Appreciation of Zhang Daqian's Excellent Calligraphy Works
Pictures of Zhang Daqian's Excellent Calligraphy Works 1
Pictures of Zhang Daqian's Excellent Calligraphy Works 2
Zhang Daqian's Excellent Calligraphy Works Figure 3
Zhang Daqian's Excellent Calligraphy Works Figure 4
Brief introduction of Zhang Daqian
Chang Daiqian, male, born in Neijiang, Sichuan, originally from Panyu, Guangdong, was born in Li Anliang, a suburb of Neijiang, Sichuan, 05438+0899. He is a scholar, a painter and calligrapher in China.
In 1950s, Zhang Daqian traveled around the world and gained a great international reputation. Known as "the pen of the east" by the western art world, also known as? A painter who copied the most famous paintings in the world? .
He and his second brother, Zhang Shanzi Kunzhong, founded the "Dafengtang Painting School", which is the most legendary splash-ink painter in China in the 20th century. Especially landscape painting. After living abroad, he combined painting style with writing, emphasized color and ink painting, especially splashing ink and color, and created a new artistic style. Because his poems, books and paintings are as famous as Qi Baishi and Xinyu Pu, they are also called "Southern Zhang Beiqi" and "Southern Zhang Beipu", with various names. Together with Huang Junbi and Xinyu Pu, they are called "crossing the sea three times". In his twenties, he had a big beard, which became a unique symbol of Zhang Daqian in the future.
He made friends with Qi Baishi, Xu Beihong, Huang, Lang Jingshan and Spanish abstract painter Picasso.
Common methods of lifting strokes in calligraphy
The usual calligraphy methods, that is, opening and closing, lifting and pressing, are also calligraphy methods. It is called common method, not only to show its universality and normality, but also to distinguish it from special method and analogy method.
1, the beginning and end of the pen, that is, the operation of the beginning and end of writing, is naturally the primary writing method. Where is the beauty of a painting? Pay special attention. Starting a pen is also called sending a pen, putting pen to paper and writing. When you start writing, you should think before writing. Caution has finally begun? When lifting a pen, according to the size of the font, you should first move in the air, put your pen together and turn it upside down, and be sure to be slow and steady and clean. If you feel uncomfortable, you can reply or write it down to remedy it, but you can't change it easily, and you can't lie on paper and lose your vitality. Dong Qichang said? In the place where you write, you should start writing, don't be stiff, and don't spread the word through the ages. ? Is the basic principle of collecting pens as Demi said? What didn't hang down or walk away? . Also pay attention to the fact that the actual situation is late, slow down the illness, go back to the front and grab it, and grab it in the air. Whether you hide it under your belt or behind your back, you should keep your brushwork, collect it moderately, distinguish between reality and falsehood, and be magnificent and natural. As for the specific collection methods, we should study and study with certain fonts and styles to avoid misunderstanding and misuse.
2. Yin and Yang Because calligraphy originated from symbolic philosophy, it just corresponds to the black and white color of Taiji diagram, so the sages of calligraphy attach great importance to the internal relationship between calligraphy and Yin and Yang. Both Cai Qi and Wang Xizhi, under the guise of Shinto calligraphy, revealed the logic of calligraphy, that is, the logic of yin and yang interacting, complementing each other and hiding each other, and pointed out? Yang is big and Chinese walls stand, Yin is big and wind is born? Basic principles? Put the pen in front? , calligraphy writing, to reflect its artistic characteristics. Scholars of all ages also think that calligraphy is? Close to the body, away from everything? The art of harmony between man and nature. Therefore, the dialectical logic of Yin and Yang not only becomes an important category of calligraphy, but also becomes the main factor of dialectical brushwork. The methods of starting and closing the pen, advancing and retreating, raising pressure, slowing down and hiding dew are also distinctive dialectical. This shows that the method of calligraphy is not a mechanical death, but a dialectical living method, as expounded and embodied by the sages of calligraphy. Reaching the danger of foreigners is the way to change the situation. Get up not alone, squat not widowed, face not close, back not far. If you violate it, don't commit it, stay up late, send the sick and poor to the end, and stick your mood on paper. ? It can be seen that if we want to rise from writing to the realm of calligraphy art, we must deeply understand the significance and function of dialectical reasoning of Yin and Yang. Yin is inside and Yang is outside? ,? Left is yang, right is yin? In other forms, you can't understand the true meaning of yin and yang, and you can't use brushwork flexibly.
3. Fiona Fang's calligraphy and Fiona Fang complement each other, which is not only an important category of calligraphy, but also an important brushwork. Because Fiona Fang's brushwork is particularly important and complicated, the situation is particularly chaotic. In the discussion of hitting the ball by the center and winger, although the important situation of Fiona Fang's hitting the ball was also made clear, there are still some plots that need to be explained or clarified. ? The method of writing with a pen, together with Fiona Fang, can make a circle less thick and steep, less flexible and tactful? Ten books are really incisive and dialectical words of wisdom. Only in this way can the brushwork meet the requirements of brushwork. However, we should also know that the authors of Guang Yi Zhou Shuangyi and other book reviews all describe the round strokes formed by the center and winger as Teton wrote, which obviously does not conform to the real situation of strokes. As for the turning stroke method, although it is related to Fiona Fang, due to the different writing methods of various fonts, it should be studied in combination with some fonts to avoid misunderstanding and misuse.
4. Positive and negative strokes are a pair of strokes with obvious unity of opposites. Because calligraphy comes from nature, look at human nature? Art, so let nature take its course, be reasonable, the order of strokes should be smooth, and the running direction should be smooth, okay? Stroke order? . However, the law of motion must be inverse, and the corresponding stroke method is formed. The way to start a pen smoothly is: start a pen smoothly, put the pen on the paper, take a vertical position, shine, accept the pen and go with the flow, and write the strokes smoothly and beautifully. The ways to deal with bad luck are: starting from the pen to the person, folding the front to the paper, writing against the trend, stepping into the battle, and returning to the front. What is the so-called? Is it tight, tight or strong? The strokes are vigorous and healthy. Thus, through the complementary brushstrokes, it embodies the artistic effect of violating without committing crimes, harmony without differences, and harmony between man and nature. But this is mainly an explanation of the back and forth strokes, and in the process of strokes, there are not only back and forth strokes, back and forth strokes, back and forth strokes and so on. And the forward and backward strokes should be intertwined and complementary, so as to meet the requirements of strokes.