Several Poems in Sacrifice to the Yellow Emperor is a commemorative poem written by Su Shi and his younger brother Su Zhe to mourn their marriage. This volume of calligraphy is refined, in and out of Jin and Tang dynasties, vigorous in brushwork, rigorous in structure, concise in pen and ink, moist in meaning, precise and lively, and it is one of Su Shi's fine calligraphy works.
Basic Introduction Chinese Name: Several Essays on Sacrifice to the Yellow Emperor Creation Year: Northern Song Dynasty Author: Su Shi's current hiding place: Shanghai Museum? Calligraphy type: running script words: 29 1. Specification: vertical 3 1.6 cm, horizontal 12 1.7 cm? Material: the content of calligraphy, creative background, artistic appreciation, strokes, structure, comments by famous experts, historical inheritance, author's brief introduction, calligraphy content and several articles: the spirit of several doctoral brothers. Alas, a few words, filial piety. People who never talk, such as Min and Zeng. Pay a hundred talents at the end of a day. Transcendental virtue, wind vane Yun Teng. Enter the empire, take a straight rope. As jade snow, it does not pollute blue flies. Out of town, it's not slow. Treacherous court officials are lazy officials, and they are really afraid and hate. The emperor knew it, too, because things were repeatedly said. Ask for the left and right, ask without answering. If you don't smell it, you will rise with the Tao. I am a feather, I am an eagle. Embrace silence and grow old without regret. Ring block, cloth sparse. A wife gets rid of millet and a jade eats friends. I moved to Huainan and went to Qiugu Wudeng. Sitting and reading a hundred officials, the taper knife is still the same. There is a gentleman in Fiji, and his car is a free ride. Bathing like a spring breeze can solve this yin spirit. There is still a standard punishment, and the purple beard hangs down. There is no gentleman in Lu, and people are safe. Please faint when you put in the coin. Never give up, clothes win. I will lie down forever, and I will be safe. Life grows in the sky, though sacred. Wei is older than Xue Teng. If the sky is ashamed, the world will be glorious. Give me a slap and go back to the mountains. At the beginning of this volume, there is the inscription "Water Separation" by Da Zhongguang in the Qing Dynasty: "This book is pure regular script, simple and elegant, and it is spread in the sea with the calligraphy books of Chu Henan and Yan Pingyuan." The same Mo Bao, whose real name is Lin Xinyi, is also Cao Cao's teacher. ",Fei Nianci Guangxu twelve years (1886). Dong Qichang, Chen Jiru, Zhou and Zhou (1603) have the same view (Dong Qichang title). There is the postscript of the 19th year of Qing Emperor Kangxi (1680), the postscript of the 57th year of Wang Kangxi (17 18) and the postscript of the 6th year of Li Hongzhi's Guangxu reign (1880). There are Huang Tu, Precious Secrets and Huang Family Collection, his Liang Yinjun and Qingsenge Calligraphy and Painting Seal, Key Seal, Direct Seal, Runzhou Da Zhongguang Appraisal Seal, Jiang Shang Waishi Da Zhongguang in Xinfu Seal, Jiang Shang Waishi, Jiang Shangshi Shuishuyin and Songzi Pavilion. Xu Hongzhi's Seal, Wang Yanzhai's Calligraphy Appreciation Book, Yun Jian Wang Yanzhai's Collection and Yanzhai's Secret Play; Seal seal of Jiashu in Ming Dynasty, seal seal of Yan Ze, Yan's Golden Way, Qu Zhongsheng, Gu Quan Mountain Pavilion, Heart of Keeping the World, Minghongge, Wang Xingmo Collection, etc. Creation background Su Shi, Su Zhe and Huang were scholars in the same year, and Huang Di, the son of Huang, married his two daughters to Su Zhe's two sons respectively. Su Huang and his family became their children's in-laws, which shows that their relationship is unusual. Because of this, after Huang's death, the Su brothers wrote this volume of eulogy for this friend in the same year. This volume was written in the second year of Yuan You in the Northern Song Dynasty (1087), when Su Shi was 52 years old. Artistic appreciation of strokes This volume of stippling is calm, simple and changeable, which undoubtedly inherits the romantic style of regular script in Wei and Jin Dynasties. In the aspect of regular script technique, Su Shi has won the legacy of Wei and Jin Dynasties, with rich brushwork and diverse gestures, both handsome appearance and simple Gu Zhuo connotation. Its characters and strokes are full, wrapped tightly, and the strokes are reflected, with letters, lines and grass alternating. Dot painting is natural and vigorous, and the beginning and end of the painting are also full. Su-style calligraphy is smooth and refreshing, full of flowing beauty. Knots, like pens, are different. For example, in the sentence of "being silent and old", the structure is mainly open and frank, while in the sentence of "being good at food and being friends", it is mainly dangerous. The word "jade" is outside the word "king", and the word "food" obviously sinks to the left and becomes a long point extending to the right, which is also an abnormal writing. The word "friend" is stretched too much, and the word "friend" is almost right-leaning The above methods of deliberately creating risks are all gathered in one place, with the aim of breaking the situation of leniency and fairness. Structural changes strive to achieve the ultimate in flexibility and ups and downs. Liu Zhengcheng, President of the International Calligraphers Association: From beginning to end, hieroglyphics are as heavy as a thousand pounds, and the color becomes thicker with the ink at the end of the post, and the font becomes bigger. Just like a slow-paced, solemn elegy, the song ends and people are still sad. (The Complete Works of China's Calligraphy Su Shi) Xu Bangda, a researcher at the Palace Museum: (Several essays in memory of the Yellow Emperor) The calligraphy exhibition is on the Red Wall Fu. (The Story of Gu Shuhua's Passing Eyes) Historical Inheritance This volume was collected by calligraphers Huang (Huang's great grandson), Ming Huaxia, Zhu Dashao, Wang Shizhen, Cao, Qing and Wang in the Southern Song Dynasty. In the Ming Dynasty, it was recorded in Wang Shizhen's Continuation of Yizhou Mountain Man, Inscription and Postscript of Continued Painting and Calligraphy, Wang Keyu's Inscription and Postscript of Coral Net Book, Qinggufu's Splendid Life, Bian Yongyu's Collection of Paintings and Calligraphy in Shigutang and Gu Wenbin's Painting and Calligraphy in Guoyunlou. Now in Shanghai Museum. Author's brief introduction Su Shi (1037-1kloc-0/01), a writer and painter in the Northern Song Dynasty. The word Zizhan, also known as He Zhong, is called Dongpo lay man. Han nationality, Meishan, Meizhou (now Sichuan). Together with their father Su Xun and brother Su Zhe, they are called Su San. He is an all-rounder in literature and art, and his writing style is unrestrained and fluent. He is also known as Ou Su with Ouyang Xiu, one of the eight masters in Tang and Song Dynasties. His poems are fresh and vigorous, and he is good at using exaggerated metaphors. He has a unique style in artistic expression, and is called Su Huang with Huang Tingjian. Bold ci school has a great influence on later generations, and it is called Su Xin with Xin Qiji; Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting, like literature, I like to be a strange stone. On painting, I advocate similarity. Poems include "Seven Chapters of Dongpo" and "Dongpo Yuefu".