To be sure, it is absolutely inconceivable that Song Ci can achieve such outstanding achievements, if it is not based on such outstanding achievements and such skillful skills of Tang Poetry. From the later excavation of Dunhuang Quzi Ci, it can be seen that before entering the hands of the text, Quzi Ci was no different from the previous folk songs except for the uneven sentence length, and the same was mainly expressed in a simple, simple and straightforward way. In the middle and late Tang Dynasty, after the literati began to experiment with the lyrics, just like all the changes from folk literature to literati literature, the lyrics also changed unconsciously, gradually showing the literati's color, and therefore more artistic (of course, there will be negative effects, such as less simplicity and frankness, but this proportion is secondary). Bai Juyi and Liu Yuxi were important poets in the Tang Dynasty. They first tried to create ci, especially Wen and Wei Zhuang, who created a lot of ci later. Their participation will inevitably bring their poetry creation skills to the creation of ci. In addition, poets in the Five Dynasties and the Song Dynasty were almost all poets. They write poems and write lyrics at the same time, so the skills of Tang poetry naturally blend into the creation of ci, making the creation of ci more exquisite. In fact, as long as the art of Song Ci is slightly analyzed, it will be found that Song Ci has an obvious inheritance relationship with Tang poetry, whether it is the use of images, the lyrical technique of scenery description, the creation of ci context, or even the tempering of language, metonymy and the use of allusions. Such as the following Qin Guan's noun "86 sons":