Taichang Temple, where all the traditional elegant music of the Qing Dynasty was stored, was destroyed, its music score was robbed and its personnel were killed during Eight-Nation Alliance's invasion of China. After the Japanese took part in Eight-Nation Alliance's invasion of Beijing, they immediately captured Taichang Temple, killed all the staff, and took away all the music of Gongchi, resulting in the loss of Chinese elegant music. 1938 June 65438+ October, the Japanese army captured Qufu and took all the music from the Memorial Cave! This systematic robbery is also described by the Japanese as protecting China's heritage.

Most of the music played now is archaeological restoration. There is a recovery documentary about the appearance of the warrior Lan Ling, which clearly explains the process of going to Japan to find information. The documentary is very tactful, and those who understand it will understand. There have been plans that the Japanese have destroyed China's cultural heritage. For example, when the Commercial Press was bombed in 1932, the Commercial Press lost1630,000 yuan, more than 80% of its assets were destroyed, and 450,000 ancient books collected by its Oriental Library were reduced to ashes. 1937 Nankai university library was bombed and burned. Most of the surviving books were taken away by the Japanese, and1000000 China thread-bound books disappeared. This is just an example of traditional elegant music. There are countless others.

Stealing is stealing, but it doesn't look like a table. We still know that our home is the best, and hg's own traditional culture has limited output and little influence in the world. The most frightening thing is neon. They are not stealing, but they will learn from China aboveboard. Do you feel good at this time? The point is, after they learn it, will they continue to brainwash others? What we have learned is more authentic and pure, and the local ones have been destroyed for a long time? , or? Great culture, we are the real inheritors.

The opera collection in the Manuscripts of Ruihe Mountain House (volume 12) collected by Peking University Library includes 45 kinds of Kunqu opera and 1 kinds of theoretical works on opera. These Kunqu manuscripts are scripts for stage performances, including passbook plays, serial plays, whole plays, scales, characters and so on. The manuscript of Ruihe Shanfang Opera is of great value to opera performers and researchers. From the point of view of performance, many long-lost tracks can be rehearsed according to the score, and the performance style can be restored according to the scale spectrum and character spectrum attached to the book.