This is a poem written by Shao Yong in Song Dynasty, which describes the scenery all the way, and all the numbers are 10. This poem reflects the distance, villages, pavilions, flowers and plants with numbers, which is popular and natural.
One, two, three or four, five, six, seven or eight. Nine dollars, ten dollars, countless dollars, all missing when flying into Mei.
Emperor Qianlong of the Qing Dynasty once patrolled the mountains, met with heavy snow, touched the scenery and sang digital poems, vividly describing the scene of snowflakes falling and plum blossoms merging: the whole poem was written in words to indicate the number of snowflakes. After reading it, it's like being in the snow. Snowflakes from less to more, flying into Meilin can't tell whether they are snowflakes or plum blossoms.
One nest, two nests, three or four nests, five nests, six nests, seven or eight nests, ate all the royal millet, as few as the phoenix.
This is a poem "Sparrow" by Wang Anshi, a statesman, writer and thinker in the Song Dynasty. Seeing that many officials in the Northern Song Dynasty were full of food, corrupt and opposed to political reform, he compared them to sparrows and satirized them.
One pole, one paddle, one fishing boat, one fisherman, one hook, one leaning on one smile, and one person dominating one river and autumn.
This is Ji Xiaolan's "Eleventh" poem in Qing Dynasty. It is said that Emperor Qianlong saw a fishing boat rowing on the river one day during his southern tour, so he asked Ji Xiaolan to write a poem about fishing and asked him to use ten "ones" in the poem. Ji Xiaolan soon sang a poem about scenery and modality, which was natural and appropriate and full of charm.