1973 65438+Graduated from No.1 Middle School in Suide County in February and jumped the queue, during which he served as a private primary school teacher.
1in April, 975, he participated in the peasant painting class held by the county cultural center, and under the guidance of Mr. Wang Youzheng, he published "Learning Theory" and "Going to Night School" in Yan 'an Pictorial.
65438+July 0976—1early 978 as an apprentice repairman in Suide Farm Tools Factory.
197765438+participated in the first college entrance examination after the Cultural Revolution in February.
1978 was admitted to the normal department of Xi 'an Academy of Fine Arts in February.
1981February graduated from the normal department of Xi Academy of Fine Arts, and the graduation work "Morning Reading" was selected for the second youth art exhibition in Shaanxi Province and the second youth art exhibition in China, and won the second prize respectively. He was assigned to Yulin Literary Federation as Art editor and creative cadre, and joined Shaanxi Branch of China Artists Association. 1May, 982, Baobei was selected for Shaanxi Art Exhibition and won the Excellence Award.
1April, 983-1April, 984 lasted for one year, and the Chinese painting "Hello" was written in September.
In July, 1984, "Hello" was selected for Shaanxi Art Exhibition and won the special prize. He was selected for the 6th National Art Exhibition and won the Bronze Award, and was collected by China Art Museum.
May, 1985, joined China Artists Association.
1986 From April to May, he created Thick Soil. In May, he was selected into the art exhibition of five northwest provinces and won the Excellence Award.
From May to the end of 1987, he created Pow Black Bean, and 1989 redone it.
1988 rewriting thick soil
1989 In June, he was appointed as the judge of the Shaanxi film of the 7th National Art Exhibition, and in July, the Chinese painting Bath was selected for the 7th National Art Exhibition.
/kloc-0 was promoted to second-class artist in February, 1990, and Night After Night was selected in the second national contemporary meticulous painting exhibition in April.
In February, 199 1 held a solo exhibition in Yulin Xingyuan Bookstore, displaying 40 works, and Shanxi TV made a special report.
199 1 year 10 was transferred to Shaanxi art normal school as an associate professor of art.
1July, 992 Biography was compiled into Forty Years of China Fine Arts Yearbook compiled by China Art Museum.
1993 created Hanlin vest from April to June, and Hanlin vest was selected as the first national Chinese painting award in June.
1994 He created the Chinese painting Kang Tou in May, and was selected for the 8th National Art Exhibition in June.
1995 1 month transferred to Shaanxi Provincial Academy of Traditional Chinese Painting as a full-time painter. In September, Xi participated in the national art exhibition commemorating the 50th anniversary of the victory of War of Resistance against Japanese Aggression and the anti-fascist war. Four works, Tajik Mother and Child, Moonlight Night, Mother and Child and Drizzle, participated in the 10 National Newcomer Exhibition.
1February 1996 went to Kyoto, Nara, Hokkaido, Sapporo and other places in Japan to participate in the joint exhibition of calligraphy and painting in Shaanxi, China and Kyoto, Japan for artistic exchange. 1In February, 1996, Gengen and his sisters were selected for the first national China figure painting exhibition, and were awarded the winner of the second young artist "Easy Hair Cup" in Shaanxi Province and the top ten young painters in Shaanxi Province by Shaanxi Federation of Literary and Art Circles at the end of the year.
1Feb. 997, I went to Ta 'er Temple in Qinghai to sketch. In May, he created a group painting "Pilgrims". In May, Shaanxi Traditional Chinese Painting Academy exhibited 20 works in its new series.
1999 65438+ 10 hello, bathing, years of life, moonlit night, kissing eggs, thick soil, earth fragrance, Tajik bride, drizzle, Hanlin Majia, cold food, knitting, Kangtou, pilgrims, etc. 56686.6866868666 1
1999 From February to June, he created the Chinese painting "Migrant Workers-Masonry in China", and in September, "Migrant Workers-Masonry in China" was selected for the 9th National Art Exhibition.
In September, 20001,"Migrant Workers in China-Masonry" was selected for the first National Painting Academy Biennale. In May, he went to Singapore, Malaysia, Thailand, Hong Kong and Macao to sketch.
In March 2002, he went to Kyoto and Tokyo, Japan to attend the 2nd1Shaanxi-Japan Painting and Calligraphy Exhibition. In August, he and Mr. Wang Youzheng drove to Gannan Tibetan area and Norguet, Sichuan to sketch.
In February 2002, he was rated as a national first-class artist.
In June 2003, the work Dawn in Gannan was selected for the second biennial exhibition of the National Academy of Painting. In June 2003, he visited Russia and visited four Russian art galleries.
From March to June, 2004, I created a Chinese painting "Beautiful Grassland My Home"; In July, sketching in Xinjiang; In August, he sketched in Taihang Mountain and Yimeng Mountain; In September, he was selected for the 10th National Art Exhibition; In September, he sketched in northern Shaanxi.
In February, 2005, together with China artists, he painted a trip to Egypt and Turkey. In April, The Selected Works of Contemporary Young and Middle-aged Artists published by Gu Xuan Publishing House included eight works, including Hello, Bathing, Autumn, Kangtou, Dawn in Gannan, China Migrant Workers-Masons, Hanlin Majia, Roots and Their Sisters.
Yang Guangli: To develop art, we should respect the true feelings of artists.
Yang Guangli, a famous painter in China, once wrote in an article: "The ancients said that there is no fixed method for writing, and so is painting. Those who teach people how to draw too much are really worrying. " The traditional word of mouth has given many fixed patterns to painting creation, paying attention to "how to draw, how to hook and how to fold". As a realistic China painter, Yang Guangli doesn't quite agree with the theory of covering life with patterns. Yang Guangli said: "To develop art, we must respect the true feelings of artists." He believes that as long as you have real feelings, you can gradually have your own painting methods. At that time, the artistic expression style will be the most abundant. In the educated youth era, Yang Guangli, a disciple of Wang Youzheng, was born in 1955. When he was a teenager, he met the famous painter Liu Wenxi and created here with his hometown Suide County. Although young, I still don't know what painting is, let alone what a painter is, but I still have a strong interest. Later, Yang Guangli became an educated youth and worked as a private teacher in a middle school, teaching fine arts. 1974, when Yang Guangli, an educated youth, was pulling a car full of fertilizer, he met a group of painters sketching on the roadside, and he stopped and paused. There was a famous painter Wang Youzheng in the crowd, who was the art director of Shaanxi Mass Art Museum at that time. He found this young man who loves painting and recommended him to attend a peasant painting class after the exchange. From then on, Wang Youzheng became Yang Guangli's teacher. On the eve of the 60th anniversary of the founding of New China, in August 2009, "Drawing Spinning Lines: Yan 'an Mass Production Movement", co-authored by Wang Youzheng and Yang Guangli, officially passed the final review of the National Major Historical and Artistic Creation Engineering Committee, winning the honor for Shaanxi art circles. Yang Guangli spent his whole childhood and youth in the countryside of northern Shaanxi Plateau, and his long-term rural experience and heavy loess complex provided him with a steady stream of creative ideas. Most of his realistic Chinese paintings are based on figures from rural areas in northern Shaanxi. "What I painted was actually my years in the countryside. When you are familiar with these lives and fall in love with them, you really want to show it. " Yang Guangli said. After resuming the college entrance examination, Yang Guangli was admitted to the normal department of Xi Academy of Fine Arts and began to study Chinese painting seriously. After being admitted to the Academy of Fine Arts, Yang Guangli did not adapt to the academic creative techniques at first. Taking art as a lifelong career should stay away from the noise. Many people will think that works of art are sometimes too far away from the public, too high-end to understand. Yang Guangli believes that a good work should be appreciated in two categories: elegant and vulgar. In his words, it is "childlike innocence" and is popular with everyone. No matter what things and creations can't provide spiritual products for society and human beings, they are worthless. "Don't understand what's the value? For example, when many people don't understand works of art, they will be said by artists or others that they don't understand art. I can't understand this idea. " "Art is packaged in a hazy way and people don't understand it. I think this is ridiculous. " Many young artists are impatient now. Yang Guangli said that as artists, we should stick to our goals. If we are impetuous, it will be difficult to go far. Yang Guangli has a seal that has been used for nearly 20 years, and it is engraved with "Loneliness". He said: "When artistic creation is a lifelong career, you should be silent and stay away from the noise." Message: Nine Cities Exhibition creates favorable conditions for young painters "The First National Nine Provinces and Cities Art Exhibition" was jointly sponsored by eight mainstream media, including Huashang Daily, with special support from Xi 'an Wanke Enterprise Co., Ltd. and co-organized by Xi 'an Art Museum. Xi Anyouya University is the only cooperative institution. Yang Guangli said that the Nine Cities Joint Exhibition, as a large-scale painting and calligraphy exhibition organized by the publishing house, is a major event in Shaanxi art circle, which has effectively promoted the prosperity of cultural undertakings, especially painting art. I hope that the press will pay more attention, especially give more support to the younger generation, and provide them with a broader exhibition stage and better creative conditions. "The real and lively life I once faced suddenly turned into a cold plaster statue. I think it is a dead thing, there is no communication, so I can't draw well. " Under the orthodox teaching conditions, Yang Guangli realized that he lacked professional training in painting skills before. However, Yang Guangli believes that before creating, one must first have life experience, and then make full use of the learned creative techniques to create good works. Yang Guangli also recognized the way of "studying art systematically first, then painting professionally, and then creating according to your own feelings". However, he also stressed: "Students who have no rich life experience can easily learn to be dull when they begin to learn creative skills. And a person who is passionate about life can easily become a painter after forging his life and going to a technical class. " Yang Guangli said: "Artistic creation needs constant sublimation, and sublimation needs technical improvement in performance, but not all." Thus, Yang Guangli experienced "technical consolidation" from rural productive labor to university, and then "re-perception" when he returned to the countryside, and finally created one classic painting after another.