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The Symbol of Public Opinion in Du Fu's Caotang
After Du Fu's death, famous poets in Tang Dynasty such as Huang Fan, Yuan Zhen, Bai Juyi and Han Yu all spoke highly of Du Fu's poems. But Du Fu was truly universally admired in the middle of the Northern Song Dynasty and the Southern Song Dynasty. Mainly manifested in the following aspects: first, respect Du Fu's severity, and vigorously collect, sort out and engrave Du Fu's poems; The second is to pay attention to domestic bees, forming a wind in which thousands of people pay attention to Du; Third, build ancestral temples, build temples of the Ministry of Industry in places where Du Fu traveled, carve poems and erect monuments.

Although Du Fu lived in the bronze drum for a short time, his influence on the bronze drum was far-reaching. Zhao, a scholar in the same valley, donated five mu of land, on which the county magistrate Guo Yao built the ancestral hall of the Ministry of Construction. The poet Chao Shuo and Cheng Zhou recorded this. Chao said: "the ancients had to worship the temple or make great efforts to control the chaos;" Or because the people are parents, there is virtue for the people; Or because of benevolence, contribute to the customs. Fu, an old Confucian scholar, was in mourning all day, wandering around and complaining about hunger and cold. Hundreds of years later, he stayed in the temple, just like I did in Du Gongbu, leaving almost nothing. " (Du Gongbu Temple in Tonggu County, Chengzhou).

Nonsense: "Mr. Wang was famous for his poems in the Tang Dynasty. When you see a poem, you can learn about the world by reading it. A bachelor's doctor called it the history of poetry. Where he travels, good people carve his poems on stones everywhere. " Lu You also said, "Missing Ling Du is everywhere. Jin Li Zhan Bai, Mianzhou Diaohai Brown. " (Feeling Old) That's true. In places where Du Fu has traveled for a long time, there are almost all his ancestral temples, statues, poems and monuments. According to relevant ancient books and local chronicles, there are 8 ancestral halls in Longyou alone, and Du Fu Caotang in Chengxian County is one of the earliest ancestral halls built in Qin, Gansu, Shu, Jing, Chu and Yu.

At the beginning of the Qing Dynasty, Hu Chengfu wrote in "Eight Scenes in the Same Valley": "The ancient and modern scenic spots are in the same valley, during which the scenery is wonderful and beautiful ... During the first year of the dry year, the public entered Sichuan and loved our mountains and rivers. They stayed for more than a month and could not bear to go. Yi people think of their high winds, set up shrines, and worship them in the Spring and Autumn Period. The appearance of the temple remains the same, and the spring stone remains the same. It is a major event worth looking forward to. "

From "Spring and Autumn Worship" to "Future Worship", this is a symbol of expressing public opinion and public opinion. "

The specific time of the construction of Du Fu Caotang in Chengxian County was not controversial until the 1980s.

"Guang Yu Ji" says: On the way to Sichuan, the poet sage "lived here, and later generations felt its high wind, that is, its address was dedicated."

In the forty-six years of Wanli in the Ming Dynasty (A.D. 16 18), Guan Yingli, a religious edict in Chengxian County, wrote "Rebuilding the Temple", saying that "Shaolin Temple has made great progress."

Neither of them knows when the thatched cottage was established.

In the thirty-second year of the Republic of China (A.D. 1943), Tao, the magistrate of Chengxian County, said in "Miscellanies of Chengxian County": "Gao's thatched cottage was built between the Song Dynasty and dedicated to the statue of the Ministry of Industry, and it was worshipped in the spring and autumn." This theory is not credible because it has no specific basis.

1962, Xu, a local scholar of literature and history, wrote that Shao was the title of the founding emperor of the Southern Song Dynasty. In the third year of Shaoxing (A.D. 1 133), Yu Wenzhen, the magistrate of Chengzhou, went to Du Gongbu Caotang to engrave the poem "Du Gongbu Caotang". The fact that Yu Wen inscribed poems and carved stones shows that the thatched cottage must be built before this. But the specific time, Xu Wen is not sure.

In order to find out the exact date of the establishment of the Caotang, in late April of 1984, the author was invited to attend the 1270 Du Fu's birthday commemorative meeting and the second annual meeting of Du Fu Research Association held in Chengdu Caotang. After the meeting, I visited Mr. Miao Yue, a famous scholar and poet who studied Du Fu and a senior professor in the history department of Sichuan University. Mr. Wang said that Du Fu's track was "a rare discovery in studying the poet's track in Longyou" after reading his clumsy books "A Brief Study of Du Fu's Track in Longyou" and "Shaoling Diaotai Extension". He also said: "To find out the founding date of Du Fu Cottage in Chengxian County, we may wish to refer to the Song Mountain Collection written by Chao Shuozhi in Chengzhou during the Xuanhe period of the Northern Song Dynasty." Subsequently, Mr. Sui went to the library of the History Department of Sichuan University to browse the Songshan Anthology in the old edition of the Continuation of Sikuquanshu Series. With the help of Yang Mingqing, a researcher at Chengdu Du Fu Memorial Hall, the author copied three articles about Du Fu written by Chao Shuozhi in Chengzhou, and finally cleared the fog of the construction of Du Fu Caotang in Chengxian County.

From the three articles of Chao Shuozhi, we can see that in a short period of several years, Chao not only contributed to the construction of three memorial halls in memory of Du Fu, namely, Du Gongbu Temple, Zhuofeng Memorial Hall and Faxing Pavilion in Tonggu County of Chengzhou, but also wrote Zhuofeng Memorial Hall and Du Gongbu Temple in Tonggu County of Chengzhou. Unfortunately, these three important inscriptions in the Song Dynasty may have been lost before the Ming Dynasty.

In particular, the story of Zhuo written by Chao Shuozhi on February 26th in the 4th year of Xuanhe (A.D. 1 122) provides a very important and irrefutable fact: "Du Gongbu used to live in a new temple." That is to say, when Zhuofengxuan was completed in February of the 4th year of Xuanhe, "the new ancestral hall has started to worship", which means that the ancestral hall in Du Gongbu must have been built four years ago, that is, in the 3rd year of Xuanhe (A.D.121). In recent years, some publications and newspaper articles unilaterally assert that the thatched cottage was built in Xuanhe for five years, which is contrary to the facts stated in Chao Shuo's Zhuo Feng Chen Ji.