Tang dynasty? ? meng haoran
This old friend prepared a delicious meal and invited me to his hospitable farm.
Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes.
This is an idyllic poem, which describes the quiet and leisurely life scene of farmers and the friendship of old friends. By writing about the scenery of rural life, I wrote the author's yearning for this kind of life. The whole text rhymes. Poetry is written down from "invitation" to "arrival" to "hope" and "appointment", which is naturally smooth. The language is unpretentious and the artistic conception is fresh and meaningful. The author wrote the process from visit to farewell in kind and clean language, such as home-style form. His rural scenery is fresh and quiet, his friendship with friends is sincere and profound, and his family life is simple and cordial.
The whole poem depicts the beautiful mountain village scenery and quiet rural life, with plain language, natural and smooth narration and no traces of rendering and carving. However, it has sincere feelings and mellow poetry, and has the aesthetic interest of "clear water produces hibiscus, which is naturally carved", so it has become a masterpiece in pastoral poetry since the Tang Dynasty.
Write a sentence or two on the invitation, "old friend" means it's not the first time to be a guest. Three or four sentences are famous sentences describing the scenery of mountain villages. Surrounded by green trees, the green hills are oblique, just like a faint ink painting. Write five or six sentences about the taste of mountain village life. Facing the garden in the yard, talking about crops with wine is kind and natural, full of life breath. At the end of the two sentences, let's get together on the Double Ninth Festival and write down the depth of friendship.
"Prepare chicken and rice for me, old friend. You entertain me on your farm." "Gathering" and "inviting" indicate that the host of this meal is ready, which shows the enthusiasm of old friends and sincere feelings between them. The sincere emotion of "feeling good and favoritism" in the field of literature and art can make the pen blossom. The old friend "invites" and the author "arrives", which is simple and casual in plain China words. The invitation of "chicken and millet" not only shows the unique flavor of Tianjia, but also shows the simplicity of hospitality.
"We look at the green trees around your village and the pale blue mountains in the distance." When I entered the village, the author looked around for such a fresh and pleasant feeling. These two sentences are close to the border and surrounded by green trees, which seem to be unique and unique. The next sentence is light, accompanied by green hills abroad, which makes the village not lonely and shows a broad prospect. So we use the order from near to far to describe the scenery. The village is located in Pingchou, far away from Qingshan, which makes people feel light and quiet, and never indifferent and aloof. It is precisely because the "old friend village" appeared in such a natural and social environment that the host and guest raised their glasses at the window.
"We open your window on the garden and talk about Sang Ma with cups in our hands." As soon as the porch window opened, we entered the room. The word "open the porch" seemed to be inadvertently written into the poem, and the subtle movements showed the master's heroism. Surrounded by mountains and green trees outside the window, the cup inside the window is changed. This scene is an unparalleled pastoral picture of ancient poetry and wine. The emptiness of the "nursery" and the topic of "Sang Ma" give people a relaxed feeling. Readers can not only appreciate the stronger local flavor and labor production flavor, but even seem to smell the soil flavor on the nursery and see the growth and harvest of crops. With the combination of these two sentences and the first two sentences, green trees, green hills, cottages, playgrounds and Sang Ma blend harmoniously, forming a beautiful and quiet pastoral landscape, while the laughter of the host and guest and the words about Sang Ma seem to linger in the readers' ears. This is the realistic color of the prosperous Tang society.
"When I have a holiday in the mountains, I will come back at chrysanthemum time." Meng Haoran was deeply attracted by farm life, so when he left, he told his master frankly that he would come back to see chrysanthemums and drink chrysanthemum wine on the crisp Double Ninth Festival in autumn. A few simple poems, the enthusiasm of old friends to treat each other, the pleasure of being a guest, and the cordial harmony between the host and the guest are all on the paper. Du Fu's "Drinking by Tianfu Mud, Drinking Beauty, Being Strict and Sincere" said: "When the moon rises, I will stay, but I still ask for help." In Du Fu's poems, Tianfu keeps people, and the feeling is urgent; In Meng Haoran's poems, he also made an appointment with an old friend, meaning to ease his words. Readers can get a glimpse of the difference between Du Fu's depression and Meng Haoran's calmness.
This poem has no traces of rendering and carving, natural scenery, ordinary farmhouses and mellow friendship. These ordinary life scenes have the aesthetic taste of "clear water produces hibiscus, natural carving" This brisk and approachable style is consistent with the simple pastoral described by the author, which shows that the form and content are highly adapted, but it is not dull. Plain contains deep affection. On the one hand, although there is almost no trace of strenuous exercise in every sentence, on the other hand, there has never been weakness in every sentence. He integrated artistic beauty into the flesh and blood of the whole poem, which seemed natural and natural. This kind of showmanship is not dazzling, not showing off skills, not only relying on one or two carefully crafted sentences to prop up the facade, but also reflecting the superb artistic level. It is precisely because of the true reflection that the words are scattered and pure, which makes the whole poem show its charm from "light touch" without "heavy makeup"