First, the TV series "The Longest Day in Chang 'an" restores the makeup costumes of women in Tang Dynasty.
Another controversial aspect is about women's make-up clothes in the Tang Dynasty. Compared with Tang Dynasty female makeup and modern female makeup, there are obvious differences. In the prosperous Tang Dynasty, women's makeup and clothing paid attention to "strong ink and heavy color", which was mainly reflected in women's facial makeup and clothing collocation. At that time, the common makeup in the Tang Dynasty included drunken makeup, peach blossom makeup, feixia makeup and so on. It requires white foundation, rich rouge and rich eyebrows, which is also in line with the appearance of thousands of people in the unearthed sculptures of ladies in the Tang Dynasty. In the Tang Dynasty, the basic aesthetic standard of women's figure was fullness and roundness, and most women wore fu skirts or Hu clothes. Fu skirts have bright colors and strong contrast. Red, green, yellow, blue and other colors are very common, reflecting the vibrant life scene in the prosperous Tang Dynasty. Khufu is neutral, low-toned and saturated, depending on gender class. According to the economic situation and the development level of silk weaving in the Tang Dynasty at that time, natural materials such as silk and hemp were mostly used for fabrics. According to class status, silk is more precious than hemp. The details involved in these original novels are reflected in the play. Take Tan Qi and Wen Ran for example, their costume makeup is obviously different from other costume dramas or fantasy dramas based on modern aesthetics.
Second, the TV series "The Longest Day in Chang 'an" restored women's props in Tang Dynasty.
In the use of props, the adaptation of The Longest Day in Chang 'an incorporates some objects that did not appear in the original. Take the "fire alarm clock" as an example. According to historical records, the "fire alarm clock" is made of coiled incense and marked with scales. During the Tang and Song Dynasties, the technology of timing with incense developed more accurately and perfectly. Song wrote "Xiangpu" and said, "One hundred times, those who are still curious in recent times make incense seals, and their texts are accurate for 12 times, divided into 100 minutes, all of which have been burned all night." This 100 scale is just a day and night. Taking this as a reference prototype, a "fire alarm clock" with a faucet as the main shape is designed in the play. This kind of detail is not only used to reflect the wisdom of the ancients, but also to imply that the protagonist Jing 'an's teacher and the tyrannical atmosphere in the last World War were isolated and helpless.