and the Declaration of the Japanese Army Attacking Shanghai and Slaughtering People to the world. In May, the news of the murder of Japanese revolutionary writer Kobayashi Takiji came, and eight writers, including Lu Xun and Mao Dun, initiated "fundraising for Kobayashi's survivors who died suddenly"; In July, he called the Nanjing government to ask for the rescue of the imprisoned Niulan couple from the International Federation of Trade Unions. 1September, 934, Mao Dun helped Lu Xun to establish Translation magazine, which opened up a new way to improve literary translation. 1936 In February, after learning that the Red Army had successfully arrived in northern Shaanxi, Lu Xun and Mao Dun sent a congratulatory message to the Central Committee: "The future of mankind and China depends on you." In the same year, in June 5438+10, Mao Dun and many literary and art workers published the Declaration on Freedom of Speech in Literary and Art Circles and Freedom of Speech for Unity, calling for the establishment of an anti-Japanese national united front in the literary and art circles. 1937, ten years, is the mature and fruitful stage of Mao Dun's creation. During this period, I finished the novella Road, Three Sides and the novel Midnight. Midnight is a novel that describes the social features of China on a large scale. Its publication shows the achievements of left-wing literature and is a milestone in the historical development of new literature since the May 4th Movement. Qu Qiubai commented, "This is China's first successful realistic novel" (Midnight and the Year of Chinese Goods). At the same time, he also completed the creation of excellent short stories such as Lin Jiapu, Spring Silkworm, Autumn Harvest and Can Winter. Translated the Diploma by Dan Qin Ke and the War by tikhonov; In addition, he has published a large number of essays, short literary comments and monographs on writers' studies in such publications as Shen Bao Free Talk, Taibai and Literature. 1937 at the beginning of the Anti-Japanese War, he joined the work of Wang Jiu Daily and edited Scream (later renamed Beacon). After the fall of Shanghai, Mao Dun moved to Changsha, Wuhan, Hong Kong and Guangzhou. 1938 In March, the All-China Anti-Enemy Association of Literary and Art Circles was established in Hankou, and Mao Dun was elected as a director. In April, Literary Position, edited by him, was founded in Guangzhou. At the same time, Lin Yan, a supplement edited by Li Bao, was reissued in Hong Kong. The novel The Story of the First Stage (formerly known as Where Are You Running? "), is completed at this time. In February 65438, at the invitation of Du Zhongyuan, he went to Dihua (now Urumqi) in Xinjiang via Haiphong and Kunming. 1939 arrived in Xinjiang in March. Teaching in Xinjiang University. In April, Xinjiang Cultural Association was established, and Mao Dun was elected chairman. In A.D. 1940, Sheng Cai, the ruler of Xinjiang, became more and more reactionary. Mao Dun was forced to leave Xinjiang at the end of April, passing through Lanzhou and Xi 'an, and arrived in Yan 'an at the end of May. During his stay in Yan 'an, he gave lectures at Lu Xun College of Literature and Art and the Shaanxi-Gansu-Ningxia Border Region Cultural Association. He has published many articles in magazines such as China Culture and Popular Literature. From June+10 in 5438, he arrived in Chongqing from Yan 'an and served as the Standing Committee of the Cultural Work Committee chaired by Guo Moruo. At this time, the creation of excellent prose "Landscape Talk" and "Praise of Poplar" was completed one after another. 194 1 After the "Southern Anhui Incident", the political countercurrent in the Kuomintang-controlled areas became increasingly serious, and a large number of progressive cultural figures such as Mao Dun left Chongqing for Hong Kong. In May, the magazine "Popular Life" hosted by Zou Taofen was founded, with Mao Dun as the editorial board member; And serialized the novel "Corrosion" in this magazine, which is another masterpiece of Mao Dun. Editor-in-chief of "Bi Tan" in September, 7 issues. In February 65438, the Pacific War broke out, and soon the Japanese army occupied Hong Kong. With the help of Dongjiang guerrillas led by China Production Party, Mao Dun and others left Hong Kong for Guilin. During my nine months in Guilin, I wrote such long works as Frost Leaves as Red as February Flowers and The Remains of Robbery. 1942 End the trip to Chongqing. Since August 1943, the long "Going to the Post" has been published one after another (unfinished); 1945 The creation of the first drama "Before and After Qingming Festival" was completed, and it was staged in Chongqing in September. In June this year, the progressive literary and art circles held a celebration to commemorate the 25th anniversary of Mao Dun's creative activities, and launched an essay for Mao Dun's literary prize. 1946 In March, after the victory of the Anti-Japanese War, Mao Dun left Chongqing, passing through Guangzhou and Hong Kong, and arrived in Shanghai in May. Editor-in-chief of Literary Federation magazine; Participate in activities calling for peace and fighting for democracy. During his stay in Hong Kong, he delivered speeches such as "taking a peaceful and democratic route" and "recognizing the national conditions clearly". In June, he and the progressives in Shanghai's cultural circles called for peace and published a letter to President Jiang, Marshall and all political parties. In July, after Li Gongpu and Wen Yiduo were killed by Kuomintang agents, Mao Dun and others called on the International Association for the Protection of Human Rights to expose the crimes of the Kuomintang. On June+10, 5438, Shen Junru and Mao Dun published articles such as "We ask the government to effectively guarantee freedom of speech". In the same year, the translated collection of Soviet novels "People Immortal", "The Son of the Communist Youth League" and the translated collection of Soviet short stories about the Great Patriotic War were published. At the end of the same year, Mao Dun and his wife left Shanghai for a visit to the Soviet Union at the invitation of the Soviet Foreign Cultural Association. Mao Dun's Russian Anthology (20 pieces) 1947 65438+ 10, Diary of Yousu has been published one after another. In April, he returned to Shanghai from the Soviet Union. During this visit, I wrote two books, What I saw and heard about the Soviet Union and Talking about the Soviet Union. At this time, the Kuomintang reactionaries launched a civil war and imposed fascist rule more cruelly. Mao Dun was forced to go to Hong Kong again at the end of 1947. 1948 in may, Mao dun and others published a letter to colleagues in domestic culture. In June of the same year, Mao Dun and patriots from all walks of life in Hong Kong jointly responded to the "May 1" call of the Central Committee, calling on compatriots at home and abroad to unite and promote the early convening of a new political consultative conference. In July, he participated in the editing of Novel Monthly, and in September, he was appointed as the editor-in-chief of Wen Wei Po Literature Weekly, which was reissued in Hong Kong. The novel Exercise is serialized in this magazine. Besides writing some short stories, I also finished the Miscellaneous Stories of Escaping from Danger. At the end of the same year, at the invitation of China's * * * production party, Mao Dun and his wife left Hong Kong, passed through Dalian and Shenyang, and arrived in Beiping after the peaceful liberation of/kloc-0 in February, 949 to participate in the preparations for the China People's Political Consultative Conference. In July, Mao Dun attended the Congress of Literary and Art Workers in China, and made a report on "Literature and Art in Kuomintang-controlled Areas Struggling under the Repression of Reactionaries" at the meeting. At the meeting, he was elected as the vice chairman of the China Federation of Literary and Art Circles and the chairman of the Chinese Writers Association (later renamed the Chinese Writers Association). After the founding of People's Republic of China (PRC), Mao Dun served as the Minister of Culture of the Central People's Government, the editor-in-chief of People's Literature magazine, and was elected as a deputy to the previous National People's Congress, a member of the Standing Committee of Chinese People's Political Consultative Conference, and a vice-chairman of the fourth and fifth National Committees. In the severe test of the "Cultural Revolution", Mao Dun always stood on the side of the Party and the revolutionary people. After smashing Jiang Qing's counter-revolutionary group, he was elected honorary chairman of the All-China Federation of Literary and Art Circles and chairman of the Chinese Writers' Association at the Fourth Congress of Literary and Art Workers in China. After the founding of the People's Republic of China, Mao Dun's works include Advocacy Collection, Advocacy Continuation, Reading Couples at Night, About History and Historical Drama and Mao Dun's Poems (including the part before the founding of the People's Republic of China). In his later years, he was ill and still devoted to writing his memoirs. Mao Dun's works published by People's Literature Publishing House and other publishing houses include: Collected Works of Mao Dun 10, Miscellaneous Notes on Escaping from Danger, On Mao Dun's Creation, Mao Dun's Literary Essays, Selected Works of Mao Dun's Translation, Miscellaneous Notes on World Literary Masterpieces, Mythological Studies, Memoirs, The Road I Walked, and Long Works. The 40-volume Complete Works of Mao Dun published by People's Literature Publishing House since 1983 contains all his literary works. 1981March 14, Shen Yanbing expressed his heart at the last moment of his life. He was introduced to the Party by Li, and should be party member, the earliest producer of the Party. Because of the war, he lost contact with the Party, hoping to admit that he is party member after his death. On August 3rd this year, the Central Committee of China issued a statement.