The most common word "ten" in ancient poetry is to embed the numbers "one" to "ten" in ancient poetry. For example, the poet Shao Yang's "Singing in the Mountain Village" was selected as a primary school textbook:

At first glance, it is two or three miles away, and mist hangs over four or five families.

The pavilions are six or seven, and the flowers bloom in eighty or ninety.

Poets skillfully integrate these monotonous numbers (1 ~ 10) into their own poems, which seem to be understated and unremarkable, but in fact they are full of color. A few strokes outline a fresh and unique pastoral landscape.

2. Miscellaneous poetry refers to the use of numbers in poetry without a certain number and law, but written according to the needs of poetry. Most ancient digital poetry belonged to this category. For example, the quatrains written by Du Fu, a poet in the Tang Dynasty:

"Two orioles sing green willows, and egrets cover the sky."

My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.

The numbers in the poem are "two", "one", "thousand" and "ten thousand", which constitute a vibrant and beautiful picture.

3. "One" poem, which only uses the word "one".

For example, He, a poetess in Qing Dynasty, was good at writing digital poetry. She wrote "Twilight":

A flower, a willow, a fish, a bird flying in the sunset.

One mountain, one water, one temple, one forest, one yellow leaf and one monk return.

Note: Yuji(jρ), a waterside rock for fishing.

For example, a poem by Yang Yuhuan, Dedicated to Four Beautiful Women, was written by Anonymous:

A happy one, a sad one, a kiss, a string of lychees and a string of tears.

In a poem and a dream, once you wake up, you are drunk.

The two one-word poems both use ten "one" words in succession, but they do not give people the feeling of repetition and monotony.

-Jing Rui Henin.