The night is deep, the clouds go around the teeth, and Jiang Hanxing covers the heron and sleeps on the beach. Pedestrians looked down at the Sutai stream and once swept away the flowers with the prince of Wu. -Song Dynasty Jiang Kui's "Nostalgia in Gusu" The night of Nostalgia in Gusu is as dark as a cloud, and Jiang Hanxing's shadow herons sleep in the sand.

Pedestrians looked down at the Sutai stream and once swept away the flowers with the prince of Wu. Write about the scenery, reminisce about the past, satirize the translation of the present, and annotate the translation

In the dark night, pieces of clouds quickly passed by the boat. Clear river, flowing quietly; The stars in the sky are rippling and shining in the water waves. The egrets on the beach have fallen asleep, and there is no sound.

I looked at Gusutai silently, somewhat disappointed: How many years has the charming willow tree experienced? It used to sweep the petals that fell to the ground for the prince of Wu with low-hanging thin strips.

Appreciate the young Jiang Kui, who witnessed the decline of production and the desolation of the scenery in the Jianghuai area. He once lamented that "there are not many heroes in China" (Travel Notes of the Past tense), and the words "Yangzhou is slow and desolate" also mean "sadness". In this poem, the once resentment and anxiety have turned into faint melancholy. The last two sentences are touching. Yang Wanli loves to recite, or the sense of historical vicissitudes and the accumulation of some personal feelings contained in them are in line with their mood, but this alone is not enough to jump out of Li Bai's "Tai Su's visit to the ancient times" model. The beauty of this poem is really a sentence or two. The sentence is scrawled, which has nothing to do with the topic. You should hold it first. Writing leisurely clouds, adaptive egrets, brilliant stars, still mountains and rivers, and implicit scenery, in contrast, Looking Down at Sutailiu reveals a bitter taste, and the feeling of nostalgia hurts Xu Wei. The rendering of scenery and the expression of emotion complement each other, and the sense of history is more profound. This poem is full of interest, elegant brushwork and ethereal and implicit beauty. Jiang Kui's Poems said, "The rhyme is elegant." This nostalgic work hurts the present, shows no mercy, does not serve things, and has far-reaching charm. Close to Miao Yue's "Jiang Baishi's Literary Criticism and His Works" goes: "Baishi's poems are unique and magnificent in Jiangxi; It means sincerity, which is based on hugging; The charm is profound, beautiful and talented. Influenced by Jiangxi poetry school, its last shortcoming is dry and blunt, while Baishi's poems are unique. "

This quatrain can be compared with Li Bai's "Tai Su's Visit to the Ancient Times": "The old garden is barren and the willow is new, and Lingge Spring can't sing. Today, only Xijiangyue has taken care of people in Wugong. "

In his poems, Li Bai focuses on today's desolation, hints at the prosperity of the past, and sets off the fickle personnel with the natural scenery that people are always new today, thus expressing the ups and downs of ancient and modern feelings. Jiang Kui, on the other hand, used the unchanging night view of Gusu to cover up the personnel changes, satirized the present in ancient times, and gave a sneer to the small court in a safe corner, with the intention of being superior. These two quatrains were written by Liu, expressing the feelings of rise and fall. But the willow in Jiang Kui's works is more energetic, because it is personified by Jiang Kui, which brings the author's own feelings and endows Liu with the identity of a witness to history. Therefore, it is more ethereal and vivid than Wei Zhuang's "unintentional, still ten miles embankment". The difference is that Liu in Li Bai's poems is equivalent to the star and heron in Jiang Kui's poems, while Liu in Jiang Kui's poems is equivalent to the moon in Li Bai's poems. Therefore, the last two sentences of these two poems are quite similar in conception. The difference is that in the first two sentences, Li Bai still expresses his feelings with the spring scenery of the old garden, while Jiang Kui hints at vicissitudes with the eternal mountains and rivers.

Jiang Kui was a writer and musician in the Southern Song Dynasty. Beautiful personality, beautiful posture as jade, if the posture of gas is overwhelming, like a fairy. He wandered between Hubei, Jiangxi, Anhui, Jiangsu and Zhejiang, and made friends with poets and poets such as Yang Wanli, Fan Chengda and Xin Qiji. In the middle of Qingyuan, he wrote a letter begging Zheng Taichang for elegant music. Lonely and poor as a teenager, I tried many times and was unemployed all my life. He traveled all his life, selling words and helping friends for a living. He is versatile, proficient in temperament, able to compose his own music, and clear pronunciation and mellow voice. His works, such as the songs of Taoist white stone, are famous for their ethereal implication. Jiang Kui is good at poetry, prose, calligraphy and music, and is another rare artistic all-rounder after Su Shi. Jiangkui

The rustling leaves send the cold sound, and the autumn wind moves the guests on the river. I know that children choose to promote weaving, and a lamp fell on the fence at night. -Song Ye Shaoweng's "What you see in the night book" What you see in the night book

The rustling leaves send the cold sound, and the autumn wind moves the guests on the river.

I know that children choose to promote weaving, and a lamp fell on the fence at night. Ancient poetry in primary school, writing scenery, missing a few corners of plums, cold ling opened it alone. I knew from a distance that it wasn't snow, because there was a smell coming. -"Plum Blossom" by Wang Anshi in Song Dynasty

There are some plums in the corner, and cold ling opens them alone.

I knew from a distance that it wasn't snow, because there was a smell coming. 300 ancient poems, describing scenery, chanting things, plum blossoms and hugging people. Ancient Poems on Personality Early Education 100, Hou Xiaochao, Zhang Fujian, riding the spring to cross Taiwan. Suluo, a broken moon opens a clam. Ficus pumila shakes the green air, and the bamboo shoots grow moss. Gui Xiang is full of dew, and the stone ring is full of spring. Holding leaves and whistling, holding flowers and jade. Although the south is pleasant, the north is leisurely. Suddenly, I became an element and my heart turned to dust. Why go back to the road and cut down the old garden first? -Song Wenzhi In the Tang Dynasty, "Traveling from Jiangkou to Xushi Village at Early Hair Time" was written in "Traveling from Jiangkou to Xushi Village at Early Hair Time".

Hou Xiaoyue went to Fujian, Zhang, and Taiwan Province in the spring.

Suluo, a broken moon opens a clam.

Ficus pumila shakes the green air, and the bamboo shoots grow moss.

Gui Xiang is full of dew, and the stone ring is full of spring.

Holding leaves and whistling, holding flowers and jade.

Although the south is pleasant, the north is leisurely.

Suddenly, I became an element and my heart turned to dust.

Why go back to the road and cut down the old garden first? Write scenery, lyrical seclusion