Brief introduction of the movie Jasmine Blossom 1 is as follows:
Naive smile, silly and straightforward love. This kind of love will last a lifetime. Although deeply hurt by that man. But he gave his initial dream and gave her a woman's little happiness. This kind of happiness has nothing to do with money, but sometimes it is more gorgeous because of money. He gave her a short trip, but she gave him the rest of his life.
Amo fell in love with an affectionate and charming boss. A simple and inexperienced girl must think that he only loves himself. She never thought that he would leave so mercilessly. He gave her a little woman's vanity and a short happiness. When the man disappeared and learned that the house he gave her had been rented by another woman, Amo went home in grief and madness and gave birth to a lovely and beautiful Lily.
Lily boldly expressed her love to the descendants of this active worker. Despair of love, in the real marriage and family life, there are quarrels and contradictions between them ... fortunately, they still have love. It's just that Lily learned to doubt. The man lying next to her said, "Will you love me forever?" She touched the person she loved, but she was so confused. Later, it was Lily who ruined her happiness with distrust.
Ahua had a happy childhood, although she was adopted by Lily and Zou Jie. But she got the happiness that many children deserve. It's just that her growth makes her mother jealous and makes her spirit more melancholy. After mom and dad left, Ahua lived with her grandmother. Growing up, she fell in love with a young man, and Jen in her bones was as loving as her grandmother and as loving as her mother. People can't help but think of their ending. A simple man left her because Jane's love was so selfless. She loves him so much-secretly marrying him, waiting for him to go to college and supporting him to take the postgraduate entrance examination. I don't know that this man has drifted away from her. What is touching is the woman's strong and optimistic life after divorce. I think this is the sublimation of the film.
Times change and generations continue. The face of the old photo studio has been updated again and again. Grandma once told her mother that girls should not be so active; Mother once said to her daughter: don't be with him; Grandma once told her granddaughter: Don't wait for him. However, the younger generation is as loved, hurt, unhappy or happy as their grandmother and mother.
A few days ago, I watched Jasmine Blossom directed by Hou Yong and starring Zhang Ziyi and Chen Chong, but I didn't write it. This is because when I was a student, every time I watched a movie, I was forced to write by my Chinese teacher. When a favorite thing is bullied into a task, it loses its inherent charm and makes people bored.
This song "Jasmine Blossom" made me have the impulse to take a pen, which is purely personal. If there are similarities, it is purely coincidental.
The film Jasmine Blossom tells the love experiences of three women. Mo in the 1930s envied the prosperous life of the upper class. Despite the opposition of her mother, Chen Chong, she rushed out of the house and threw herself into the arms of the film company boss played by Jiang Wen, who was regarded as a generation of red stars. To tell the truth, when I saw this beginning, I had no doubt about Jiang Wen's feelings for her. Like Mo in the film, I naively thought that Jiang Wen really loved her, loved her innocence, loved her inexperience and loved her innocence. I think, in the colorful vat of the old movie circle, maybe Boss Meng is tired of being surrounded by carmine and fragrant incense, and is alone with this little jasmine flower. I'm angrier than Mo, who is pregnant and lured away by him! Naive Mo escaped from the hospital and returned to the hotel rented for her in Jiang Wen that night, still expecting the arrival of this man. In the 1930s, women's attachment to men and the naivety of fantasy love were obvious here.
The destruction of love and the outbreak of war came at the same time, which woke her charming dream like a blow. When she returned to the set to look for Jiang Wen, she found that the building was empty. Everything is like a beautiful soap bubble, and even the bursting is cruel and sad. She returned to her mother's photo studio with her child in her arms. The original innocence and cuteness were subverted by meanness. The great blow and disappointment made her in a trance, but this did not affect her final fantasy of love. It was not until the stationery mailed to Hong Kong was returned, and until the moment when she received the check from Hong Kong, that she completely repented: her love was just a transaction, just a floating cloud in the utilitarian field, light but not heavy.
Mo had no choice but to accept her fate and gave birth to a girl born after 60, Li, who wanted to marry her beloved Zou Jie. Unfortunately, her interpretation of love deviated from the correct track of love. She is always worried about losing the man who loves her. Excessive tension made her nervous and even suspected that her husband was having an affair with his adopted daughter. When she shouted with the white sheet without virgin blood, her eyes were obviously filled with fear and despair. At this moment, her world collapsed, because she thought her world collapsed. She turned love into a rope tightly around her husband's neck, which finally made Zou Jie unbearable. She chose to lie down and commit suicide, and proved her innocence with her own death. Unfortunately, it's too late. Li's tears of regret can't change Zou Jie's real body. Li finally went insane and ran away from home. From this perspective, although her emotional experiences are different from those of her mother Mo, they are undoubtedly tragedies. The happiness of two women who are faithful to love is so far away from them.
Sally's adopted daughter Hua grew up under the care of her grandmother Mo. Will this girl in the 1980s continue the' sadness' of the last two generations and continue their unfinished journey of jasmine flowers? She married her classmate Xiao Du. Coincidentally, Xiao Du also moved on when she was pregnant and divorced her. A strong flower didn't spend her whole life feeling sorry for herself like grandma, nor did she abandon her home like her mother. She survived strongly and waited patiently for the arrival of the child. The climax of the whole play appears at the end. Hua can't get a taxi at midnight. She gave birth to a child by the roadside in the heavy rain. My heart twitched when blood mixed with rain, tears and sweat ran down her face, neck and trouser legs. At the moment the child arrived, Hua's face also showed the same smile as "Hua". Life went on and her fate was in the hands of a strong woman.
Finally, Hua and her children moved into a new house. Hua, wearing glasses, once again showed her unyielding bright smile to the camera. Yes, her life has changed. She won't take the path that Molly took. She is a woman of the new era, and a road of happiness full of sweat and blood extends at her feet. Even if the road is still hard and rugged, she will go on as always.
But in any case, she is a single mother, and the loftiness and greatness of love are once again subverted here: why do women live so sadly? Why can't you see the loyalty of love here?
All three women chose to have children, and Sally adopted flowers because she couldn't have children. In the minds of women in China, is the child the most important meaning of a family? A home without children is incomplete? This answer is not given. Sally naively thinks that children can tie her husband's heart. Women devote themselves to love and struggle in the darkness given to them by life. The tragedies of two generations ended in the bright smiles of flowers. A woman can only find herself if she is strong enough to face life.
The song "Jasmine" runs through the whole movie. Mo and Li didn't finish singing the song, and the ending came to an abrupt end because of an accident. Their love planted fruit, but it didn't sprout.
I don't want to talk about the director's morality, nor can I talk about it. Let's just talk about actors. Of the three leading actors, only Jiang Wen's performance naturally leaves no trace, which is also one of my favorite actors. As for Lu Yi's idiotic performance in it, I don't want to say more. Liu Ye's bitter gourd face plays the anti-angle, which is even more obscene, and there is no place to shine.
I have to praise the performances of Chen Chong and Zhang Ziyi. The exquisite affectation and slightly neurotic ten thousand kinds of amorous feelings of Mo's mother and Li Nainai are well played, which really deserves to be the first generation actress in China.
Besides, Zhang Ziyi. I know many people hate her, but I don't hate her, or even like her. Such a delicate and pretty woman, with a small face, thin figure and childlike innocence in her eyes from time to time, makes her so lovable. Some people say that she has a domineering attitude, and her eyes always show her desire for power and fame. This is an ambitious woman. Yes, I don't deny that she has such a personality, but such a person is destined to live in the spotlight and show everything to people confidently and elegantly. I like her skinny beauty and the confidence and strength she exudes. Hua's character here should be the most similar to his own: never give up and never lose to life. The role of flower also represents a major trend of women in China in the new period, that is, not giving in to old ideas, while pursuing love, they also have the courage and strength to undertake failure. I'm embarrassed to say that I lack such courage and strength myself. I felt sad and lonely when I watched the film. I haven't learned to be strong and sweat. Don't hit me, hehe.
Zhang Ziyi plays three roles of Molly, vividly portraying women who live in three different times but have the same desire for love. Mo's wet experience is not profound, naive and pure, and Li's passionate nerves are hysterical, fancy and strong, and he never gives up. They appear vividly in front of us. While watching the film, we feel sad and happy with the ups and downs of the characters' fate, and at the same time, we unconsciously look at ourselves, fall into confusion and depression about love and marriage loyalty, and think hard about the occasional inappropriate doubts and anxieties in our love view. Sometimes I can't extricate myself, sometimes I turn joy into sorrow. After waking up, let's compare the plot again.
When an audience will be emotional because of the plot in the movie, the movie will always have its success. Even if 90% people don't like it and only 10% people are moved, it will naturally have its meaning. I said a lot of nonsense, and I didn't seem to catch the main line myself, but I didn't intend to catch the main line either. I can write wherever I want and sigh wherever I write.
Seeing Zhang Ziyi is always strangely associated with Molly. Not because she played this role, but because she felt like a fragrant jasmine, with infinite strength under her small body. This may be the place where repressed women in China should learn from the old marriage system and misunderstanding of love.
Introduction to the film Jasmine Blossom The three women in the third chapter Jasmine Blossom all ended their love story in the form of tragedy, and then entered the next stage of their lives. Looking at the bumpy lives of three women, I suddenly thought of that sentence: all happy families are similar, and each unhappy family has its own misfortune. Reflected in them, that is, everyone has a persistent pursuit of feelings when they are young. It is their persistence that makes it difficult for them to get out of the feelings they choose, so they are doomed to struggle in the bitter water of feelings for a lifetime, spend the rest of their lives slowly in dissatisfaction with reality and memories of the past, and let them live in regret and pain all their lives. Jasmine Blossom spans more than half a century. Finally, Ahua and that woman entered a "new life". What will be the emotional experience left for Ahua's daughter? Can jen change her daughter when dealing with the same feelings as them? At the end of the story, we can only guess and hope that this lovely girl will not experience the same tragedy as her mother. ...
I don't know what kind of story the director of Jasmine Blossom wants to tell the audience. I don't understand what the director expects us to see from it. Just like there are a thousand Hamlets in the eyes of a thousand people, different people see different stories from them and get different re-examination of their feelings.
Introduction to the film Jasmine Blossom Chapter 4 "Huilong Photo Studio is located on the street corner, with orange-painted walls and two narrow glass doors, which fully show the style of those small photo studios in the 1930s. ..... It's like an open matchbox, almost cracked by the crowded tall houses around it. ..... If you pay attention to the rear window again, you can also find that women's small objects and cheongsam are hung on the clothesline, but there are no men's things. " This is the first description by writer Su Tong in the novel Women's Life, and it is also the scene of the film Jasmine Blossom adapted from this novel, except that the photo studio in the film is called Red Flag.
Things Without Men is destined to be a play written for women. As Zhang Yimou and the director said at the beginning of shooting, Jasmine Blossom is a film about women's psychology, so all the men in the film should be vague. From the beginning to the end of the film, men are not only passers-by in Hongqi photo studio, but also passers-by in women's lives.
Mo, the Xian in the novel, is played by Zhang Ziyi. She is a girl who loves movies and yearns for star life. She has clear eyes, good looks and figure. In this way, she was attracted by the boss of the film company, and soon auditioned and started making movies. Mo, who is still wet behind the ears, is intoxicated with the luxurious and exquisite apartment, silk pajamas and "Jasmine" brand perfume rented by the company for her. When boss Meng walked out of the apartment door with a magazine with her photo on the cover, she happily let him in. When she twisted her waist and sang the song "Jasmine" sweetly at the birthday party, she found herself pregnant. Because of fear, she refused to have an abortion, and her acting career was coming to an end. After Boss Meng absconded with the money, pregnant Mo had to move out of the apartment where the rent was due. When she sat in the rickshaw and took a last look at the small and chic balcony of the apartment, she saw herself with infinite scenery in those days, smiling and waving goodbye to her now embarrassed self. She can never go back, but her heart will never stay there. After that, she appeared in the film many times and read the magazine application with the cover. She has always insisted on calling her daughter's and granddaughter's boyfriends "Gao Xiao" just because they look like the movie star Zhanfei Gao whom she admired when she was young. She can't forget those days when she was very popular. She held the half bottle of "Jasmine" perfume in her hand until her death.
Sally, also called Zhi in the novel, is also played by Zhang Ziyi. She is Mo's daughter. Cheese has a red birthmark on its forehead. Li's subconscious is a distrust of his mother and himself. She is eager to get rid of her mother, but she has to live with her mother. She loves her husband, but is afraid of losing him. She wants to have a child but can't have a child ... all kinds of contradictions are intertwined, forming the most artistic and lively protagonist. Mother-in-law's seemingly casual sentence "Why did the bride cry all night last night" hinted at Sally's ultimate character tragedy. The white bedspread that can't be put down, through the not sparse texture, Sally is peeping at everything in the room every night: mother, husband, adopted daughter ... The audience also sees her inner depression and fear from the fleeting illusion in her eyes. In the end, she forced her husband to death, and she also embarked on the road of no return.
The whole play is divided into three parts. The first film Mo tells the story that the first woman starring Zhang Ziyi, the grandmother at the end of the play, fell in love with her boss because she longed to be a movie star. When she became popular in most parts of China, she found herself pregnant and refused to have an abortion out of loyalty to her feelings. It was Shanghai in the 1930s, and many people fled to Shanghai.
The story enters the second "Lee". At first, Mo always thought that Lily was a burden of his life and "had no motherhood" for Lily. In a blink of an eye, 18 years passed, and Lily fell in love with Lu Yi, the only * * * party member Zou Jie in the same grade. It was the fifties and sixties, when the working class was the most popular. Lily, who grew up in a bourgeois family, couldn't stand the poor life and moved back to their photo studio. Lily always expected that she could be pregnant and have children, but she was deprived of the right to be a mother for her own reasons. In order to alleviate her expectation of children, they adopted a girl named Ahua. Lily has always doubted Zou Jie's father's love for his daughter because she is not a woman who knows herself personally. One night, Zou Jie went to pull the quilt for her daughter ... Lily woke up in her sleep, opened the quilt and looked at it ... (Everything was an illusion caused by his self-doubt), and Lily threatened Zou Jie to say, "I will sue him." In that special era, Zou Jie committed suicide by lying on the track. Then Lily also fell dead on the tracks.
So the story enters the third story "Flowers". In a blink of an eye, 13 years passed. Ahua has always grown up with her grandmother, the woman who ruined her life by being obsessed with movies. Ahua fell in love with a man when she went to the countryside. Ahua's grandmother is very opposed to this marriage, but Ahua has married him privately. Holding a marriage certificate, the man embarked on a train to Lanzhou to go to college. Ahua worked hard at home to knit sweaters and earn money for her husband. When her husband came back, he said he would go to Japan for further study, so he lived in a different place with Ahua. One day, my husband sent a letter from Japan, which was a divorce agreement. Grandma warned Ahua to take the child with decades of painful memories. Of the three women, I think Ahua is the most spoony woman. Even if she knows that her husband has changed her mind, she must be strong enough to give birth to her daughter. Because she didn't listen to her grandmother, Ahua's grandmother died in a rage. At the end of this story, there is another shocking scene: it was a stormy night, and Ahua woke up to find herself approaching labor, earning an umbrella and struggling to walk to the hospital with a bag in her left hand in the rain. After falling, Jane became more and more difficult to move. It was difficult for her to move on, so in the storm, Ahua gave birth to her little daughter near a fire hose. There should be a climax in this drama: after reading this set of photos, many people may be thinking: what is love, and what was the original vows?
The film Jasmine Blossom 6 introduces a film that has been publicized for a long time, but it is difficult to make because of copyright issues.
As early as 2004, when I was in the third year of high school, I read its introduction-because our dormitory was originally called Zilingxuan, and each of our ten sisters gave herself a flower name, including rose, carnation, mimosa and so on. My name is Molly. I remember when I applied for my name, a friend said, "Molly, hey, this name sounds so unique." Yes, I like jasmine, white flowers, elegant, emitting a refreshing fragrance. Not as beautiful as roses and peonies, but fresh and lovely. So, when I saw a movie, I called and looked forward to it. Perhaps, the expectation is always unforgettable.
Time went by, and I was a sophomore before I knew it. Life is busy and dull. It's just that many things will still appear quietly inadvertently. Zilingxuan, sisters who play together, days full of warm friendship and laughter, and movies that I have always wanted to see.
I'm ecstatic to hear that it will finally be released this year! It seems that a long-cherished wish is coming to an end. However, for some reason, I didn't go to see it at first. It was not until yesterday afternoon that I finished watching the film in the audio-visual room of the library. The bumpy fate of a three-generation female family ...
Mo, a naive girl who lived in 1930s and looked forward to life, longed to be a film actress. Her luck and premature entry into the film industry may have doomed her tragedy. She was so proud and confident that she didn't notice all the fantasies around her. When the accident happened, when she was pregnant, the film company was dissolved, and her Mr. Meng absconded with the money, all she left was resentment against her unfair fate!
Sally, Mo's own daughter. Growing up in a family with only grandma and mom, her personality seems a bit weird. Her tragedy happened after marriage, and her relationship with her mother was not harmonious. The worker family she married is very different from her original family background, and the pressure she faces can be imagined. When she finally ran home, fortunately, her husband came to accompany her the next day. Otherwise, as she said, "I can't imagine what I would have done if you hadn't come." The tears in her eyes at that moment were unbearable. This is a woman who has too much pursuit of love! I long for my mother's love, my husband's love and being understood in that special era. However, her story is not over yet. When she learned that she couldn't get pregnant, she finally collapsed completely! She committed suicide, but her husband saved her in time. They adopted a child, but it didn't help. Her mental stress is increasing. In the end, she couldn't even tolerate her husband's kindness to her daughter, suspected that they had an affair, forced her husband to death, and chose the point of no return for herself.
It can be said that the tragic atmosphere created by the film gives people a stronger feeling. Because she was born out of the blue and lived in that special era in China, although she worked hard (for example, she decided to leave her family and marry party member, the only comrade in the school), she was unable to change anything. I remember reading Li's story and many people laughed-laughing at the production and life of that era. For example, his wife Li longed for a little hug from her husband, but he was very sensitive and refused, saying it was too petty. After laughing, I felt more sympathy for it.
Hua is a girl adopted by Sally. She is also a poor child. First, she was adopted, and then both her adoptive parents died. She grew up with her grandmother (Mo). I think the warmest part of the film is when she is with her grandmother. Unlike Mo Yan's rebellion against his mother when he was young and Li's aversion to Mo Yan, Hua has deep feelings for her grandmother. Although she secretly married the college student behind her grandmother's back, it did not prevent her from loving her from the bottom of her heart.
Compared with her grandparents Mo and her mother Li, Hua's life is more familiar to us. While working on the farm, they met the man who was kind to them, and they went to get married. The man went on to go to college and then went to Japan to study, while the woman waited at home alone. But the news I've been waiting for is that the other party has changed his mind and asked for a divorce. This kind of story is not uncommon. What is rare is the courage after anger and sadness. The closest grandmother passed away, and the person she loved most no longer belonged to her, only the child in her belly was hers. When I saw that her baby was about to be born on a thunderous night, it was raining cats and dogs, and she was walking in the street with a big belly and calling for help, my heart almost hung up. How I wish someone would save this man at this moment! However, no, she just gave birth to the street child with great survival instinct and strong will. ..... really makes people tremble! What makes her so brave to deal with everything that fate has arranged for her?
The whole film focuses on shaping three characters, spanning more than half a century. The fate of the three protagonists actually reflects the social background of three different times. From this point of view, the performance of the film is successful. But for the same reason, the portrayal of the protagonist's image is relatively simple, which makes people feel that it is not full enough. They all start their own stories from the emotional aspects of Mo, Li and Hua, and overemphasize their * * * same experiences and different responses to tragic experiences. Perhaps this is the "one-sided profundity" emphasized in the film. I remember reading a novel "Feather Snake" similar to this one, and the description of the character and quality is much more delicate and true.
Introduction to the movie: Jasmine blossoms seven times, which is a kind and strong image. She doesn't have vanity like Mo, and she doesn't suppress her fears like Li. She is the representative of a new generation of women. She is independent and can protect herself. Her husband gave up on himself, and she sharply replied with the marriage law: "If you want a divorce, it depends on whether I want it or not!" Although she didn't have her husband's help to take care of her, she still suffered her grandmother's death and long pregnancy alone. She didn't look at fertility negatively because of what kind of father the child was. When Hua was lying in a clean bed listening to music for prenatal education, I smiled gently. Although a person is so lonely and miserable, great maternal love seems to illuminate everything. The ending of this film is quite different from the plot in the book. The flute in the novel understands divorce after childbirth, while the flowers in the movie are painfully produced alone in the torrential rain. On the street, on a rainy night, with the medicine box she carried with her, she had long expected that it would be a person, and she would prepare herself. She is not going to depend on anyone. She bears the pain of the past and the joy of new life alone. That production scene makes
A family of three generations of women, they are only representatives of this society, as Su Tong wrote in his article: "In the late autumn of 1987, there were young girls who divorced this year, and Xiao was just one of them." The three of them are like white jasmine flowers, blooming one after another, but each one is more beautiful than the other. They showed the audience the transformation of women in China in the past hundred years. Inspired by the times, women in China will surely appear in front of the world with a brand-new look.