Mondriaan, a man, started geometric abstraction, forming the colorful shapes of rigid lines in Wang Yi's experimental stage, which made his paintings keep a keen sense of rhythm and the continuity of abstract forms. This experiment of abstract form continuity directly influenced the 20th century sculpture, such as Bochuni's unique form of continuity in Kong Wen: before that, sculpture always appeared in the form of volume, not in the form of space art.. Picasso used metal sheets and metal sheets in his work Me and Me during his dry years. Metal wire and wood are made into a composite. After some pioneering efforts, cubist collage has been transformed into a three-dimensional abstract space art, which has influenced all parts of Europe. First of all, Tatlin, Russia, explores engineering and architecture. In the composition of Distance, another master Rodchenko coded some rectangular blocks into horizontal or vertical groups. This is exactly the same as mondriaan's works, and even further reveals the form of internationalism in architecture. As a loyal follower of mondriaan art, Reed Wilder from the Netherlands put mondriaan's ideas about color lines and blocks into three-dimensional space. From the sculptural red and blue chairs to the Schroeder residence in Utrecht, you can see Mondry's elegant vertical and horizontal. This design also uses large-angle windows and rows of windows, so that the indoor light is sufficient, and the selected roof can block the sunlight entering the room, making the whole house bright, ventilated and refreshing. Yi Stern, another assistant who belongs to de stijl with mondriaan, also built many similar buildings, one of which was named Rothburg, which was one of the most memorable achievements at that time. He also believes that architectural painting and sculpture are interrelated, and architecture plays a leading role in them. So far, both Tatlin and Rodchenko, as well as Reed Wilde and Easton of Destier, have explored the art of architectural space at the conceptual level. Combining the exploration and realization of this art with technical means such as engineering and materials has laid a good foundation. The surface of the house is novel and rough, and the precast concrete block with earth village looks like a well-organized vertical structure. Just as Mondeo pays more attention to the language color of painting mouth, Gropius's masterpiece, the Bauhaus school building in Dessau, is a master of architectural space art and technology at this time. The whole building includes classrooms, workshops, libraries, teachers and student dormitories. The workshop consists of four layers of steel bars and glass, and the curtain wall is used to ask the side, suggesting its continuity. On the side of the dormitory, the contrast between the platform and the window unit of the contrast /Bu and the whole white wall suggests that the rhythm of internal independent division of space passes through the street bridge to connect the classroom library between GUIs, forming an effective organization of internal space. At the same time, it also pays attention to the external rectangular performance combination, such as windows and walls. Concrete and glass are vertical and horizontal and vertical, and so on. Bauhaus's long and continuous Japanese-colored walls and windows create a lightness of an open structure. Glass windows integrate indoor and outdoor through simultaneous juxtaposition and continuous transformation of vision. This coordination and integration of function and structure complements mondriaan's artistic style of combining vertical and horizontal abstract principles. At this time, another representative of constructivism, Kandinsky, was also in Bauhaus. He is also Bauhaus. The most influential member. He systematically and accurately expressed the concepts of vision and theory, which had a far-reaching influence on artists of all schools, and clearly penetrated into the fields of painting, sculpture, architecture and space art. He created many paintings, which were full of conflicts between themes and forms, but never left the abstract means. In his later works, lyrical and colorful faces reappeared, such as No.559 in the Lamp Room, which is still geometric in form, but soft in color, rather than architecture. The overall effect of the tough treatment method is full of stability, accuracy and strange interest. This is influenced by surrealism, but it may also be regarded as another prediction of post-modernism by Kandinsky. So far, modern painting has deeply influenced the direction of architectural space. Secondly, because Baroque and Rococo architectural styles are influenced by painting art at the same time, the social attribute of modern painting is often directly located in the essence of space and the new aesthetic value orientation of modern society. Cosmology has a profound influence on people's lives. The combination of art and science has become the necessity of the development of modern society. Eigenstein established the theory of mutual understanding in 1905, which broke the position of human beings in the universe and people's perception of time. Nietzsche's philosophy, Bergson's analysis of human spirit, Freud's aesthetic view and Zhai Jin, the greatest physicist of this century, have greatly led modern painting consciousness to a new field of understanding. The painters are not satisfied. The picture on the tripod is the carrier to express the world of the eye nail. By constantly learning related art categories and even creating architectural space, the so-called painting architecture has been formed. In Cezanne's paintings, we can realize that both portraits, still life and the middle part of the landscape show algebraic processing language, which is very similar to Eigenstein's conceptual position. Juan Grace said this in 1923. Drawing mathematics brought me to the field of behavioral physics, and it was very important to discover the space-time dimension. The connection with energy has changed the position of human beings in the universe, emphasizing that color architectural design, especially interior design, must be mathematical and abstract. According to the new modeling theory, Van Dorsberg made a plan for a special house, thus diagonally introducing the concept of initiative. Modern architecture headed by Wright pays more and more attention to reinforced concrete, a new architectural element. The rapid development of postwar architecture made this group of architects begin to emphasize the importance of structural steel and reinforced concrete. The special problem of the new reinforced concrete building is to cancel the load-bearing external wall and become a glass-metal maintenance structure instead of a summer support structure. The building completely eliminated its volume and became a structure. The division of spatial areas is free, the functional purpose is clear, and the indoor and outdoor design is also very flexible. The regular distribution of structural columns leads to the regular rectangular design, thus creating a new concept of spatial organization. So as to give full play to the potential of spatial structure design, it is precisely because modern painting elements are all-encompassing in aesthetic consciousness that this trend points to the specific field of spatial design. It is not difficult to find that under the influence of artistic conceptual characteristics or simply speaking, artistic products with conceptual activities, it injects new vitality into space design activities every time, and also gives new perspectives and new development to space structure thinking. Like Cezanne, Kong Wen expressed his wife by breaking some shapes into pieces. Picasso, the representative figure of cubism, tried to express the spatial structure through the overlapping of planes in the performance of The Maiden of avignon, which is the result of the artist's thinking about the principle of simultaneous intervention of motion and viewpoint. With the victory of cubism and industrial art, artists gave up abstract picture expression and served the society. Malevic published A World Without Objects in 923 and applied supremacism to industrial painting-he worked in Vitsk. Zhang supremacism, the planning king of floating city currency, shifted the center to the forefront of architecture, saying that modern art is neither painting nor imitation, but first of all, architecture makes painting dissolve in architectural elements. Ge Litri Etwald advocates the viewpoint of American architect Louis Henry Sullivan in space design, expands the interior space of the building by opening windows in corners, emphasizes the principle of vertical and parallel levels, and weakens the positions of functionalism and consumerism. Moving to express the directness of space gives people a feeling of complete openness and privacy. Although there are people who strictly abide by the professional ethics of painting like the new plastic artists, their works of art have become a reflection of the world turmoil in the hope era, and the modern spatial structure is constantly fragmented, especially influenced by deconstruction.

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