Wang Youlan was a famous ceramist during Shunzhi-Kangxi period in Qing Dynasty.

Zheng Ning was a famous ceramist in Kangxi period of Qing Dynasty.

Hua Fengxiang During the period from Kangxi to Yongzheng in Qing Dynasty, people were good at antique, and the pots made were elegant without losing their quaint taste. They also grow on the purple sand stove, imitating the China square pot, which is exquisite and exquisite, with more glaze, clever but not fiber, and simple workmanship. This style is based on a square seal [made by Jingxia Fengxiang].

Chen Mingyuan, Hefeng, Hetun, Huyin and Shixiashan. , is a famous potter in Kangxi period of Qing Dynasty, and their date of birth and death is unknown. He is a generation of famous teachers after Shi Dabin. He is good at sculpture decoration, renovation and superb skills. His calligraphy is elegant and healthy, which has the style of Jin and Tang Dynasties. His works are sought after by scholars and ministers, and are well-known at home and abroad. At that time, there was a kind of praise in Beijing for "ordering guests to go far away". His works include dozens of pots, cups, bottles, pots and elegant plays in the study, such as space-based pots, begonia pots, cornucopia, vases, chrysanthemum pots, incense pots and assorted dishes.

Yuan Yulong was a famous ceramist in Kang Yong, whose plain flat pot was handed down from generation to generation.

Jin was a famous ceramist in Yongzheng-Qianlong period.

Xu Longwen was a famous ceramist in Yongzheng period.

Chen Hanwen was a famous ceramist during Yongzheng-Qianlong period in Qing Dynasty.

Fan, whose name is De 'an, was a famous ceramist during Yongzheng-Qianlong period in Qing Dynasty.

Hui is a famous pottery artist in Qing Dynasty. The size and thickness of the pot he made can be comparable to that of Hui Chenmeng, and it is called "Erhui" in the world. There are also many fakes.

Pan Dahe and Qing Qianlong-Jiaqing are famous ceramists.

Zigong, Chen Hongshou,No. Man Sheng, 1768- 1822, ancestral home in Qiantang, Zhejiang. He is good at designing sand pots, painting and calligraphy, and is one of the famous "west eight Lang". In the sixth year of Jiaqing (180 1 year), he served as Tongzhi of Huai 'an. Poetry, literature, books and paintings are all won by capital. When Liyang was a magistrate, he used his spare time to distinguish the sand quality, created new samples of sand pots, and designed 18 kinds of pot samples, which were made by famous ceramists Yang Pengnian, Yang Fengnian's brother and sister, Shao Erquan, etc. Then Chen Mansheng and his screen guests Jiang Tingxiang, Gao Shuangquan, Guo Pinjia and Cha carved calligraphy and painting, which was called "Mansheng Pot" internationally. Shapes include lion rhyme, Jingtian fragrance, Albizia Albizia fragrance, Queyue fragrance, Banwa fragrance, Fangshan fragrance, melon fragrance and Fudou fragrance. Chen Mansheng, a cool rock climbing monument, is engraved with inscriptions such as seal cutting, official seal and travel, and the seal cutting track is in Qin and Han Dynasties. The bottom of a full pot is generally marked with "Amanta Tuo Shi", "Sanlian Pavilion" and the word "Pengnian". The existing "Tile Pot" is in Shanghai Museum.

Fan Zhuang has been handed down by Zhu Guoming Hu Jie and Manson Zini Hu Da.

Old people with pure taste are passed down from generation to generation.

Pot infatuation is passed down from generation to generation by adding color printing to the pot.

Mao Yuan's polished "waist-girding Chen Meng Pot", "Pu Jie Magnolia" and "vegetarian cauldron" have been handed down from generation to generation.

Xu Bojun has a masterpiece "Straight Beams and Generous Pots".

After Han Long, Fang Hu was handed down from generation to generation.

Han Fanghu has been handed down from generation to generation.

Han Zhen has a famille rose landscape bamboo pot handed down from generation to generation.

Wang Nanlin has a "plain body and clear pot" passed down from generation to generation.

Yang Youlan has a "carved bell-shaped ring pot" handed down from generation to generation.

Yang Lvgan was handed down from generation to generation.

Shao's "bulging pot" has been passed down from generation to generation.

There is a book "Bend Down to Make a Pot of Chen Meng" in the Calyx Garden, which has been handed down from generation to generation.

Yang Pengnian zigzag spring is called Dapeng. A famous artist who made sand pots during Jiaqing period of Qing Dynasty. Life and death are unknown. Jingxi, a native of Tongxiang, Zhejiang, had a younger brother named Bao Nian and a younger sister named Feng Nian, both of whom were famous pot-making artists at that time and were good at mixing mud. The teapot they made is crystal clear in color, unique in Wen Ya charm, simple and exquisite, natural and interesting, and the art forest is regarded as a treasure. At that time, Chen Hongshou, the magistrate of Liyang County, often made a full-life pot, which was always cherished by connoisseurs. The existing bell jar is hidden in Shanghai Museum.

Yang Fengnian, a famous pot-making artist in Jiaqing period of Qing Dynasty, was born in Jingxi. He said he was from Tongxiang, Zhejiang, and was Yang Pengnian's sister. Ingenious in conception and exquisite in relief, comparable to her brother, she has always been recognized as the most famous female artist who makes sand pots, with many handed down works. The wind-rolled sunflower pot made by her is elegant in shape and exquisite in production. It is made of precious azure mud, with slightly blue rosewood, exquisite in content and moist as jade. "Bamboo pot" is purple, calm and steady. The pot is made of bamboo, and its mouth, lid and handle are decorated with bamboo branches and leaves. Proportion is symmetrical, density is delicate, and it is a good product in the pot. Now in ceramics museum, Yixing.

Lu, an old man from Mulu, was born in Yong 'an, Fujian in the early years of the Republic of China. After liberation, it was rated as a master of hand-drawn pots by the state and enjoyed a high reputation in Zhu clay vessels! According to Qiu Yun, Guilin, Zhang Dehai and others all learned from him!

Qu Ying, the youngest son, was named Rihu, Qufu, Laozhi and Bichun. He was the owner of tea, and he was from Jiaqing to Daoguang-year, especially good at seal cutting.

Ge Zihou was a famous ceramist in Jiaqing period of Qing Dynasty. There is a pear-shaped Chen Meng pot passed down from generation to generation.

Yang Baonian lives a long life. A famous ceramist in Jiaqing Daoguang period of Qing Dynasty.

Shao Amnesty is also called forgiveness. A famous ceramist in Daoguang period of Qing Dynasty.

Wu Yuting word Zhu Xi. A famous ceramist in Qing Dynasty.

Master Shao Jingnan of Liu Pei. A famous ceramist in Qing Dynasty.

Shen was a famous ceramist during the reign of Daoxian in Qing Dynasty. Make good use of white mud, a rising star of Yixing pot art in Qing Dynasty, and use the money at the bottom of the pot to "make the tea ripe and fragrant, and the emperor warm." He has collaborated with Yang Pengnian and Qu Zizhi.

Jiang Delin is full of words. Qing Daoguang-a famous ceramist during Tongzhi period. According to Guangxu's "Yixing County Records", Xiu De "has all kinds of fine arts and crafts, and all teapots, flowerpots, cups and plates, and all the furniture of the book case are exquisite in color and workmanship, which is the first of its kind".

He Xinzhou, a famous ceramist, cleared Daoguang during Tongzhi period.

During the Tongzhi period, Wang Dongshi, a famous ceramist, cleared Daoguang.

During the Guangxu period of Li and Qing Dynasty, the "carved curved flat pot" was passed down from generation to generation.

Fan Dingfu, a famous ceramist during Tongzhi period.

Dan Wen's message is ominous.

Ancient lotus seeds are ominous.

Metallogenic data are ominous.

Born around Daoguang in Qing Dynasty, Deng Kui was a friend of Qu. He cooperated with purple sand artists, designed and supervised the teapot, inscribed it himself, or carved flowers and bamboo, and stamped the words "Fusheng Dengkui Supervised" at the bottom of the teapot.

Plum carving is a friend of bamboo, and the word is clumsy. People in Daoguang and Xianfeng periods in Qing Dynasty. Gong calligraphy, carving calligraphy and painting on the teapot, is a school of its own.

Pan Ganrong was a pot-making artist in Yongzheng, Qianlong, Jiaqing and Daoguang periods in Qing Dynasty.

Shao Suogen was a pot maker during Jiaqing and Daoguang periods in Qing Dynasty.

Shao Weixin is a pot-making artist.

Shi was a pot maker during Qianlong and Jiaqing periods in Qing Dynasty.

Yang Jichu was a pot-making artist during Qianlong and Jiaqing periods in Qing Dynasty.

Zhu Jianshimou (Shi Mei) was born in Jiaqing and Daoguang years of Qing Dynasty. He is good at epigraphy and calligraphy, and is another scholar who cooperates with Yang Pengnian after Chen Hongshou. His decorative paintings and calligraphy are elegant in style, full of stone charm and vigorous in knife work.

Zhao Songting used to use the famous branches of spring and stage names. A native of Shangyuan Village, Sichuan Port, Shushan, Yixing, he was a can-making artist and industrialist in the late Qing Dynasty and the early Republic of China.

Qu lived in Qing Daoguang and Tongzhi years.

Chen has no news at present.

Zhu Shimei has no information at present.

Shao Xingran has no information at present.

Fan Yixing purple sand artist in the late Qing Dynasty and the early Republic of China. Craft casserole. Zhenjiang cultural relics store has a purple ochre mud "Fan Qinfen bending pot". The upper part of the kettle body is in an inner arc shape, forming a high neck and a small mouth; The lower part is in an outer arc shape, forming a bowl-shaped bottom. Hemispherical cover, mushroom button, arc flow, ear handle. The bottom is engraved with "Fan Zao". Height 1 1.5, caliber 3.5 cm.

Zhang Chunfen Yixing Zisha artist in late Qing Dynasty and early Republic of China. Good at making colorful pots. Zhenjiang Cultural Relics Store has a "Zhang Chunfen Lotus-shaped Pot" with big lotus root as the pot body, small lotus root as the flower, lotus handle as the handle, lotus leaf as the cover and lotus flower as the decoration. Ingenious conception, the work is shaped. Zhang Chunfen's seal. Height10.5cm.

Wu da? In the history of teapot in the late Qing Dynasty, Wu Da? Hiring Huang Yulin and others to make pots for them is often mentioned in historical materials, which is more credible. But like the "Yang Xian Sha Hu Kao" cloud ┱ "Bishan Hu Ji? Zhai Zisha Pot with a handle ... Qingqing was appointed as the governor of Taiwan Province Province, Wu Jia ... "Today, people still quote ┱" This pot was made in Jiawu (1894), just like Wu Da? As the governor of Taiwan Province Province, in the year when he was defeated by the Japanese, as Zhang Hong said, "discipline is based on dispatching it." (See Appreciation of Yixing Purple Sand, edited by Gu Jingzhou, p. 149, published by Sanlian Bookstore Co., Ltd., Hongkong 1992). The credibility is not that great. About Wu Da? Things? There are many books published in China, including the Draft of Qing History, but none of them are complete. Mr. Gu, the former director of Shanghai Library, is the author of Wu? Mr. Zhai's chronicle, but I regret that I have not been able to read it so far. As for Wu da? Have you ever been the governor of Taiwan Province Province? Some of the information I saw didn't mention it. As for Wu da? When to participate in making teapots and hire Huang Yulin and others to make them, we can find the answer from the existing teapots with exact dates. Wu da? (1835- 1902), a native of Wuxian County, Jiangsu Province. Originally named Da Chun (to avoid the change of the name of Tongzhi Emperor Mu Zong Zai Chun), the word "Jing" is also called "Qingqing", and it is named Hengxuan, Baiyun Mountain firewood, Baiyun Temple Grass, Songxuan, Zheng Xiaosheng and Ertian Jushi. Later? Zhai, the room name is 28 general print Zhai, Erjiu Zhai, 12 Jin Fu Zhai, 16 Jin Fu Zhai, 10 Guishan Zhai, 10 general print Zhai, 10 Tonggu Zhai, 8 Hufu Zhai and 300 others. Hey, money? Zhai, 58 Bi, 64 Cong, 72 Guijingshe, Zhijing (Tang), Shuang Ling Residence, Shuangpiaoxuan, Jade Buddha Temple, Jade? Mountain House, Dragon Boat Tiger Emblem Hall (also known as Dragon Boat Tiger Emblem Hall, engraved with seals), Baiyun Mountain Hall, Hanshi Classic Room, Twelve Immortals Hall, Baisong Taozhai Hall, Fan Shi Hall, two shells, two Qin Dingfang, Liu Baorui Zhai, Baoqin Quanzhai, Meizhu Shuangqing Hall, Ruizhi Hall, Biyong Tang Mingjing Room, and Seven Immortals. Zhai, climb the ancient building. At the beginning of Tongzhi, he joined the Pinghua Society Painting and Calligraphy Association. Learn less from Chen's seal script and participate more in ancient seal script after middle age, which is beneficial to seiko. He is a famous epigraphy archaeologist and philologist. (See Yu Jianhua's Dictionary of Surnames of Artists in China, page 276, Shanghai People's Fine Arts Publishing House 198 1, Chen Yutang's Dictionary of Modern Names in China, page 349, Zhejiang Ancient Books Publishing House 1993, China Ancient Knowledge Dictionary, Ma Wenxi and Zhang Guibi, etc. )

The word Xiaohai, a word, long, with Jia? Years old, is that okay? Okay？ What is oxygen? Jing Ya? Thick,? The right law? Lack of equipment.

During the period from Yongzheng to Guangqing Qianlong, the pot was decorated with palace style and the imperial vessels were well made. The mud is well matched, which is well-known for its color, exquisite workmanship and few utensils.

From Xianfeng in the Qing Dynasty to Jiang Anqing in the early years of the Republic of China, he was a famous purple sand craftsman with simple workmanship, simple craft and few pots. Show the joy of a simple farmer, mature technology, and take a clear case as a clue.

Peng nian 1823- 1889 was born in Zhu Gui (now Guiyang), Guizhou province. Qing Daoguang twenty-seven years (1847), Jinshi, Jiangsu official, was once called Hubei ambassador. He took sorting out disciplines as his responsibility, trained scholars, worked hard to teach Baoding Lianchi Academy, and made great achievements for the public. Father assisted Chen, and he was also a Taoist scholar, and the official was a phoenix. Tao. Zi, edited by Guan Hanlin Academy. Passed down from generation to generation, it has a collection of thousands of books. Peng Nian likes painting things and flowers. Love tea, customize Yixing sand pot. Cai tasted the "white clay small square pot", with "Pengnian" seal script at the bottom and "Zishou" seal script on the lid. Peng Nian compiled Jifu Tongzhi, including Tao Lou Ji. Sixty-seven years old, one for sixty-eight.

During the period from Daoguang to Tongzhi in Yong Bok Chu, people were good at learning the strategies of the super rich, but it was impossible to imitate them. Most of the pots made are Fiona Fang-style, and there is a "white mud flat pot", which is exquisite and neat, with the seal of "Yongfu" inside, and is also good at making goose egg-shaped pots.

Jiang was a purple sand ceramist from Tongzhi to the early Republic of China. He was good at making flower pots, and chrysanthemum petal pots were the best. He wrote a few words around the petals at the bottom of the pot as his signature. Among them, there are many red pottery pots with exquisite craftsmanship, which skillfully shapes the beauty of the pots. But there are few transmitters, such as a pot with chrysanthemum petals, and the poems at the bottom are lost.

Wu Yueting has no information at present.

Modesty, there is no such person in the book, but his pot is quite good. I once saw a device whose style was "Liu Qian" in regular script. The carcass of the device is smooth and shiny, and the carcass is mixed with coarse yellow clinker. The fuselage is slightly heavier, but convenient.

Wang? During the period from Daoguang in Shiqing to Tongzhi, people were good at making antique pots with exquisite carving, exquisite craftsmanship and originality. At that time, literati cooperated with them to make pots, which were numerous and exquisite, such as a "Dongpo Tiliang Pot", which was full of artistic sense and well-designed. The pot body was carved by the mountain people!

During the period from Kangxi to Yongzheng in the Qing Dynasty, Chen Jiexi preached good antiques, especially Gaigong, which was never seen in the history of its disseminators.

Shao was a master of pot-making in Qianlong period of Qing Dynasty. He tasted a small pot of Zhu mud, with the words "He Sheng" engraved on the lid and "Qing Gan Long years" engraved on the bottom. In my book "Jingxi Zisha Pot", there is a Liu Shan-style Zhu Ni pot with Liu Shan as the base and Hesheng as the cover. The shape of this pot is very good, but when it was unearthed, the lid of the pot broke into two pieces. The whole container body is hammered by the barrel body, and the pot body is slightly wrinkled and dense, which is called "wrinkle-free ink". The bottom section is carved with "Liu Shan" and the cover section with "Hesheng", all of which are carved with three knives. The knife work is sharp, and the knife method is particularly wonderful, but the knife method is precise and rigorous, but the brushwork is extended. This is a rare masterpiece in Zhu Ni's paintings. According to the custom of inscriptions on Zhu pottery pots, the bottom of the pot should be a scholar or a dignitary who ordered the firing.

Pan Shicheng is a native of Panyu, Guangdong Province, according to the record of "Yang Xian Sha Hu Kao". Pan Shi's family has always loved tea, so they ordered an exclusive sand pot in Yixing, one for their own use and the other as a gift. The custom-made sand pot in Pan Shi has a fixed shape, which is used to put the seal on the edge of the pot cover, not on the bottom. All the stamps used are printed with the word "Pan" in seal script. Because Pan Shi's reputation is widely spread, the world calls it a "pan pot", and the way of signing money generally follows the precedent. Occasionally, people see regular script without printed edges, or carve it with an iron blade, and also print Tao's name on the cover. Up to now, the shapes of pots and pans can be roughly divided into three types: those with flat persimmons are called "short pots"; Slightly tall, nearly oblate, called "middle plate"? The height of the ship, nearly pear-shaped, is "high climbing" People in southern Fujian usually make tea in pots. However, according to local villagers, Pan Shicheng was originally from Putian and was proud of Pan Shi. When his daughter gets married, he will use a pot as a dowry, hoping to be as rich as Pan Shicheng in her husband's family. Therefore, the requirement is Yixing Pan Pot, and Shantou Pot, which was born and raised in China, is rarely used. Usually, this kind of wedding pot is not necessarily used for making tea, but also for putting hair oil on the dresser, and a hundred years later, the hostess often uses it as a funerary object to show her gratitude to her parents for their upbringing.

From the bright and clear Daoguang to the early years of the Republic of China, he was a man with the word Runxian. He has lived in Shushan, Yixing since childhood and is good at making purple sand playthings. Most of his products are miscellaneous flowers and fruits, such as beans, walnuts and persimmons. They are beautifully made, almost real, with excellent color and beautiful appearance. However, the made pot has rarely been circulated so far. Take a [Sanrun Diamond Pot] as an example, the pot mud is coarse purple sand, which is neat and uniform.

Shao Jizu, who lived from Yongzheng to Qianlong in the Qing Dynasty, is said to have made elegant pots, solid and clean, and is also famous for his pastel techniques.

Siting, surnamed Lu, was a Taoist priest in the early Qing Dynasty, with an unknown date of birth and death. Among Zhu Clay Pots, Gong Yi, Junde and Siting were all outstanding pot makers in Qing Dynasty, and because of their great fame, they became synonymous with Yixing Zhu Clay Pots in later generations, among which Junde and Siting became the names of specific shapes.

Shao? Yixing purple sand artists in the late Qing Dynasty and the early Republic of China. Craft casserole. Yixing Zisha Craft Factory has "Han Jun Pot", a pot made by Shao and a book by Yu Youren. Lavender clay is well-made, neat and simple, and the pot body is engraved with the words "Mr. China, right". Height 8. 1, caliber 6.6 cm. Yixing purple sand is recorded.

From Fang Zengsan's Shunzhi period to Yongzheng period, the pots made by Fang Zengsan were simple and elegant, elegant, excellent and solid. Most of them are light goods with few pots, such as a [short square pot]. The pot is square, thin and neat, with a square seal script at the bottom, and the calligraphy is in the style of Jin and Tang Dynasties. This man's pot is extremely rare, and the weathering and particle change of the soil tire are quite serious and very rare.

During Zhang Huairen's reign from Yongzheng to Qianlong in Qing Dynasty, his family was very poor and made a living by making pots!

Qiu Guilin, a master of making cinnabar pots, has masterpieces such as Captives and Real People. All exquisite pots are made by Qiu Guilin and studied under Lu (see above)!

Zhang Dehai, a famous pot maker in Fujian Province, whose masterpiece is Bai Liu, and Qiu Guilin are classmates!

Baiyuan has no historical records, but a small pot unearthed is recognized as "burning Baiyuan in the west of Beijing". Because of his surname Shao, he should be a master of the early Qing Dynasty. The transmitter is changeable in shape, simple and heavy in style and elegant in engraving. The signature format is as follows: first, put the oval seal "Jingxi" on the upper right, and affix the seal "Hundred Circle" on the lower left (as in this book); Others sealed the six-character Yang seal script on the clock in the middle of the pot bottom. Some also printed the seal script of "Hundred Rounds" on the upper right of the poem; Others simply carved the word "hundred circles" in regular script with a steel knife. The transmitter is made of purple sand, cinnabar and sand saving, especially cinnabar. My book "Jingxi Zisha Pot" contains five kinds of Zhu Tao Pots, the bottom one is played in the Park Pavilion, and the wall one is repaired with five kinds. Kashiwabara utensils are not limited to the traditional ancient shapes, and there are often unexpected surprises. The bottom of this instrument is engraved with the words "Hundred yuan for the drama of Cedar Pavilion", and the wall type is "Xiuwu". The calligraphy is elegant, the knife work is concise and smooth, and it exudes a strong literati atmosphere.

Wang Wang is an old master at making pots. According to the cloud, Wu Yungen and Zhu Kexin both studied under him.