The growth line of happiness is divided into three stages. Before I went to town, I still took paying for my family as the whole meaning of my life. Because I dropped out of school for my sister's family, I have never been lucky enough to live for myself. Wanjiazhuang, where she married, is a typical "patriarchal society". She is used to the concept of "a married girl should put her husband's family first" and has no time and energy to think for herself.

Therefore, at this stage, her existence value focuses on "a stone stirs up a thousand waves", which leads to various contradictions and conflicts. The more group characteristics and stories presented in her series, the fuller and brighter the growth theme of pursuing self-dream in the second stage after entering the city.

It's just that she's not so lucky.

Even if she didn't give up her future, she would live a completely different life if she was admitted to the same university, entered the same city and law firm, and met the same people and things. Therefore, the finer the scene of He Xing's first entry into the city, the more lines he buried, and the greater the amount of comparative information after He Xing entered the city.

So as I said before, since the fifth episode, the parallel double lines of two sisters are actually a main line. Repeatedly, it will eventually reach the bottom of my heart to complete the deep theme of the whole play:

External reality factors can dramatically change your future; However, only your heart can completely determine your life. If you are strong enough and have faith in your heart, no matter where you are, what you do and what path you take, you can live a better life.

So in my opinion, happiness is a mirror-like existence in the whole play and the main line. She is a series of group stories with full personality and rich levels. She is like the outlet of drama conflict, which can not only detonate independent problem units, but also promote the plot to deepen the theme more compactly. More importantly, why can't my mother-in-law hide her love and appreciation even if she complains that she is too cruel, and her eyes are still full of envy and self-pity?

"Happiness is really like when I was young." "There is finally a powerful person in our family who will not be bullied." Including Chiang Rai, the village chief and even the whole Wanjiazhuang, are also changing under her energy.

Happiness is more like a mirror, which reflects different realities, opportunities and different lifestyles in the environment, and also allows people to see their true self and find a better self through her.

Tonight, we will continue to look at the conflicts between the lines and plays buried by the writers, how to advance them, and the demands of different actors at different stages. This is very pleasant.

Zhao's performance in this play moved me very much. I don't want to say that she "acted" well, because she gave me the feeling that she was not acting, but what happiness she really lived. This rural girl, stubborn and measured, tough and limited in knowledge, inevitably makes a fool of herself, bold and confused, confident and partially lacking in self, very real, especially in energy.

After entering the city, a few photos of her in the same frame with the city people, the temperament and posture from the inside out and the contrast of gestures are even more obvious, which even makes me feel that Zhao himself has been living in the countryside so far. The more I look at it, the more I can feel why Director Zheng Xiaolong said that she has always been the most suitable first choice.

So far, she poked me the most in the play. First, when Happiness first entered the city, invite her to dinner, and look at her sister's eyes when she wolfs down. There was not a line in those few seconds, but I saw through my favorite sister at a glance, took care of her dignity, and wanted to ask more questions, which has made me receive her inner lines well to express and convey, which is more complicated and clear than words.

The second is her reunion with Guan Tao in the city: after being humiliated in the early education center, she didn't want Guan Tao to see her tears. She tried to escape, but it was hard to hold back her head. Maybe it's too hard to watch happiness along the way. Personally, I prefer to watch the scene where she recommended herself to Guan Tao for a job. This is also the first time she has won something for herself. She smiled brilliantly, smartly, with a little ignorance and ignorance, slightly embarrassed but not shy, like a small sun that parted layers of clouds, and my father laughed with it.

There are many such details in this play. Zhao's best sense of substitution in real life adds a sense of hierarchy full of various emotions. Who is more relaxed than The Limit of Proper? She makes the characters more vivid, three-dimensional, multifaceted and emotional.