? Spring has passed, but there are still many flowers and flowers. People go nearby, but the birds are still not disturbed.
When I was in middle school, I had an idea-to retire from the mountains and stay away from the hubbub.
At the age of 14 or 15, he looks like someone who has experienced Qian Fan and seen through the world of mortals. If the reason is really investigated, there is really no trace to be found.
People see themselves as nothing more than a flower in the mirror, a moon in the water, hazy, fluttering and unknown.
Just like now, reading Wang Wei's poems is also an exciting and emotional place.
It is better to read poetry than to add trouble.
Among Wang Wei's poems, I browsed back and forth and didn't know which one to read. When I saw paintings, I remembered that Wang Wei was not only a good poet, but also a very good painter. So, I chose it.
Sure enough!
After reading the poem, my ability to appreciate the painting has also improved a lot.
Painting is an expression, in the form of vision.
Vision takes the eyes as the lens, perceives the external space and images in the brain. Human vision not only produces images, but even sublimates images into "spirit". Artists use these "spirits" as elements to create, so a series of "poetic" works have returned to our field of vision.
This is my superficial understanding of painting.
To appreciate painting, we must mobilize people's own spiritual strength.
The picturesque scenery can only be seen at a certain distance from people. "I don't know the true face of Lushan Mountain, but toward which corner of the mountain." That's the truth.
I don't know whether the painting Wang Wei saw was hung on the wall or held in his hand, but there must be a viewing distance between Wang Wei's vision and the painting. Wang Wei used "far" to describe this distance. Perhaps it is not only the physical distance of vision, but also the distance between Wang Wei's psychology and painting. Just like a stranger who meets for the first time, he knows very little and certainly won't feel close. But while watching, the color of the mountain caught him deeply.
As far as painting skills are concerned, a painting consists of composition, color and lines.
Judging from Wang Wei's appreciation of painting, "color" attracted him from the beginning.
Chinese painting is divided into brushwork and freehand brushwork, and the theme is "people, landscapes, flowers and birds".
Judging from the description of the whole poem, this should be a landscape painting.
Landscape painting rose later than figure painting and matured in the Tang Dynasty (AD 6 18-907).
Looking back on Wang Wei's life, he is more interested in freehand brushwork. From this point of view, it should be a freehand landscape painting.
Because it is Wang Wei's favorite artistic style, he is also fascinated by "color". Naturally, "approaching" becomes a subconscious action.
Look carefully, there is "water" in the mountains. It's just that this water, unlike the water perceived in nature, is interpreted from a shallow consciousness. Painting is a two-dimensional space, static and reasonable, but as I mentioned earlier, another way to appreciate painting-spirit, we might as well take a step forward.
In our cognition, mountains are often static and water is often dynamic. Mountains naturally become the anchor point of our vision. Water has become a spatial change map. However, in this poem, "mountain" has become the driving force of vision. Because of the beautiful scenery of the mountain, the painter moved his heart, "approached" the painting, and then had a new understanding of "water is silent"
For thousands of years, the earth's crust has been moving, and because of the movement of the earth's crust, the peaks are also moving. The shape and height of the mountain have changed. But the water in the mountains is different. It always flows from high to low along the mountain stream. Sometimes, it is like a broken bamboo, and sometimes, the water flows forever. This kind of core, no matter high or low, hits the poet's heart directly, just like the fireworks lit in his spiritual world. "Water is silent", but the poet's heart moved.
The poet was infected by such feelings, freed from the visual space of "far and near" and realized the open-mindedness of "being or not". Time can't trap him any more, "Spring is gone and flowers are still there". The seasons are still changing, but good things will not fade with time.
"What about the future?" Is a problem that often puzzles us. We must work hard today in order to give a guarantee for tomorrow. This is a modern answer to the "future". But is it really useful?
When this poem was written here, the poet's understanding of life jumped. By appreciating a painting, the bondage of time and space to people is opened.
I've seen the last sentence before, "It's not surprising that people come." I just want to continue the poet's comments on this painting, but I don't savor it. Now reading it, I can't help asking myself, who is the "person" here? Is it Wang Wei himself? I think not.
I dare to speculate that perhaps, when I was enjoying the painting that day, there were Wang Wei's close friends present. Wang Wei took this painting, looked from left to right, and marveled from time to time. This attracted others and wanted to get together, but this kind of effort "disturbed" Wang Wei, but at last he wrote "Birds are not surprised", describing that although Wang Wei was disturbed by external characters, he might.
Looking back on Wang Wei's life, it's hard to stop my other associations with this poem.
Although Wang Wei's life has not experienced spectacular ups and downs, unlike Li Bai, who was always unable to take the imperial examination and was frustrated, he could only travel around the world with a sword, and unlike Du Fu, who was worried about his country and people, he was rarely quiet. He was a celebrity in Chang 'an, a distinguished guest in the palace of the King of Qi, and later won the imperial examination. He was neither too old nor too young to be an official, and finally he was at leisure. After being demoted, he traveled around, visited the immortals and was fascinated by the mountains and forests. There was no hardship of "planting beans in Nanshan" in his life. The world is really just a cloud to him. Everything around him has changed, and he has nothing to worry about.
"It's not surprising that people have come."
Wang Wei lived in his passionate way, found a historical fragment in poems, paintings and landscapes, and talked with us through ancient and modern times.