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Purity, fetter and lingering —— A record of Japanese love movies
The first time I saw Aragaki Yui was in the movie Love in the Sky, which mainly told a sad love story of Japanese. Different from the popular campus movies in China, in the world of Japan, there can also be young and ignorant boys and girls who are particularly eager to have pure love.

Specifically, Meijia, played by Aragaki Yui in the film, planned to have a child with the hero Hiroshi in high school. Of course, due to various reasons, she finally miscarried. Comparing this plot with the domestic movies of the same type, we will find that the plot is actually similar, except that the domestic movies are laughing and cursing, but as time goes by, the former teenagers are no longer young, and the starring role in the film is also going their separate ways.

In Japanese campus movies, time passes slowly, and boys and girls are always so vivid and elegant, as if staying in this time, just like the white fog shrouded in the virgin forest with tall trees and lush foliage in the morning.

? Meijia can have sex with her boyfriend in the library, but the heroine of a domestic movie is pregnant, but she can only go to the hospital for an abortion. In the author's eyes, the two seem very different, but in fact they are essentially the same, both of which are young people's desire for sex. In Japanese movies, sex is a relaxed behavior, so Meijia can have children.

? However, in domestic movies, we try to educate the audience with abortion. Sex is a serious behavior. Sex is indeed a serious behavior, but sex is also pure, a combination of body and mind. However, some screenwriters use him to connect the boring plots that don't need to appear in the film, but they just go astray.

Back in the sky, the score on Douban is 7.0. Douban is a place where literary lovers gather. On the popular film review websites of Japanese movies, 7.0 is an unsatisfactory score. The following comments also generally point to the plot of the film "Dog Blood".

However, this does not affect Aiko's good performance at the Japanese box office. The heroine Meijia, a girl with a gentle and warm smile, has brought twists and turns to her life because of the impermanence of fate. It seems that campus love in Japan is not like the traditional two guesses or sweet love.

? Sasaki Nozomi's heroine in Love with an Angel is a high school girl who meets her terminally ill uncle. The hero and heroine in Hua Shuimu and Our Existence have been on and off for 10 years. Even in Sunny Place, the heroine turned out to be a cat. ...

Fetters may be Japanese obsession with fate. The fetters of the hero and heroine can only make them more bound like vines in the face of countless natural and man-made disasters.

? In my mind, a beautiful campus love is neither a "pie in the sky" love nor a popular domestic love movie. But I like you, just like the heartbeat of a deer at the moment I met you; It's the smell you bring when you pass by me; It is also the trajectory that I will follow your actions without hesitation.

? Shunji Iwai's The Story of April is a campus romance with few dialogues, but it is especially to my taste.

In April when cherry blossoms are flying, Uzuki (Matsu Takako), a girl of 0/7 years old from Hokkaido/KLOC, came to Tokyo Musashino University to study, and she came here halfway across Japan just to follow Yamazaki, the object of her secret love. But in the movie background, she has nothing in common with boys.

In the subsequent film Axis, the hero didn't take much part in the plot. I think it's a bit like My Mom and Dad starring Zhang Ziyi.

The days when I came to Tokyo were lonely and boring, but the film focused on the life of the heroine. From her moving, coming to school, joining a club, negotiating with her classmates, to the bookstore where she found the protagonist's job. ?

What made such an introverted girl abandon her sense of security and take the initiative to come to a strange place? It's love, which doesn't need too many words to describe.

A few simple conversations, a few simple encounters, until finally, under an old red umbrella, two people smiled at each other, and the picture axis of the film slowly closed, but the story didn't start or end. This is just a romantic cherry blossom poem, which is my miss for you. ...

? Love is the embodiment of everything. ...