Take the candle
Qingfushan
Raise a candle and sigh, the man wants to hurt his heart. This guy Zhao is really strange, and he is good at managing maids.
The drunkard's intention is not to drink, but the old madman is even crazier. There is more than one round, where to post articles.
To annotate ...
1, Zhao Si: Zhao Mengfu. Famous calligrapher in yuan dynasty.
2. It's amazing: it's amazing.
3. Guan Maid: Guan Daosheng, the wife of Zhao Mengfu, is also a famous painter.
4, also very: not ordinary people.
Appendix:
From Fu Shan's evaluation of Zhao Mengfu
Self-knowledge is self-evident, self-knowledge is not easy, self-knowledge is difficult, and it is even more difficult to know people. It takes a period of time, even a lifetime experience, to know and understand a person. Commenting on others is easily influenced by the emotions and preferences of the reviewers, and it is difficult to be fair in emotional fluctuations, and it is not objective to express one's preferences. If you don't know this truth, it is easy to be biased when quoting.
In the history of calligraphy, there are many phenomena that books are scrapped because of people. For example, Zhao Mengfu, a famous calligrapher in the Yuan Dynasty, suffered from reputation damage for more than 700 years, and his calligraphy achievements were belittled and neglected. His historical contribution is underestimated. The reason is that Zhao Mengfu was an official in the Yuan Dynasty and became a second minister. Compared with Yan Zhenqing in the Tang Dynasty and Huang Daozhou in the late Ming and early Qing Dynasties, Zhao Mengfu's behavior naturally belonged to "defection, meanness and bonelessness", and his calligraphy was naturally implicated. Xiang Mu, a calligraphy theorist in the Ming Dynasty, commented on his book, saying: Zhao Mengfu's book is warm and elegant, as if it were inherited from the right army, charming and delicate, and extremely lacking in the spirit of festival. Feng Ban in Qing Dynasty also said: Zhao Shu is delicate, almost equal to the right army, but his spirit is not as good as that of Song people. Fu Shan's comments in his later years are fair to those who can evaluate Zhao Mengfu's calligraphy from a historical and developing perspective.
Fu Shan studied Zhao Mengfu's calligraphy seriously when he was young. However, after the victory of the Qing Dynasty over the Ming Dynasty, Fu Shan could not let go of his hatred of the country's demise, and he became extremely contemptuous of Zhao Mengfu, the enemy of the matter, and could not tolerate the actions of two ministers, Zhao Mengfu. He warned future generations: "I don't like Zhao Ziang very much, but I hate his books because of his thinness, and I hate his books because of his vulgarity." It means that you despise his handwriting because you despise his people. Such an evaluation also belongs to the view that people waste books. However, with the consolidation of the Qing dynasty's rule and the gradual formation of the prosperity of Kanggan, we have witnessed the gradual stability and prosperity of society. Compared with the chaos and decay in the late Ming Dynasty, Fu Shan had to rethink. In his poem Holding a Candle, he wrote:
"Hold a candle sigh, people want to heartbroken. This guy Zhao is really strange, and he is good at managing maids.
The drunkard's intention is not to drink, but the old madman is even crazier. Where can I post an article when there is still a sum left? "
The word "strange" in the poem fully expresses the poet's admiration for Zhao Mengfu. At this time, Fu Shan began to look at Zhao Mengfu rationally. The reason may be that with the gradual consolidation of the Qing dynasty's rule, the history of Ming Dynasty's death has become an unchangeable reality. Perhaps Fu Shan realized the difficulty and historical significance of a knowledgeable person passing on culture from generation to generation. Anyway, at this moment, Fu Shan probably realized how precious it is for Zhao Mengfu to pin his ideals and ambitions on his pen. In this poem, Fu Shan quite affirmed the superb artistic achievements of Zhao Mengfu and his wife, and also included Fu Shan's recognition of the demise of the Ming Dynasty, which was a profound understanding of Chinese culture handed down from generation to generation. Compared with a crumbling and corrupt former dynasty, the prosperity of the country and the safety of citizens are more important to the people.
Maybe why do you think Fu Shan made two completely different comments? Now, the law of people's understanding of the world and things is gradually recognized with the development of things. The understanding of things needs a process and will not change because of people's emotions and subjective wishes. This is that the development of things has its own laws, regardless of human will. In fact, if we know more about Zhao Mengfu's sufferings, ambitions and ideals, it will be easier to understand why the two cultural giants have the same mind.
Although Zhao Mengfu was an official of the Yuan Dynasty, his position was prominent. However, his life is a tragedy. What accompanied his life's pain was not his lack of talent, but his inner remorse and guilt. The boulder that has been pressing on his mind is nothing more than the Confucian moral norms that he knows too well. He clearly knows that what he has done completely violates this norm, and his mind is always whipped by this whip. The pain of the soul is the greatest pain, and who will you say it to?
When Zhao Mengfu was 33 years old, Yuan Shizu Kublai Khan met him in the capital of the Yuan Dynasty. Young Zhao Mengfu was so excited that he couldn't help feeling a little smug, so he said, "If a few scholars are good at learning, they will become officials, and the cover will also be used by the country." However, in the political environment at that time, he soon felt remorse. Thirty-seven years old, after four years in Beijing, he wrote the poem "Falling into the dust net by mistake, four degrees of Beijing Spring". Later, he wrote a poem "Sin Out", and his heart was sad beyond words:
"In the mountains, it is profound. In the mountains, it is grass. As the old saying goes, it is not too early to see things.
I want to be alone in my life, and mountains and valleys give me arms. Amuse yourself when reading, and protect yourself when you are wild.
Who let the dust net fall and be gently entangled? Once a seagull, now it's like a caged bird.
Lament who will take care of you, Mao Yu will urge you every day. "
In this poem, Zhao Mengfu's inner contradictions and pains are very obvious. This painful mood can't be told to people, so he took his wife Guan Daosheng and became a devout Buddhist disciple, and he can only be freed from Buddhism.
Zhao Mengfu can't change his style, but he can only feel that things are difficult in his poems. He also wrote a poem:
"Fame also have? Rich and safe. Only after a hundred years can words be passed down from generation to generation.
Just like a stream born in spring, you must make up your mind to do it. Recite poems leisurely and learn the words of the right army quietly. "
At this time, Zhao Mengfu was able to calm down, read the poems of the ancients, pursue the style of calligraphy in Wei and Jin Dynasties, and became the spiritual sustenance for Zhao Mengfu to get rid of his inner pain. During Zhenyuan period, Kublai Khan of Yuan Shizu died, and Zhao Mengfu finally returned to his hometown of Xing Wu after a long absence. Zhao Mengfu lived in Jiangnan for four years, and he felt quite at home. However, when I look back on my life, I can't help but feel sad and write another poem:
"Tooth head sixty-three, life is a shame. Only the feelings of pen and ink are still there, leaving it to the world as a joke. "
His teeth and hair are gone, and he is ashamed that in his 63 years of life, he has achieved nothing but painting and calligraphy. His wife Guan Daosheng wrote lyrics to persuade him:
"Life is very expensive, princes and princes, and fame and fortune are inevitable. It's like a boat. I want to go home and rest. "
1322, Zhao Mengfu died at the age of 69. His calligraphy is elegant and clever, which is unprecedented. Later generations called his calligraphy: "the meat is boneless and the tendons are not exposed." Although the posture is charming, the waves are very mature. Such as rich muscle Yuhuan, neon dance, not ecstasy. " Zhao Shu is a typical example of beauty, just like the beauty of neutralization in Wang Xizhi's calligraphy, and the beauty of style in Yan Zhenqing's calligraphy is unparalleled. He erected a monument in the history of calligraphy in China. The Mongolian army conquered the Southern Song Dynasty, while Zhao Mengfu conquered the descendants of Khan with excellent Chinese culture, so that the fire could not be extinguished and the ancient law could not be lost. What more can people ask for such a person who exerts the meager power of scholars to the extreme?
Maybe Fu Shan learned about Zhao Mengfu's psychological process in this way, or maybe he knew more. In his later years, Fu Shan understood Zhao Mengfu by combining his own personal experience. This is the reason why he gave a heartfelt sigh. Only then can you "raise a candle and sigh" and think that "that person" has been heartbroken. I think Zhao Shu is "eccentric" and even Guan Daosheng is "very".
That's what happened. Without the same or similar experience, similar understanding, similar cultural accomplishment and temperament, you will not really understand a person or a thing, and it will be difficult to understand this person or thing. A person's experience, cultivation, personality and temperament are all changing and developing. From Fu Shan's understanding of Zhao Mengfu, we should know that only in-depth understanding, out of public interest, can we objectively evaluate a person.
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