Meng Haoran's poem "Spring Dawn" is itself a classic image of China's classical aesthetics. For thousands of years, as long as someone mentions the word "spring dawn" without even knowing the specific content of the poem, people will immediately instinctively associate it with the vibrant scene and sigh for the beautiful years. A generation of poets' Spring Dawn has become synonymous with beauty, vitality and classics, and their passion for life is eternal.
The first two sentences of this poem, "I wake up easily on this spring morning, and birds are singing around", are about spring sleep and the sound of spring. The poet slept soundly on a warm spring night, unaware that the sun was approaching the window. In the mist, the birds singing in the garden awakened the spring morning and the poet's long dream of spring night. The so-called "bird sniffing" is also called "bird sniffing". In order to rhyme, the word order was adjusted. The singing of birds, in harmony with the distance, attracts poets to feel the vitality of outdoor schools. Birds are the first to know that spring is awake, and awakened poets are happy to indulge in the spring breeze and the sound of spring.
But now I think of that night, that wind and rain, how many flowers have been folded? The poet's memory of last night's drizzle and spring rain. The misty rain last night left no trace, but it was full of fallen English, which made people want to see the silence of the night and the sadness of spring. This is also about the sound of spring. The drizzling spring rain may be audible, but there may be no sound everywhere. Between the sound and silence, we seem to hear, and the poet sighs for the loss of English. That sigh is very light, very light, afraid of disturbing the tranquility of spring night, afraid of disturbing the foggy spring night, but it should be in harmony with all love and the spring tone after the wind and rain. The real voice of spring is actually the voice of the heart.
Meng Haoran promoted China's landscape poems to a new height, which is mainly manifested in the perfect harmony between the scenes in the poems. Just like this poem: birds singing, wind and rain, falling in love, are actually poetic expressions of the poet's mood and the crystallization of the dialogue between things and me. Similarly, when a poet writes about spring scenery, he does not write about color and fragrance, but only about sound, precisely to highlight the poet's feelings. "I wonder how many flowers have been broken?" Poets who love and cherish spring have endless beautiful melodies. It is an important contribution of Meng Haoran to write landscape poems to emphasize the subject's emotional feelings with "Xing" and "Xiang", and to unify them to build a complete artistic conception and show the image of life.
The style of Xiao Chun is fluid, the language of Xiao Chun is natural, and the meaning of Xiao Chun is long-lasting. The most classic and beautiful must be the simplest and purest. The most classic, the most beautiful, must also be the longest and most mellow. The singing of "Spring Dawn" is a song of life in the era of youth and freedom. Although it hurts spring and cherishes flowers, the poem still shows a happy and beautiful picture in the early morning of spring. It is fresh and lively, not deep and sad. "A hundred birds contend" in the poet's garden symbolizes the youthful imagination of an unrepeatable era.
Meng Haoran (689-740) was born in Xiangyang, Hubei. I used to roam the southeast and wander the mountains and rivers. He was the first poet who devoted himself to writing landscape poems in the Tang Dynasty. His works are widely used and free and easy, emphasizing "towards the stars", which has raised China's landscape poems to a new height, including The Complete Works of Meng Haoran.
This spring morning, I woke up easily, and birds were singing everywhere, but now I remember that night, that storm, and I wonder how many flowers were broken.