What is the important medium to express images in China?

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Image research opening report

The first part: the opening report of the image research of Tang poetry.

A Study on the Connotation of Common Images in Tang Poetry

-Report on developing research-based learning.

Suzhou Industrial Park No.2 High School Class 1 (4) Research Learning Group

First, the research background of the subject

Tang poetry is one of China's outstanding literary heritages and a bright pearl in the treasure house of world literature.

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In Tang poetry, poets often use some concrete things to express their theme thoughts and feelings, that is, images, which have been endowed with certain connotations by poets in the long historical process. Therefore, analyzing poetry from the common image connotation is the only choice for us to improve the level of poetry appreciation.

However, students' appreciation of poetry is not good. Therefore, in order to improve the ability of poetry appreciation, we need students to be conscientious. So, what are the common images in Tang poetry? What are their special connotations?

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With such problems, we plan to carry out research-based learning activities, and the topic will be established as "the connotation research of common images in Tang poetry"

Second, the composition and tasks of the research group

In order to study more problems and reduce the extra-curricular burden of each member, our research group plans to form a large group and divide it into four groups. The four groups carry out activities together, collect data together, conduct surveys together, help each other and cooperate with each other, but each group has its own emphasis on the task and summarizes the research results step by step. "A Study on the Connotation of Common Images in Tang Poetry"

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This topic is divided into four sub-topics: 1, research on the common image connotation of frontier fortress poems; 2. Study on the common image connotation of homesick poems: 3. Study on the common image connotation of homesick poems: 4. Study on the common image connotation of farewell poems. Four sub-topics were studied by four groups. It embodies the connotation of common images in Tang poetry from many aspects.

Team composition and task division:

Team leader: Zhu Sijing

Group 1: joy chen

(Responsible for subproject 1)

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Group 2: Yu Shaoyang

(Responsible for sub-item 2)

Group 3: Lu Yingyi

(Responsible for sub-item 3)

Group 3: Zhang Kun

(Responsible for sub-item 4)

Lecturer: * * *

Third, the purpose and significance of the study

1. Study the connotation of common images in Tang poetry and improve the level of poetry appreciation.

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2. Study the words in Tang poetry, appreciate, draw lessons from and write.

3. Expand students' knowledge and enhance their understanding of Tang poetry.

4. Encourage students to study hard and aspire to success; Exercise your ability to collect data, investigate and study, comprehensively analyze and write papers, and increase your talents in practice.

Fourth, research methods.

1, query frequently used websites: use commonly used websites and pay attention to relevant information on the websites.

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Pictures, and download to the floppy disk for study and research.

2. Inquire about books and materials: inquire about relevant materials in schools and off-campus libraries and make records, or copy the full text for study and research.

3. Case analysis: Use consultants to sort out relevant cases and analyze the significance of image connotation in Tang poetry.

Verb (abbreviation for verb) research plan and steps

The first stage: (20.3.01-3.29) set up a research group, establish research topics, and define the research tasks undertaken by each group.

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The second stage: (3.30-4.20) Inquire about materials, collect all kinds of graphic materials about common image connotations in Tang poetry through consulting, internet and library, and sort them out and save them.

The third stage: (4.20-5. 10) combs the common image connotation in Tang poetry, and further verifies how to apply it to Chinese learning.

The fourth stage: (5. 10-5.30) analyze and explore all the data.

The enlightening content, found that there are

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Problems, determine the methods to summarize the research results and solve the problems.

The fifth stage: (5.30-6.30) Write research reports and related papers, and make multimedia courseware.

Stage 6: (6.30-7. 1) Show the research results.

Sixth, the form of results.

1. Write a report on research learning achievements (3 copies).

Everyone writes a research study paper.

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Still experience.

3. Make the whole research into multimedia courseware and show the results. 19 April 20th

Part two: the opening report of image research in the English translation of Tang poetry.

Introduction: China is a country of poetry and a bright pearl in the treasure house of world culture. The Tang Dynasty was a period of political enlightenment, economic prosperity and cultural prosperity in the history of China, during which the creation of China's classical poems (metrical poems) reached its peak. Tang poetry is beautiful in language, fluent in writing and meaningful.

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Elegant environment, sincere feelings and open and profound thoughts are the essence of Chinese national literature and a wonderful flower in the world garden. Escumak, chairman of the Nobel Prize in Literature Committee, praised the unique artistic beauty of China's literature and said, "What works in the world can be compared with China's Tang poems and Dream of Red Mansions?" As a kind of treasure, Tang poetry has a strong humanistic atmosphere and artistic beauty. The image of poetry is an important embodiment of the beauty of poetry, and the translation of image is directly related to the transmission of the beauty of the original poem. From the aesthetic point of view, this paper focuses on the definition and aesthetic characteristics of "image" in poetry, and explains the significance of poetry.

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Image is a poetic expression of human existence with the help of "Fu Bi". The heterogeneity and isomorphism of human nature and things make the translation of poetic images possible. Taking the English translation of Tang poetry as an example, this paper analyzes and summarizes that the key to the translation of poetic images lies in the understanding of the original poetic images and the artistic conception behind the images. In practice, images should be interpreted or adjusted in the context of translation. These strategies are of great guiding significance to poetry translation, and the translation process belongs to the process of cultural reproduction, so cultural background should be considered to achieve the unity of form, beauty and meaning.

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Purpose and significance

With the global Chinese fever heating up and the constant settlement of Confucius Institutes around the world, foreigners are becoming more and more interested in China culture.

As the epitome of China culture, Tang poetry integrates history, culture, economy and connotation, and imagery is an important medium to convey these connotations. "Image" is an important concept in China's ancient literary theory, which is embodied in China's ancient poetry creation. William Willi, a British sinologist, believes that image is the soul of poetry.

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Because the accumulation of images reflects the rich cultural background of China. Hu Yinglin, a famous scholar in ancient China, also said: "The beauty of ancient poetry lies in seeking images". The unity of meaning and image and the blending of emotion and scenery are the aesthetic pursuits of China's ancient poems, which are perfectly expressed in Tang poetry. In a sense, translating poetry is translating images, and the process of translating a Tang poem into English is the process of reconstructing and reproducing poetic images in English. It is undoubtedly a meaningful topic to study the English translation of Tang poetry from the perspective of image translation. This thesis takes the English translation of Tang poetry as the research object, and discusses the connotation and evolution of "image" in Chinese and western cultures and poetry translation.

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This paper selects representative translators to conduct case studies, and then puts forward the principles and strategies of poetry image translation. At the same time, through the different versions of the same Tang poetry, this paper discusses the matters needing attention in poetry translation, and thus preliminarily obtains the relevant strategies and skills in image translation of Tang poetry.

Research status at home and abroad

There are many excellent translators in modern China, such as Yan Fu, Fu Lei, Liang Qichao, etc. The translation of Tang poetry into English is a tireless work of translators. The outstanding representatives of Tang poetry translators in contemporary China are

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Xu Yuanchong, Liu Zuwei, Sun Qiangxin, Gao. Taking Xu Yuanchong's emphasis on images in Tang poetry as an example, he said: "Theory comes from practice and needs to be tested by practice. This is the philosophical basis of my proposal to establish China School's literary translation theory. On the basis of inheriting predecessors' theories, he developed his life-long translation experience and put forward his own translation theory "optimization theory", which was summed up in four words: "Beautify the art and create excellence like a competition" and published in The Art of Translation (1984), Literary Translation Theory (1998) and Literary Translation Theory.

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Spiritual similarity, seeking truth and beauty, translation and creation, "translation cavity" and "four-character idioms", cultural differences between China and the West, and competition between the two cultures can be summarized into the following three theories: "three beauties" (beauty in meaning, beauty in sound and beauty in form) are the noumenon of translated poems. Of the three beauties, the beauty of meaning is the most important, followed by the beauty of sound, and finally the beauty of form. In other words, translation is the creation of beauty, so the form is better than the spirit, and we should strive to achieve the three beauties on the premise of conveying the beauty of the original meaning. The theory of "three transformations" (deep, flat and shallow) is the methodology of poetry translation. By adding words, changing words and subtracting words respectively,

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Try to achieve spiritual realm through free translation. The theory of "three" (knowledge, goodness and joy) is the teleology of poetry translation. Knowing is to make people understand, which is the basic requirement of translation; Then ask for good, which can make people like it; The highest state is pleasure, which can make people happy.

At the same time, Tang poetry has also received attention and enthusiasm abroad. Western scholars' translation of China's classical poems (mainly Tang poems) began with Herbert Le's English Version of China's Poems from 65438 to 0898. In the late 1920s or 1929, Witt Bain (Witter

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Bynner) published the English version of Collected Works of China People in new york (the earliest English version of 300 Tang Poems in the United States); Ezra pound (1885- 1972), an American poet, translated many Tang poems, such as Autumn Wind by Emperor Wu of the Han Dynasty and Long March by Li Bai. 1940, Three Hundred Selected Poems of Tang Poetry by Som Ginaser was published in London, 1944, and the supplementary edition of the book was published. Arthur waley (1889- 1969), an outstanding American female translator, translated and published The Book of Songs. At the same time, she translated at least 170 poems, including Tang poems.

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China's classical poems. 197 1 year, new york published the English version of Du Fu by A.R. Davies; 1973, Yale University published Arthur Wright's Views on Tang. From 65438 to 0987, the Hong Kong Commercial Press published 39 English versions of Tang poems by Xu Yuanchong, Wu Juntao and other translators (which occupied a certain share in the American poetry translation and publishing market and was welcomed by Chinese and American academic circles). Take Pound and Lowell for example. Their Imagist representative poet Pound came from ancient China.

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The theory of "artistic conception" in classical poetry and Japanese haiku has made outstanding contributions to the mutual reference of eastern and western poetry. After Pound withdrew from Imagism, Lowell continued to lead the activities of Imagism, and put forward six principles, namely, language should be popular and accurate, new rhythms should be created, themes should be completely free, poems should be written with images, and expressions should be concrete and concise.

Concentrate. Later, Lowell added the principle of "be subtle, not straightforward". They tried to use vivid images and short and pithy "Chinese-style" poetry style to oppose1the stale English poetry style in the late 9th century, which has positive significance, but the key point is to chase after it.

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Pursuing the form and skills of poetry often ignores the social significance and ideological value of the works. Research route: