The complete works are jointly published by the Palace Museum in Beijing and the People's Government of Dantu District in Zhenjiang City. * * * Mi Fei's calligraphy works are collected in Beijing Palace Museum, China National Museum, National Library of China, Shanghai Museum, Shanghai Library, Liaoning Provincial Museum, Lianyungang Museum, Zhenjiang Inscription Museum, Cultural Relics Museum of Chinese University of Hong Kong, National Palace Museum in Taipei, Tokyo Museum in Japan, Metropolitan Museum in the United States and Princeton University Museum in the United States, totaling * * *. According to the classification of calligraphy, calligraphy books (ink), single engraved posts, cluster engraved posts and inscriptions are published in a certain order, and the ink is almost all of Mi Fei's handed down works, and the income of engraved posts and inscriptions spans from the Southern Song Dynasty to the Ming Dynasty. The real cursive script is complete, and there are many forms of writing, including letters, inscriptions, handwritten letters, long scrolls, carved stones, epitaphs and so on. In particular, the cluster engraving of Mi Fei's works, such as Shaoxing Mi Fei Iron, Songguitang Iron, Qunyutang Iron, Yingguangtang Iron and Bao Jin Zhai Fa Tie, is the most systematic, complete and precious of Mi Fei's iron engraving, and it is also the biggest highlight of the complete works. The following classification is introduced as follows.

1. Calligraphy (ink)

Mi Fei's calligraphy and ink painting art has the highest value and the greatest influence, especially the development of modern printing, which provides the convenience for the spread and learning of ink painting that the ancients could not imagine. The complete works * * * contain 66 kinds of Mi Fei ink, basically all the Mi Fei ink handed down from ancient times. Mainly composed of running script and regular script works, it completely reproduces Mi Fei's calligraphy style and artistic achievements in various periods, and provides real and comprehensive ink remains for Mi Fei's calligraphy research, which has high artistic value and extremely precious first-hand information.

2. Carving (single carving and group carving)

According to the literature, seal engraving originated in the Southern Tang Dynasty, including Bao Da Tie, Sheng Yuan Tie and Clarification Tang Tie. However, there are only records that have not been handed down in kind. In the Northern Song Dynasty, the post of Chunhua Pavilion was recognized as the "ancestral post", and by the Song Dynasty, it had evolved into more than six official engravings, such as Li Qing, Daguan and Xichun/kloc-0. Mi Fei's works in the Southern Song Dynasty can be found in Shaoxing Mitie (1 14 1), Song Guitang's engraved post (1 174) and Qunyutang's post (120 1-655).

The complete collection * * * contains 32 kinds of Mi Fei's calligraphy works, including single engraved posts and cluster engraved posts, some of which are multi-versions and collected in different places. This is the most distinctive feature of the complete works, and it is also the best way for Mi Fei's calligraphy works to be widely circulated and have a great influence in ancient times. The cluster inscriptions in the Complete Works of Mi Fei were found in the Song, Yuan, Ming and Qing Dynasties, which is very rare. Its early engraving time, large quantity, high level, orderly circulation and precious historical materials are rare in history and have important academic research value.

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Stone carvings in Miffy's works are very rare. The complete works collect 16 kinds of stone carvings in Mifei's calligraphy for the first time. There are famous Fiona Fang Anji written by Song Tuo, very rare old epitaphs of Zhang Ji and Zhang Di, and even little-known residual stones and inscriptions, which are not only of great artistic value, but also of historical document value.