1983, Zaha Zaha Hadid was selected as the design bidding scheme of Hong Kong Peak Club, which won wide acclaim. Since then, she has won the first prize in the competition drawings of Kufurstendamm Street in Berlin (1986), Dü sseldorf Art and Media Center (1989) and Cardiff Bay Opera House (1994). While engaged in theoretical and academic research, Zaha Zaha Hadid opened his own company in 1979 and designed an apartment for Eton Square in London. This work won the gold medal of 1982 architectural design. Other projects include designing furniture and interior decoration for Bitar( 1985) in London, and designing several buildings in Japan, such as two projects in Tokyo (1998) and Folly( 1990) in Osaka. 1990, Hadid also designed an exhibition hall for the video art exhibition in Gloning. 1992, he designed the "Utopia" exhibition of Gujinhan Museum in new york. From 1988 to 1989, Hadid was entrusted to design the Vitera fire station in Vail-on-Rhine, which served Hamburg, Bordeaux, Cologne and other ports after completion. Zaha Hadid began to hold a large-scale retrospective exhibition of paintings in AA School of Architecture in 1983, and his paintings have been exhibited all over the world since then. Large-scale exhibition venues include new york Kuching-Han Museum (1978), Tokyo GA Gallery (1985), new york Museum of Modern Art (1988), Harvard University Graduate School of Design (1994) and New York Central Railway Station waiting room (1. Zaha Hadid's works are not completely westernized and modern. Zaha, who grew up in Iraq, was fascinated by the complex patterns of Persian carpets since childhood. In the hands of weavers, Persian carpets turned reality into a rich entangled world. Coincidentally, weavers are mostly women. The most direct influence on Zaha is the United College of Architecture (AA) in London. When she went to school there, the college was in its golden age and was called the experimental center of architecture all over the world. The college has inherited the tradition of "architectural imagism". Many teachers and students in the college, such as Cook, Koolhaas, Chumi and Coase, have turned their regrets about the modern world into themes and shapes of their works. They are brave as brand-new modernists, trying to capture the ever-changing energy and add a new perspective in an attempt to put forward a new perspective for modernity. Whether it's Chumi's funny laughter, Koolhaas' mysterious collage or Cook's declarativeness, they all integrate multi-dimensional perspectives, fast-moving and intense modeling, and technological architecture into the images-the performance of these images is more description than definition.
Personal character
Hadid's studio is located on craken Road in central London. The office is very big, the ceiling is decorated with complex serrated blue plexiglass, and books and magazines surround the whole room. Hadid still wears as usual: black tunic, black smooth slim pants and black Prada sandals. She can sit 15 hours a day without straining her waist muscles, because her pink easy chair is S-shaped along the spine line of the human body, just like a modern soft sculpture. This is the work of VernerPanton, a famous design master. "We enjoy design all the time!" Hadid said.
She is also a lover of improvisation. She once designed a pair of "architectural" dark pink sandals, which were covered with hollowed-out curves like tortoise-back bamboo. Wonderful wedge shoes make the shoes look one arm away from the ground and have a magical floating feeling. Hadid's subordinates all know that if "one day this devil wears his sandals to work, it means that this unusual boss has become an active volcano that will erupt at any time." She thinks everyone's work is too boring, or she thinks her work is too boring, so she will change a pair of shoes to cheer up. At this time, anyone who is slightly careless will attract her screams and roars. "
Hadid's strict requirements for work and subordinates are well-known in the industry. She has a strong appearance and strong energy unique to women in the Middle East. Her hair is split, and the first two strands of hair stand out and are lifted to both sides. "It's like a legend." One of her subordinates said, "You can't help but respect and be afraid of her." Hadid arranged her work loudly, and when she heard her voice, her subordinates' hearts would beat drums. She is the kind of person who can stay in the office for 80 hours a week, and her subordinates have to be workaholics.
Regarding his bad temper, Hadid said, how can you be a good architect without perfectionism obsessive-compulsive disorder? What does it mean that male architects with similar personalities are not abnormal? It shows that men and women are still unequal. 60-year-old unmarried male architects are still considered as "bachelor of diamonds", while Hadid, who has the same experience, is regarded as "the devil in pants".
His works are not completely westernized and modern. Zaha, who grew up in Iraq, was fascinated by the complex patterns of Persian carpets since childhood. In the hands of weavers, Persian carpets turned reality into a rich entangled world. Coincidentally, weavers are mostly women.
The most direct influence on Zaha is the United College of Architecture (AA) in London. When she went to school there, the college was in its golden age and was called the experimental center of architecture all over the world. The college has inherited the tradition of "architectural imagism", and many teachers and students of the college-Cook, Koolhaas, Chumi and Coase-have turned their regrets about the modern world into themes and shapes of their works. They are brave as brand-new modernists, trying to capture the ever-changing energy and add a new perspective in an attempt to put forward a new perspective for modernity. Whether it's Chumi's funny laughter, Koolhaas' mysterious collage or Cook's declarativeness, they all integrate multi-dimensional perspectives, fast-moving and intense modeling, and technological architecture into the images-the performance of these images is more description than definition.