1905, Du Fei had the opportunity to see Matisse's oil paintings, and "luxury, tranquility and sexiness" became his inspiration. Duffy decided to give up his early style and never paint pudding again. Welcome to visit.
Sisley-style seascapes turned into decorative roads, and a very vivid outdoor dance with fauvism displayed in the salon in the autumn of the same year. Later, forced by his livelihood, Duffy switched to sculpture, printing and dyeing, and decoration. Welcome to the Daily Guide.
Du Fei is a happy painter. He observes, imagines and creates happily and never gives up feeling the authenticity of the world. Among the things that virtual reality provides us, Duffy chose his favorite theme. He continued to use them to create variant paintings until his death. They wear fancy streets, San Adels Beach, boat races, tribute to Mozart, tribute to claude lorraine, Boulogne forest, horse racing, social reception, farms, Normandy and southern forests, military music or orchestral concerts, wheat fields and field work. Threshing. The painter chose several precise details, such as palm trees, railings, hulls, shells, violin bodies and so on. He made them different, became symbols, and turned them into means of giving meaning. Du Fei's cotton decorative painting "The Color of Pain" designed for Poire is a summary of this technique. He let them run around the ceramic decorations in the salon garden. They are also exhibited in the murals Electricity and The Road from Paris to Saint Adler and the Sea. In the latter painting, he decorated Dr. Weil's residence. In this painting, Duffy perfectly fixes the ever-changing things in the inevitable painting space, and successfully shows his fantasy of the lost time. However, he did not use the impressionist method to describe the light sensation of a moment formed by sunlight on an object. On the contrary, we can see the progress with himself as the core and core in the whole period. Du Fei's variant paintings do not harm his art at all, but can reflect each other. It can be said that these variant paintings are the mood of an extremely sensitive painter when he begins to create each work. At any stage of this magician, there is no repetition! He said, "When people succeed by doing one thing or another, they should immediately give it up and start a new adventure." Welcome to the Daily Guide.
Another indisputable feature of Du Fei is his sketch, but people have never fully pointed out its significance. With unparalleled scientific attitude and skillful skills, he tidied up the blank provided by drawing paper and explored the treasure house of imagination and originality in sketches. In front of his sketch "Horse Racing", we are really surprised to see that he deleted everything that made us happy. A few chairs, one or two points representing the audience in the theater, have shown a bustling crowd. Du Fei uses charcoal, China ink, black or colored oil and colloidal pigments to mark accurately and quickly. People say that all his paintings are sketches. However, once these sketches are drawn, they will never move, just like shorthand typing. Like a Japanese painter, he has a clear and definite.
Besides, no one, like him, never refuses to continue to observe the visible world in order to correct and enrich himself. Like Proust, he insisted on studying windfall. We see that he has been using his familiar "small parts" to extract unexpected changes. Nothing is more amazing than Duffy's sketch. The painter can even use his works. Describe his inner activities. He used a large number of squares, rectangles, triangles and ellipses to organize and show the charm of observation. In his works, even in unfinished works, everything has a clear outline, momentum and rhythm, but that is the truth of art, not the truth of nature. The painter directly conveys his temperament and feelings to us through lines and colors. His paintings are not through the objects he draws.
Among Duffy's colors, his elegant watercolors are particularly primitive and fresh. Every painter has his own main color, and for Duffy, it is blue, which is the only color he uses to maintain his own characteristics in the subtle changes of various colors. No one can understand the color changes better than him: the trembling lake orchid, the sky orchid separated by white clouds, the wonderful sea orchid in the south, and the ultramarine. Blue in the blonde girl's eyes. In his later years, Du Fei tried to reduce this incomparable tonal effect. He said, I hope everyone will not see "using a pen." He drew a snail's foot table, some red violins and a black mail boat. In these works, he skillfully controlled subtle changes and changed the primary colors with only a few tones. Du Fei boldly said (shortly before his death) that I would try to put the colors that are opposed to each other, that is, the colors that our coordinated coloring habits repel us, so that they can be opposed or combined. "This attempt has made great achievements, but it has never proved that anyone thinks Duffy is an elegant and charming' little painter'. In short, Duffy is a difficult painter.