On the one hand, the phonograph pays attention to the importance of the master's mentoring, and there is another saying that when an apprentice enters the room, he will have a big banquet when he knows it. On the other hand, mutual loyalty is accepted by disciples who worship the door. Placing knowledge has become a decoration, and there are more people in the cross talk industry who don't know.
Therefore, the majority of crosstalk enthusiasts do not have to be too rigid about the so-called rules of the crosstalk industry. Take the teacher in Yang Shaohua as an example. Those who question his teacher are all netizens, and the crosstalk industry basically admits it. Yang Yi doesn't even have a teacher. It is different to attend a cross talk industry conference and make an impassioned speech.
Another cross talk industry rule I want to talk about today is "jumping the door", that is, an apprentice jumps out of the master's school and goes to a master in other industries.
Now many netizens are particularly sensitive to the word "jumping the door". As soon as they heard the word, they jumped up as if it were a minefield. In fact, the so-called "jumping the door" cannot be equated with bullying the teacher and destroying the ancestors. This is a normal phenomenon that has always existed in the cross talk industry. Although door jumping is not encouraged in the industry, it is generally the default and acquiescence attitude.
First, look at "jumping the door" from the history of cross talk industry
In the history of cross talk industry, although the "jumping door" incident is not frequent, it is not uncommon. Three masters, Ma and Hou, who are famous for their cross talk, came down and said that some of their disciples jumped out of the door.
Zhang Shouchen's apprentices Zhu, Kang and Mu Xianglin all had masters before. Later, they went to Tianjin to develop. If you want to make a living in Tianjin, it is more important to find a good backer. So Zhu and they all jumped out to learn from the teacher, which did not cause any waves in the industry. After all, everyone knows the difficulty of making a living.
Ma's apprentice, Ban Degui, also known as the master of, and Gao Feng's master, also jumped out of the door. The original owner was Zhang Jieyao, and Ban Degui's stage names were Ban Songxia of Zhang Jieyao and Ban Xiaoxiao of Ma Lisan. And Ban Degui belongs to demotion and jumping out of the door. He used to be a long-lived man, and he worshipped horses as a treasure.
Shi, a close disciple, studied under Zhu when he was young, and became famous and then became popular. Of course, I was a little afraid to jump at the door, so I deliberately asked to inquire about my colleagues' attitudes and finally put down my heart to accept the stone. After Shi jumped out of the door, he still didn't forget about Zhu. He always said that he had two masters.
Other famous artists, such as Wang Shichen, also jumped out of the door, while Liu Baorui was suspected of jumping out of the door, because even his daughter didn't know whether Liu Baorui had formally worshipped Shoufeng, and only learned stand-up crosstalk from Shoufeng.
Therefore, in the history of cross talk, jumping the door is not a heinous thing, and there is no charge of deceiving the teacher and destroying the ancestors. As long as there is no big objection between peers (generally no objection), jumping the door is a normal phenomenon that is acquiesced but not advocated.
The reason why Degang Guo jumped the door is not the root cause. In 2004, when he jumped out of the door to pay homage to his teacher, there was no movement in the phonograph circle. Later, it caused controversy in 2006. At that time, he wrote an article attacking Yang Zhigang on his blog, which led to the deterioration of the contradiction, which in turn led to the so-called door-jumping dispute. Without the lawsuit in 2006, the "job-hopping door" has long been an established fact in the industry, just like Shi, Ban Degui and Zhu.
Second, there is something hidden in the modern cross talk jumping off the building.
Someone on the Internet has been asking such a question, saying, "When Degang Guo entered Beijing, he didn't learn from others. Why doesn't he learn from Zhang Wenshun and Fan Zhenyu, who have a good relationship with teachers? "
This question is very interesting, but it is not difficult to answer. Of course, this is not because I am destined to wait for each other like a white lady in my last life.
First of all, when Degang Guo went to Beijing for three times, he also had a teacher. When he went out to meet his colleagues, he said that they were all disciples of Bai Quanfu. Because Bai Quanfu is a Beijinger, the Eight Monsters in Project Runway belong to their White House. He Hou is the friend of life and death, and also the lifelong companion of Chang Baoting. Therefore, he has popularity and connections in Beijing. He is ashamed of Chang's family and no one bullies him. Besides, he is a tramp. Why bully him? Lang Lang Gan Kun, a society ruled by law, can't talk nonsense.
Because Degang Guo had a teacher at that time, he didn't need to learn from Zhang Wenshun and Fan Zhenyu, and he didn't need to learn from Jin Wensheng, which had a better relationship. You should know that Zhang Wenshun, Fan Zhenyu and Jin Wensheng are not ordinary people. Zhang Wenshun's master is (or Guo Qiru's), Fan Zhenyu's master is Ma, and Jin Wensheng's master is Wang Fengshan. It is not painful for Degang Guo to worship them. He doesn't worship because he has a teacher.
Many people say that they later jumped to seek asylum, which is not accurate. Don't forget that his new teacher was June 5438 +2004 10. Before this, Deyun Society became a climate, not only moved to Tianqiao Music, but also sold out.
The fundamental reason is that many people ignore the truth hidden behind the frequent door-jumping incidents in the cross talk industry in those years, that is, joining the Quyi Troupe.
At that time, there were several famous folk art groups in Beijing. Besides the rap group of China Central Radio, Beijing Folk Art Troupe, Railway Art Troupe and Coal Art Troupe are all very good. I don't know when it started. These Quyi troupes have an unwritten rule that if they want to join Quyi troupes, they must learn from the pillars of the troupes.
For example, Degang Guo wanted to join the Beijing Quyi Troupe, and the Quyi Troupe asked him to learn from Li Jindou, and Degang Guo agreed. But then it went away, and Degang Guo didn't become Li Jindou.
In fact, if Degang Guo learns from Li Jindou, it will be the same as Ban Degui's demotion, but compared with joining the Beijing Quyi Troupe, it is still worthwhile, and the industry also acquiesces.
For example, Ying Ning, Zhao Xiaolin's apprentice, wants to join the Coal Art Troupe and let him learn from Wang Qianxiang in the regiment, which also belongs to demotion and jumping out of the door. Zhao Xiaolin and Ma have no objection at all for their future. So Ying Ning stepped down and jumped out of the door.
And the strange story that we are familiar with. In 2000, in order to join the Railway Art Troupe, Hou, the head of the rap troupe of the Railway Art Troupe, also jumped down from Nagato.
Therefore, the main purpose of following Hou Xueyi is to join the railway art troupe, which is a necessary procedure for joining the league, and such a way of jumping the door is acquiesced by the industry. You know, in those days, Qizhi's fame was far greater than Degang Guo's, and he didn't mind being demoted to the entry industry. In addition, Degang Guo was just a nobody, or a noble. Of course, there is no opinion in the industry.
Later, Degang Guo naturally became a signing actor of the Railway Art Troupe, and followed the Railway Art Troupe to perform everywhere. In March 2006, Hou announced that he had signed a contract with the Railway Art Troupe for one and a half years, which will be formally incorporated in the near future. From this sentence, we can know that as soon as Hou became an apprentice, he signed the railway art troupe, which is also the origin of what he said in cross talk, "I will go to the railway if I don't leave me anywhere." Only later, due to the withdrawal of CCTV competition and the subsequent death, did not formally join the formation of the railway art troupe.
In recent years, Quyi Troupe is no longer the pie of the year. On the contrary, some private crosstalk clubs, such as Deyun Club, have flourished, so some crosstalk artists have jumped out of this door for their own future. For example, Li Lishan's original apprentice Li Gen was banished to Degang Guo and became Li Yuntian. Li Lishan is not opposed to this, after all, for the sake of the future of the apprentice. Moreover, the crosstalk industry has not caused any criticism.
In addition, in order to gain a foothold in the railway art troupe, Deyun Society took the initiative to jump from the living master to the late Hou, and this operation was also acquiesced by the industry. Also, for example, Li Wei, a disciple, became a Degang Guo dancer, and Sun Yue danced because of the divorce of Ma. , all happened in recent years, there is no dispute.
Therefore, the so-called jumping door and waiting for jumping door are trivial matters in the industry. The purpose is to join the railway art troupe, which was also an open secret that year. It's meaningless to argue about whether there is a jump at the door and who denies it first. This is already a recognized fact in the industry. The key point is that this kind of door jump is also acquiesced in the industry. Later, it was not the jump, but a lawsuit.
Jumping doors, there used to be, there is now, and there will be more in the future. This is not a shameful thing. Some netizens should not fight for such a trivial matter.