2. The Transformation and Fission between Private Media and Popular Culture, Literature and Art Research, May 2007;
3. Modern charm as a mirror image of literati —— Analysis of China in Wang Zengqi's novels, Literary Contention, February 2004;
4. "New Chinese" and infection education of college Chinese, Journal of Nankai University,No. 1 2007.
5. Cultural Experience in Modernity Poetics, China Cultural Studies, February 2002;
6. Perspective on the Historical Context of Pioneer Naming, Tianjin Social Sciences, April 2006, 5438+0;
7. Generation and Significance of Writing Concept, Journal of Xinjiang University, April 2006, 5438+0 (Literary Theory of NPC Copying, September 2002);
8. Language Saving Memory, Fujian Forum, June 2006, 5438+0;
9. Rewriting the 20th Century: Historical Narration and Stylistic Forms of Novels in the New Century, Journal of Tianjin Normal University, No.2, 2008. (Academic Abstracts of Liberal Arts in Colleges and Universities, March 2008)
10. Novel as a text, Literature and Culture, No.8, Nankai University Press, 2008;
1 1. Language is also an artistic image. Literature and Culture, No.9, Nankai University Press, 2009;
12. From cultural identity to strange and ordinary views: Xinmin Dance and others. Art Review, No.8, 2009;
13. Silent Dance Revolution-Dialogue on Dance, Art Review,No. 12, 2005 (Dance Art copied by NPC, May 2006);
14. Making Popular, China Aesthetic Yearbook, 2005, Henan People's Publishing House;
15. Private Life in the Internet Age, Wenjing, July 2005;
16. Blog and large-scale self-production, Wenjing, June 2005;
17. the era of paperless Chinese writing, art wide angle, April 2006, 5438+0;
19. Blog and the Internet Survival of Intellectuals, China Book Review,No. 12, 2006;
20. Seeking the Critical Moment of Ideological Situation, China Book Review, No.012007;
2 1. Historical Reflection on China's Modernity —— Interview with Wang Hui, China Book Review, No.03, 2007;
22. Poetic Philosophy and Historical Criticism (Speech at the Meeting) China Book Review, No.08, 2007.
23. Myth, Imagination and Geography (Dialogue) China Book Review, No.09, 2007.
24. From Pure Beauty to Pan-Aesthetics, Journal of north china university of technology in February 2002 (Philosophy Yearbook 2003, China Social Sciences Press, 2005);
25. The loss and reconstruction of a great tradition: the reform of vernacular Chinese from the image of China, Journal of north china university of technology, April 2005;
26. Discourse division and the generation of literati self, the fifth in the series of culture and poetics. Peking University Press, 2005;
27. Consumer Imagination of Shanzhai Culture, People's Forum, No.22, 2008 (People's Congress copied materials, Marxist Digest, February 2009);
28. "Online right to know", an illusory carnival? People's Forum, issue 3, 2009;
29. Internet Public Opinion and Chewing Gum Thought, People's Forum, No.2, 2009
30. Misreading China and Image Remolding, People's Forum, No.4, 2009;
3 1. The reasonable pursuit of "profit" is worthy of recognition, People's Forum, May 2009;
32. An Alternative Interpretation of "Water Injection Phenomenon", People's Forum, May 2009;
33. Enthusiastic experts and crisis management, People's Forum,No. 12, 2009;
34. Media Survey and Social Conscience, People's Forum,No. 15, 2009;
35. Citizen Accountability and Political Trust, People's Forum,No. 18, 2009;
36. Irrational Defects in Cybersquare, People's Forum,No. 16, 2009;
37. Cultural Production in the Era of Media Globalization, People's Forum, No.25, 2009;
38. From News Obama to Movie Obama, People's Forum, No.29, 2009;
39. Post-anxiety of "Strong and Weak Groups", People's Forum,No. 19, 2009;
40. Cultural Production in the Era of Media Globalization, People's Forum, No.25, 2009;
4 1. Cultural Expression in the Post-Emotional Era, China Social Guide, July 2008;
42. "Deleuze, Russell, and even Edison Chen, can mass culture create ecstasy?" , China Social Guide, May 2008;
43. Morality is on the left and emotion is on the right —— On Wang Xiaoshuai's films, China Social Herald, April 2008;
44. Media Change Society and Life, China Social Guide, No.3, 2008.
45. Lost in the media, China Social Guide, No.3, 2008.
46. Images as a way to change the world, China Social Guide,No. 1, 2008.
47. Ang Lee's Cultural Tricks, China Social Herald,No. 12, 2007.
48. Noisy Girls in TV Square, China Social Guide, No.8, 2006.
49. Dreams come true after nationalism, China Social Guide, 10, 2006.
50. The Visual Colonial Era of China Blocks, China Social Herald, No.2, 2007 (Tianya, No.3, 2007).
5 1. Education and Interpretation of Literature, Mother Tongue, Articles and Education (Essay), Higher Education Press, 2009;
52. Four Rhetoric Forms of Chinese, Mother Tongue, Articles and Education (Essay), Higher Education Press, 2009;
53. On the Characteristics of Popular Culture in China, Journal of Binzhou Normal University, April 2003;
54. Small Shenyang: The Age of Buried Cultural Prose, Oriental Morning Post, April 28, 2009;
55. The youth culture is high and the youth culture is low. Oriental Morning Post, May 4, 2009;
56. Postmodern Visual Tourism in the Great Cause of the Founding of the People's Republic of China, Oriental Morning Post, September 2, 20091;
57. Dwelling House and Big Capital, Oriental Morning Post, 65438+February 200911;
58. The cultural strategic transformation behind China in 30 seconds, Oriental Morning Post, 2009,1February 02;
59. Three Guns: The Silly Joy in Zhang Yimou's Seduction Mechanism to Death, Oriental Morning Post, June 5438+February 65438+June 2009;
60. Anti-story: The Myth of Tian, Literary Newspaper, April 9, 2009;
6 1. Populism of New Officialdom Novels, Literary Newspaper, 2009,11.09;
62. The popularity of "spoof": the result of the conflict between old and new media? China Book Business Daily165438+October 2006;
63. Poetic Habitat of Body, Beijing Youth Daily, August 24, 2005;
64. Novel recommendation in 2008, China Education News, March 2009;
65.2009 college entrance examination composition review, China Education News, July 2009;
66. Newspeak: Reject or Accept, China Education News, 7th Edition, June 28, 2007;
67. Write Some Thoughts, Humanities Edition of Wenbao University,No. 1, 2008;
68. "Wang Xiaobo's Bad", Language Newspaper University Humanities Edition,No. 1 2008;
69. Literary language does not have to be accurate, China University of Language and Literature Humanities Edition, No.2, 2008;
70. Some Defamiliarization, Humanities Edition, No.2, 2008;
7 1. The article is imagination, No.3, Humanities Edition, China Language and Literature University, 2008;
72. Image Interpretation of a Poetry, Humanities Edition, No.3, 2008;
73. Writing Meaningful Language, Humanities Edition of Wenbao University, No.4, 2008;
74. What happened to China people since the media era? China Language Newspaper University Humanities Edition, No.2, 2008;
75. Hungry Bastard, Humanities Edition of Wenbao University,No. 1 2009;
76. The Popularity of little reunion and the Degeneration of Literary Reading, Humanities Edition,No. 12, 2009;
77. Shichahai: Classical Legend of Modern Beijing, Global Travel, No.9, 2006;
Those loves 20 years ago, learning Chinese, 2004;
80. Pioneer of imagination, wide angle of art, 200 1 year, 1 month;
82. Heroic Narration and Its End, Proceedings of the 2000 Beijing International Symposium on Jin Yong's Novels, Peking University Publishing House, 2002.
83. Pioneer: What do we expect from it, Shanhua, February 2006, 5438+0;
84. Rhetoric of self-anxiety, Grand Stage, June1998;
85. Classic topic selection, Journal of Yunnan University for Nationalities1June 1998;
86. Historical narration and historization of narration: Jameson's poetic construction, Journal of Binzhou Normal University,1March 998;
87. Narrative Strategies of Thunderstorm, Northwest Forum19981;
88. Jin Yong Centennial, Binzhou Daily1September 5, 992;
89. Aesthetic Connotation and Social Emotion Infiltration of Martial Arts Description, Journal of Binzhou Normal University, No.3,1992;
90. On the Description of Martial Arts Philosophy in the New School of Martial Arts Novels, Journal of Binzhou Normal University,No. 1994,No. 1;
9 1. "Two problems that should be paid attention to in building a modern campus language environment", Journal of Binzhou Teachers College, No.3,1996;
93. The Setting and Significance of Aesthetic Curriculum, China School Education Research, Essays, Legal Publishing House1998;
97. Salary reform in colleges and universities under the trend of politicization, published in People's Forum (No.1, No.20 10);
98. I click on my existence: Internet, Yunnan People's Publishing House, August 2004.
98. You Cool Me: Hero Gossip, China Federation of Industry and Commerce Press, 2002.
99. Freeze: A World-famous Classic Portrait (co-author), China Changan Publishing House, March 2005. A Course of Popular Culture Theory and Criticism, Higher Education Press, 2009.
100. Modern Literati Self in the Image of China, Peking University Publishing House, 2009.
10 1. Interpretation of Goethe's Conversations, Jinghua Press (Beijing) 200 1 1.
102. "Aesthetics and Aesthetic Education" (experimental teaching material for the reform and opening-up of talent training mode of the Ministry of Education) was written in the fourth chapter, with 80,000 words, and was published by CCTV Press (Beijing) in 2002.
103. An Introduction to Popular Culture (a series of textbooks for general education courses in colleges and universities) was written as the fourth chapter, with a total of 20,000 words. Higher Education Press (Beijing), 2004.
104. The Aesthetic Course (Fudan erudite 265438+key textbook of the 20th century) has 20,000 words in chapter 7. Fudan University Press, 2004.
105. Introduction to Literature (experimental textbook for the reform and opening-up of talent training mode of the Ministry of Education), the author of the second (part), third and fourth chapters, with a total of 80,000 words. Professor Wang Yichuan, editor-in-chief, CCTV University Press, 2004.