1. Three hundred ancient poems on early childhood education in Tang poetry.
Thoughts in the dead of night
Dynasty: Tang Dynasty | Li Bai
The foot of my bed is shining so brightly. Is there frost already?
I looked up at the moon and looked down, feeling nostalgic.
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This poem is about the feeling of missing my hometown on a silent moonlit night.
The first two sentences of the poem are an illusion created by the poet in a specific foreign environment in an instant. A person who lives alone in a foreign country and is busy during the day can still dilute his sadness. However, in the dead of night, the waves of missing his hometown will inevitably surge in his heart. Not to mention on a moonlit night, not to mention on a frosty autumn night. "Could there have been frost?" The word "doubt" in the poem vividly expresses that the poet woke up from his sleep and mistook the Leng Yue in front of his bed for the thick frost on the ground. The word "frost" is better used, which not only describes the bright moonlight, but also expresses the cold of the season, and also sets off the loneliness and desolation of the poet wandering abroad.
On the other hand, the last two sentences of the poem deepen homesickness through the description of actions and ways. The word "hope" takes care of the word "doubt" in the previous sentence, which shows that the poet has changed from a daze to a sober one. He stared at the moon eagerly and couldn't help thinking that his hometown was under the bright moon at the moment. So naturally, I came to the conclusion that "I sank back and suddenly thought of home". The action of "bowing your head" depicts the poet completely lost in thought. And the word "miss" left a rich imagination space for readers: the old brothers, relatives and friends in that hometown, the mountains and rivers, the grass and trees in that hometown, the lost years, the past … are all in my thoughts. A word "Xiang" contains too much content.
Amin Hu Yinglin said: "Taibai quatrains are all written in words. The so-called people who have no intention of working are unemployed. " Wang Shimao thinks: "(quatrains) Only Violet (Li Bai) and Long Biao (Wang Changling) were extremely ambitious in the prosperous Tang Dynasty. Li is more natural, former residence. " What are "nature" and "unintentional work"? This song "Silent Night Thinking" is a sample list. Therefore, Hu specially put it forward and said it was "a wonder of ancient and modern times."
This little poem has neither strange and novel imagination nor exquisite and gorgeous rhetoric; It only describes the homesickness of distant guests in a narrative tone, but it is meaningful and intriguing, and has attracted readers so widely for thousands of years.
Strangers in a foreign country will probably feel this way: just one day, in the dead of night, homesickness will inevitably ripple in my heart; What's more, it's a moonlit night, what's more, it's an autumn night with a bright moon like frost!
The white frost on the moon is clear, which is the night scene of clear autumn; Describing moonlight with frost color is also common in classical poetry. For example, in the poem Xuanpu Liang Na written by Emperor Wen of Liang Jian and Xiao Gang, "jathyapple is like autumn frost". Zhang, a poet in the Tang Dynasty who was earlier than Li Bai, wrote a bright moonlight with "frost flowing in the air" in "Moonlight on a Spring River", which gave people a three-dimensional sense, especially a wonderful idea. However, these are all used as rhetorical devices in poetry. "Is there frost already?" This poem is narrative, not figurative words, but a temporary illusion of the poet in a specific environment. Why is there such an illusion? It is not difficult to imagine that these two sentences describe the situation that the guest can't sleep at night and has a short dream for the first time. At this time, the courtyard was lonely, and the bright moonlight hit the bed through the window, bringing a cold autumn chill. At first glance, the poet was in a blur and trance, and it really seemed that the ground was covered with frost; But a closer look, the surrounding environment told him that this is not a frost mark, but a moonlight. The moonlight inevitably attracted him to look up, and a round of Juan Juan Su Ling hung in front of the window. The space in autumn night is so bright and clean! At this time, he was fully awake.
The moon in autumn is especially bright, but it is very cold. For lonely and distant travelers, it is the easiest to touch their yearning for autumn, which makes people feel depressed and the years fly by. Staring at the moon is also the easiest way to make people daydream, think of everything in their hometown and their relatives at home. Thinking, thinking, head gradually lowered, completely immersed in meditation.
From "doubt" to "looking up" and from "looking up" to "bowing down", the poet's inner activities are vividly revealed, and a vivid picture of homesickness on a moonlit night is vividly outlined.
Just four poems, written fresh and simple, clear as words. Its content is simple, but it is also rich. This is easy to understand, but it is endless. The poet said nothing more than what he had already said. Its conception is meticulous and profound, but it is also blurted out without trace. From here, it is not difficult for readers to understand the wonderful scenery of "nature" and "no work and no heart" in Li Bai's quatrains.
2. There are 300 ancient poems on preschool education in Tang poetry.
Spring Morning
Meng Haoran [Tang Dynasty]
Sleeping sickness in spring unconsciously broke the morning, and the chirping of birds disturbed my sleep.
How many flowers fall after a stormy night.
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The poem "Spring Dawn" was written by the poet when he lived in seclusion in Lumen Mountain, and the artistic conception is very beautiful. The poet seized the moment when he just woke up in the spring morning to describe and associate, vividly expressing the poet's love and pity for spring. This poem does not use the general technique of directly describing the immediate spring scene, but captures the typical spring breath through the "spring dawn" (spring morning) when he wakes up instantly, expressing his feelings of loving and cherishing spring.
The first two sentences of this poem were written by a poet who didn't know it was dawn because of his dream on a spring night. When he woke up, he heard birds singing everywhere outside the house. The poet cherishes ink as gold, and expresses the vibrant scene of Chunxiao with only one sentence: "Birds are singing around". However, people can know that it is the cheerful songs of these birds that awaken the lazy and sleepy poet. It is conceivable that it is already a beautiful spring outside the house at this time, and we can appreciate the poet's praise for spring.
It is this lovely scene of spring dawn that makes the poet naturally turn to the association of the third sentence and the fourth sentence in the poem: I heard a burst of rain last night, and now how many flowers are shaken in the courtyard? Linked to the first two sentences of the poem, this night's storm is not a storm, but a gentle breeze and drizzle, which sends the poet into a sweet dream and cleans the morning brighter, which is not hateful. But in the end, it will shake off the spring flowers and take them away. Therefore, the phrase "I don't know how many flowers have been folded" implies the poet's faint sadness and infinite reverie about the passing of spring scenery.
Ye Shaoweng, a poet in the Song Dynasty, wrote a poem "Don't Meet in the Garden", which is a famous sentence from ancient times to the present. In fact, there are * * * similarities in writing with Xiao Chun. Ye Shi introduced people into the wall, let people imagine through a visual image, and went out of the wall from an apricot; Meng's poems lead people out of their homes and make people imagine through auditory images. With only a few strokes, I wrote a prosperous spring with good weather and strange rain. Both poems show that abundant spring is unstoppable. You see, didn't it break through the wall of the house, show it in front of your eyes and linger in your ears?
Shi Buhua said, "Poetry is literature, not expensive." This little poem is only four lines and twenty crosses, but it is full of twists and turns when written. The first word "spring" points out the season and writes the sweetness of spring sleep. "Unconsciousness" is vague unconsciousness. On this warm spring night, the poet slept so soundly that the sunshine came to the window and the sweet dream woke up. It shows the poet's joy in loving spring. The second sentence is about spring scenery, and birds sing in the early morning of spring. "Everywhere" means everywhere. Birds are noisy in the branches, which is a vibrant scene. "Smelling birds" means "smelling birds". In order to rhyme, the word order of ancient poems has been properly adjusted. Three sentences turned into memories, and the poet recalled the drizzling spring rain last night. The last sentence came back to my eyes, thinking of the scene where the spring flowers were beaten by the wind and rain. From happy spring to cherishing spring, the poet pinned his love for spring on the sigh of falling flowers. Love is extremely precious, and cherishing spring means loving spring-that misty spring rain also attracted the poet's attention to flowers and trees. The leap of time, the alternation of wind and rain, and the subtle changes of feelings are all very interesting and can bring endless interest to people.
Xiao Chun's language is simple and natural, and there is no trace of artificial carving. In a shallow sense, the scenery is real, just like a clear spring flowing from the depths of the poet's heart, crystal clear, full of the poet's life and beating the poet's pulse. Reading it, just like drinking refined mash, makes you feel drunk. The poet found the true interest and essence of nature through feeling and understanding. "The article is natural and wonderful." This is the most natural poem, the voice of nature.
3. There are 300 ancient poems on preschool education in Tang poetry.
Xue Jiang
Liu Zongyuan [Tang Dynasty]
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman in his webworm moth; Fishing alone is not afraid of snow and ice.
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The landscape poems written by Liu Zongyuan have a remarkable feature, that is, the objective realm is relatively quiet, while the poet's subjective state of mind is relatively lonely, sometimes even too lonely, too cold and cheerless, without any human fireworks. This song "Jiang Xue" is like this. The poet painted a quiet and cold picture in only 20 words: on the snowy river, a boat and an old fisherman were fishing alone on the cold river.
What the poet shows his readers is this: the world is so pure and silent, spotless and silent; The fisherman's life is so noble, and his character is so aloof. In fact, this is an imaginary realm created by Liu Zongyuan because he hated the declining society of the Tang Dynasty at that time. Compared with the characters in Tao Yuanming's Peach Blossom Garden, I'm afraid they are still illusory and far away from the world. What the poet wants to describe in detail is very simple, but it is just a boat, an old fisherman wearing hemp fiber and Li hat, fishing on the snowy river, and that's all. However, in order to highlight the main description object, the poet did not hesitate to use half of the space to describe its background, and made the background as broad as possible, almost to an infinite extent. The wider the background, the more prominent the main description object.
First of all, the poet used the words "Qianshan" and "Wanjing" to set off the following two pictures of "boating alone" and "fishing alone". Without the words "thousand" and "ten thousand", the words "loneliness" and "independence" at the back will appear bland and uninspiring. Secondly, birds flying on the mountain and people walking on the road are very common things and the most general image. But the poet put them under the "Qianshan" and "Wanjing" and added the word "absolutely" and "extinct", which suddenly turned the most common and summarized dynamic into extreme silence and absolute silence, forming an unusual scene. So the following two sentences used to be static descriptions. Because it is placed in this absolutely quiet background, it is exquisite, lively and lively. It can also be said that the first two sentences were originally a foil. According to the general understanding, it is enough to outline the outline, and there is no need to make great efforts to carve it. However, poets just don't handle it this way. It's like making a movie. How many close-ups are used to explain and reflect every corner of the background? The more specific and detailed you write, the more exaggerated you are. The last two sentences, originally the object of the poet's intentional description, turned into a long-distance lens, which was reduced many times, giving readers an ethereal feeling, visible and intangible. Only by writing in this way can we express the lofty and detached thoughts and feelings that the author is eager to show to readers. As for the formation of this sense of remoteness, it is mainly the effect that the author adds a word "snow" at the end of the whole poem, which is connected with the word "Jiang".
The word "snow" covers the whole poem. "Qian Shan" and "Wanjing" are all snow, which makes "birds fly away" and "people disappear". Even the awning and fisherman's hat are covered with snow. But the author did not explicitly associate these scenes with "snow". On the contrary, in this painting, there is only Jiang and only Rulu. Of course, the river will not store snow, and it will not be covered by snow. Even if it falls into the river, it will immediately become water. However, the author only used the word "cold river snow" to connect the two farthest images, giving people a vague, distant and narrow feeling and forming a long-distance lens. This makes the main object described in the poem more concentrated, dexterous and prominent. Because even the river seems to be covered with snow, even the places where there is no snow are covered with snow, which completely describes the dense and thick snow and completely sets off the atmosphere of water and sky. As for the word "cold" used above, it is of course to point out the climate; But the poet's subjective intention is to write the fisherman's spiritual world quietly. Imagine, in such a cold and quiet environment, the old fisherman is not afraid of the cold and the snow, forgetting everything and devoting himself to fishing. Although his body is lonely, his personality is lofty and aloof, even a little awe-inspiring.
This illuminated and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings. It can be seen that the word "Hanjiangxue" is the "finishing touch", which organically links the front and back parts of the whole poem, not only forming a concise and general picture, but also shaping a complete and prominent image of the fisherman. Describe the background in a concrete and meticulous way, and depict the subject image in a long-distance picture; Fine and extremely exaggerated generalizations are intricately unified in a poem, which is the unique artistic feature of this landscape poem.
4. There are 300 ancient poems on preschool education in Tang poetry.
draw
Wang Wei [Tang Dynasty]
From a distance, the mountains are high and the clouds are light, and the colors are bright. When you look closer, you can only hear the sound of water, but there is no sound.
Spring has passed, but there are still many flowers and flowers. People go nearby, but the birds are still not disturbed.
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This poem describes the natural scenery, but praises a painting. The first two sentences are written about beautiful scenery and silent running water; The last two sentences describe that flowers bloom in four seasons, and birds are not afraid of people. The four poems constitute a complete picture of landscape flowers and birds. The whole poem is neat in antithesis, especially the use of many groups of antonyms in the poem, which makes it clear in rhythm, straightforward, full of charm and easy to read. The whole poem seems to violate the laws of nature, but in fact it is a secret riddle, which shows the characteristics of this painting.
The mountains are colorful in the distance. The distant mountains are smiling, and the colorful mountains are good. What is colored? Comely, handsome, red, wet, green and drooping are colors, so are cool gray, and so are strange and steep pictures. It is only because it is far away that it produces beauty and makes people feel that it has unlimited scenery. This is a kind of "serenity", and the beauty of serenity is beyond the reach of the first sentence, because only people with meditation can appreciate it. This is like the Chun Xue, which drove the Xialiba people out of the art space from the beginning. Cancelled the qualification of impetuous people to appreciate beauty. Here, there is no impetuousness, only calm as water. But not stagnant water, but living water. Do you think there is water in the painting? A spring water poured out with irresistible goodwill, and a flowing beauty jumped into the poet's eyes.
The source of "listening to underwater sound" is "dynamic environment", but the word "static" has entered a static environment, which is quiet and far-reaching. There is no contradiction with the first sentence. A poet can say that he can choose between dynamic and static. What's the big deal? It's too quiet, it's hard to give up, it's hard to find. In this way, we will be close to this poem and this painting, and our hearts will be close to the mountains and rivers. The beauty of all things is only because of "quietness". Silence is a beauty. In Wang Xizhi's poems, it is this kind of beauty of "walking on a shady road, like swimming in a mirror". Sound and silence are dissolved together, the perfect sound of nature! This is what Zhuangzi called "nature". When "natural sound" and "human voice" and "earth sound" are together, a kind of natural sound that ordinary people can't say is formed.
"It is not surprising that spring is still there." Flowers bloom heartily in that most beautiful season, and finally open life to the most beautiful. After the beauty reaches the extreme, it floats away. But the flowers don't fade, just because they are in the painting. Not only that, but also the flowers in the painting. By the end of spring, the flowers were gone, and the feeling of sadness was everywhere. Birds are not surprised. They don't know that their youth is over and the years have passed. How many regrets have been left.
The painting in the poem seems to represent a dream, an invisible dream, but that kind of dream can only be remembered when the human mind is in a quiet state. But it's impossible. It's true. Poets can only look for the last thing in the world that can be entrusted with a touch of meditation. People leave, flowers stay in the air, birds are not surprised, people come again, there is no eternal beauty, all beauty will be hidden in illusion.
5. There are 300 ancient poems on preschool education in Tang poetry.
Wanglushan Waterfall
Li Bai [Tang Dynasty]
The purple mist is illuminated by sunlight, and the waterfall hangs in front of the mountain.
On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.
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This poem vividly depicts the magnificent scenery of Lushan Waterfall and reflects the poet's infinite love for the great rivers and mountains of the motherland.
The first sentence is "Purple smoke from the Rizhao incense burner". "Incense burner" refers to the incense burner peak of Lushan Mountain. This peak is in the northwest of Lushan Mountain, with a sharp and round shape, like a censer. Because of the waterfall, water vapor transpiration, in the bright sunshine, as if there is an indomitable spirit incense burner, purple smoke rises in Ran Ran. A word "health" vividly describes the scene of smoke rising. This sentence set a magnificent background for the waterfall, and also rendered the atmosphere for the following direct description of the waterfall.
The second sentence is "overlooking a thousand waterfalls in Sichuan". The word "overlooking the waterfall" takes care of the title "overlooking the Lushan waterfall". "Hanging thousands of rivers" means that the waterfall is like a huge white practice, hanging straight from the cliff to the river ahead. The word "hang" changed from dynamic to static, vividly writing the waterfall in the distance.
The first two sentences of the poem outline a panoramic view from the big picture: purple smoke fills the air at the top of the mountain, white practice hangs in the mountain, and rapids rush down the mountain, forming a magnificent picture.
The third sentence, "Flying down three thousands of feet", is eloquent and forceful. The word "fly" vividly depicts the scene of the waterfall spewing out; "Straight down" not only describes the steep slope of the mountain, but also indicates the urgency of the water flow. The sky is falling and unstoppable.
The poet was not satisfied, but wrote another sentence, "It is suspected that the Milky Way has fallen for nine days", which really made him want to fall from the sky and be shocked by heaven. "Doubt is" is worth pondering. The poet clearly said it in a trance, and the readers know that it is not, but they all think that only in this way can it be more vivid and true. The secret lies in the image that has been bred in the poet's previous description. The towering incense burner peak is hidden in the clouds. Looking at the waterfall in the distance is like flying down from the clouds and falling in the sky, which naturally associates with a galaxy falling from the sky. It can be seen that although the metaphor of "doubt is the milky way for nine days" is strange, it does not appear out of thin air in the poem, but naturally emerges from the portrayal of the image.
This poem is very successful in metaphor, exaggeration and imagination, with unique conception, vivid language and bright washing. Su Dongpo appreciates this poem very much, saying that "the emperor sent the Milky Way to fall into the pulse, and there were fallen immortals in ancient times." The "immortal" is Li Bai. Looking at Lushan Waterfall is indeed an example of body description and lyricism.