Parting Appreciation of Lotus Inn and Xin Jian's Calligraphy Works
Xin Jian's Calligraphy Works in Lotus Inn 1
Parting Diagram of Hibiscus Inn and Xin Jian's Calligraphy Works II
Figure 3 Farewell to Xin Jian's calligraphy works at Furong Inn.
Figure 4 Farewell to Xin Jian's Calligraphy Works at Furong Inn
"Breaking up with Xin Jian at Furong Inn" in the original
[Tang] Wang Changling
Cold rain at night, Wu,
Pingming Chugu Mountain in Fujian.
If relatives and friends in Luoyang ask each other,
A piece of ice is in the jade pot.
Appreciation of Lotus Inn —— Farewell to Xin Jian's Works
? Entering Wu on a cold rainy night? Misty rain hangs over Wudi Jiangtian (Jiangning area, the hometown of Sun Wu of the Three Kingdoms). ), woven into an endless net of sadness. Rainy nights add to the bleakness of autumn, and also render the gloomy atmosphere of parting. The chill not only filled the misty rain, but also penetrated the hearts of two parting friends. ? Even? Word sum? Become? It is written that the rain is stable and continuous, and the dynamics coming from the river rain can be clearly perceived by people, so it is conceivable that the poet stayed up all night because of his feelings. And this picture of the night rain on the Wujiang River, which connects the water and the sky, just shows an extremely lofty and magnificent realm. In the middle and late Tang poetry and graceful Song poetry, the sound of rain is often written on trivial matters such as the phoenix tree under the window, the iron horse in front of the eaves, and the residual lotus in the pool. , but Wang Changling didn't really write the details of how to perceive the coming of autumn rain. He just summed up his hearing, vision and imagination into the rain, and dyed a big sheet piling with thin ink, which set off a great charm? Ping Ming is seeing off guests in the brig in Chushan? Broad artistic conception. Early in the morning, it was already dawn, and Xin gradually was about to board the ship and return to the north. Looking at the distant mountains north of the Yangtze River, the poet felt lonely when he thought that his friends would soon disappear outside the Chushan Mountain.
On the vast river, of course, it is not only the lonely Chushan that enters the poet's field of vision, but the mighty river is the most likely to arouse the association of watery feelings, and the famous sentences obtained by the Tang people are countless. However, Wang Changling did not pin his sadness on the river that went with his friends, but focused his parting feelings on Chushan, which stands in the vast Ye Ping. Because friends can get together with relatives and friends when they return to Luoyang, the poets who stay in Wudi can only stand by and watch the river flow away like this lonely Chushan. One? Lonely? Words are like the fuse of feelings, which naturally leads to the last two parting words: Friends, if my friends in Luoyang invite me; Just say I'm still Bing Xin Okho, and stick to my faith! ? The poet holds a crystal clear and pure ice heart from the crystal clear jade pot to comfort his friends, which can express his deep affection for relatives and friends in Luoyang better than any words of acacia.
As early as the Six Dynasties and the Song Dynasty, the poet Bao Zhao used it? Clear as jade pot ice? "A generation of hoary heads" is a metaphor for noble morality and innocence. Since Yao Chong, the prime minister of Kaiyuan, wrote Curse of Curse, poets in the prosperous Tang Dynasty, such as Wang Wei, Cui Hao and Li Bai, encouraged themselves by curling, praising the aboveboard curling. The message that Wang Changling gradually brought to relatives and friends in Luoyang was not the usual peaceful bamboo newspaper, but conveyed his belief that he was still honest and clean, which was of great significance.
The poet's self-description here is based on the true understanding and trust between him and his relatives and friends in Luoyang. This is by no means a confession of whitewashing slander, but a boast of despising slander. Therefore, the poet holds a bright and clean ice heart from the flawless empty jade pot to comfort his friends, which can express his deep affection for Luoyang relatives and friends better than any words of acacia.
Emotion comes from the scene and emotion is contained in the scene. This is also a feature of Tang poetry, but it is profound, soft and soothing. ? Thanks for the hammer? Hu Yinglin's poetry is a unique style of Wang's poetry. The boundless river rain and lonely mountains in this poem not only set off the sadness and loneliness of the poet when he bid farewell, but also showed the poet's cheerful mind and strong character. The lonely mountain standing in the middle of the river and the image of Bing Xin placed in the jade pot form a kind of intentional or unintentional care, which naturally reminds people of the poet's arrogant, pure and clean image, and blends exquisite ideas and profound intentions into the empty and clear artistic conception, which is naturally muddy, traceless, implicit and memorable.