Wang Youlan was a famous ceramist during Shunzhi-Kangxi period in Qing Dynasty.

Zheng Ning was a famous ceramist in Kangxi period of Qing Dynasty.

Hua Fengxiang During the period from Kangxi to Yongzheng in Qing Dynasty, people were good at antique, and the pots made were elegant without losing their quaint taste. They also grow on the purple sand stove, imitating the China square pot, which is exquisite and exquisite, with more glaze, clever but not fiber, and simple workmanship. This style is based on a square seal [made by Jingxia Fengxiang].

Chen Mingyuan, Hefeng, Hetun, Huyin and Shixiashan. , is a famous potter in Kangxi period of Qing Dynasty, and their date of birth and death is unknown. He is a generation of famous teachers after Shi Dabin. He is good at sculpture decoration, renovation and superb skills. His calligraphy is elegant and healthy, which has the style of Jin and Tang Dynasties. His works are sought after by scholars and ministers, and are well-known at home and abroad. At that time, there was a kind of praise in Beijing for "ordering guests to go far away". His works include dozens of pots, cups, bottles, pots and elegant plays in the study, such as space-based pots, begonia pots, cornucopia, vases, chrysanthemum pots, incense pots and assorted dishes.

Yuan Yulong was a famous ceramist in Kang Yong, whose plain flat pot was handed down from generation to generation.

Jin was a famous ceramist in Yongzheng-Qianlong period.

Xu Longwen was a famous ceramist in Yongzheng period.

Chen Hanwen was a famous ceramist during Yongzheng-Qianlong period in Qing Dynasty.

Fan, whose name is De 'an, was a famous ceramist during Yongzheng-Qianlong period in Qing Dynasty.

Hui is a famous pottery artist in Qing Dynasty. The size and thickness of the pot he made can be comparable to that of Hui Chenmeng, and it is called "Erhui" in the world. There are also many fakes.

Pan Dahe and Qing Qianlong-Jiaqing are famous ceramists.

Zigong, Chen Hongshou,No. Man Sheng, 1768- 1822, ancestral home in Qiantang, Zhejiang. He is good at designing sand pots, painting and calligraphy, and is one of the famous "west eight Lang". In the sixth year of Jiaqing (180 1 year), he served as Tongzhi of Huai 'an. Poetry, literature, books and paintings are all won by capital. When Liyang was a magistrate, he used his spare time to distinguish the sand quality, created new samples of sand pots, and designed 18 kinds of pot samples, which were made by famous ceramists Yang Pengnian, Yang Fengnian's brother and sister, Shao Erquan, etc. Then Chen Mansheng and his screen guests Jiang Tingxiang, Gao Shuangquan, Guo Pinjia and Cha carved calligraphy and painting, which was called "Mansheng Pot" internationally. Shapes include lion rhyme, Jingtian fragrance, Albizia Albizia fragrance, Queyue fragrance, Banwa fragrance, Fangshan fragrance, melon fragrance and Fudou fragrance. Chen Mansheng, a cool rock climbing monument, is engraved with inscriptions such as seal cutting, official seal and travel, and the seal cutting track is in Qin and Han Dynasties. The bottom of a full pot is generally marked with "Amanta Tuo Shi", "Sanlian Pavilion" and the word "Pengnian". The existing "Tile Pot" is in Shanghai Museum.

Fan Zhuang has been handed down by Zhu Guoming Hu Jie and Manson Zini Hu Da.

Old people with pure taste are passed down from generation to generation.

Pot infatuation is passed down from generation to generation by adding color printing to the pot.

Mao Yuan's polished "waist-girding Chen Meng Pot", "Pu Jie Magnolia" and "vegetarian cauldron" have been handed down from generation to generation.

Xu Bojun has a masterpiece "Straight Beams and Generous Pots".

After Han Long, Fang Hu was handed down from generation to generation.

Han Fanghu has been handed down from generation to generation.

Han Zhen has a famille rose landscape bamboo pot handed down from generation to generation.

Wang Nanlin has a "plain body and clear pot" passed down from generation to generation.

Yang Youlan has a "carved bell-shaped ring pot" handed down from generation to generation.

Yang Lvgan was handed down from generation to generation.

Shao's "bulging pot" has been passed down from generation to generation.

There is a book "Bend Down to Make a Pot of Chen Meng" in the Calyx Garden, which has been handed down from generation to generation.

Yang Pengnian zigzag spring is called Dapeng. A famous artist who made sand pots during Jiaqing period of Qing Dynasty. Life and death are unknown. Jingxi, a native of Tongxiang, Zhejiang, had a younger brother named Bao Nian and a younger sister named Feng Nian, both of whom were famous pot-making artists at that time and were good at mixing mud. The teapot they made is crystal clear in color, unique in Wen Ya charm, simple and exquisite, natural and interesting, and the art forest is regarded as a treasure. At that time, Chen Hongshou, the magistrate of Liyang County, often made a full-life pot, which was always cherished by connoisseurs. The existing bell jar is hidden in Shanghai Museum.

Yang Fengnian, a famous pot-making artist in Jiaqing period of Qing Dynasty, was born in Jingxi. He said he was from Tongxiang, Zhejiang, and was Yang Pengnian's sister. Ingenious in conception and exquisite in relief, comparable to her brother, she has always been recognized as the most famous female artist who makes sand pots, with many handed down works. The wind-rolled sunflower pot made by her is elegant in shape and exquisite in production. It is made of precious azure mud, with slightly blue rosewood, exquisite in content and moist as jade. "Bamboo pot" is purple, calm and steady. The pot is made of bamboo, and its mouth, lid and handle are decorated with bamboo branches and leaves. Proportion is symmetrical, density is delicate, and it is a good product in the pot. Now in ceramics museum, Yixing.

Qu Ying, the youngest son, was named Rihu, Qufu, Laozhi and Bichun. He was the owner of tea, and he was from Jiaqing to Daoguang-year, especially good at seal cutting.

Ge Zihou was a famous ceramist in Jiaqing period of Qing Dynasty. There is a pear-shaped Chen Meng pot passed down from generation to generation.

Yang Baonian lives a long life. A famous ceramist in Jiaqing Daoguang period of Qing Dynasty.

Shao Amnesty is also called forgiveness. A famous ceramist in Daoguang period of Qing Dynasty.

Wu Yuting word Zhu Xi. A famous ceramist in Qing Dynasty.

Master Shao Jingnan of Liu Pei. A famous ceramist in Qing Dynasty.

Shen was a famous ceramist during the reign of Daoxian in Qing Dynasty. Make good use of white mud, a rising star of Yixing pot art in Qing Dynasty, and use the money at the bottom of the pot to "make the tea ripe and fragrant, and the emperor warm." He has collaborated with Yang Pengnian and Qu Zizhi.

Jiang Delin is full of words. Qing Daoguang-a famous ceramist during Tongzhi period. According to Guangxu's "Yixing County Records", Xiu De "has all kinds of fine arts and crafts, and all teapots, flowerpots, cups and plates, and all the furniture of the book case are exquisite in color and workmanship, which is the first of its kind".

He Xinzhou, a famous ceramist, cleared Daoguang during Tongzhi period.

During the Tongzhi period, Wang Dongshi, a famous ceramist, cleared Daoguang.

During Li Geqing's Tongzhi-Guangxu period, there was a "carved flat pot" passed down from generation to generation.

Fan Dingfu, a famous ceramist during Tongzhi period.

Dan Wen's message is ominous.

Ancient lotus seeds are ominous.

Metallogenic data are ominous.

Born around Daoguang in Qing Dynasty, Deng Kui was a friend of Qu. He cooperated with purple sand artists, designed and supervised the teapot, inscribed it himself, or carved flowers and bamboo, and stamped the words "Fusheng Dengkui Supervised" at the bottom of the teapot.

Plum carving is a friend of bamboo, and the word is clumsy. People in Daoguang and Xianfeng periods in Qing Dynasty. Gong calligraphy, carving calligraphy and painting on the teapot, is a school of its own.

Pan Ganrong was a pot-making artist in Yongzheng, Qianlong, Jiaqing and Daoguang periods in Qing Dynasty.

Shao Suogen was a pot maker during Jiaqing and Daoguang periods in Qing Dynasty.

Shao Weixin is a pot-making artist.

Shi was a pot maker during Qianlong and Jiaqing periods in Qing Dynasty.

Yang Jichu was a pot-making artist during Qianlong and Jiaqing periods in Qing Dynasty.

Zhu Jianshimou (Shi Mei) was born in Jiaqing and Daoguang years of Qing Dynasty. He is good at epigraphy and calligraphy, and is another scholar who cooperates with Yang Pengnian after Chen Hongshou. His decorative paintings and calligraphy are elegant in style, full of stone charm and vigorous in knife work.

Zhao Songting used to use the famous branches of spring and stage names. A native of Shangyuan Village, Sichuan Port, Shushan, Yixing, he was a can-making artist and industrialist in the late Qing Dynasty and the early Republic of China.

Qu lived in Qing Daoguang and Tongzhi years.

Chen has no news at present.

Zhu Shimei has no information at present.

Shao Xingran has no information at present.

Fan Yixing purple sand artist in the late Qing Dynasty and the early Republic of China. Craft casserole. Zhenjiang cultural relics store has a purple ochre mud "Fan Qinfen bending pot". The upper part of the kettle body is in an inner arc shape, forming a high neck and a small mouth; The lower part is in an outer arc shape, forming a bowl-shaped bottom. Hemispherical cover, mushroom button, arc flow, ear handle. The bottom is engraved with "Fan Zao". Height 1 1.5, caliber 3.5 cm.

Zhang Chunfen Yixing Zisha artist in late Qing Dynasty and early Republic of China. Good at making colorful pots. Zhenjiang Cultural Relics Store has a "Zhang Chunfen Lotus-shaped Pot" with big lotus root as the pot body, small lotus root as the flower, lotus handle as the handle, lotus leaf as the cover and lotus flower as the decoration. Ingenious conception, the work is shaped. Zhang Chunfen's seal. Height10.5cm.

In the history of purple clay pots in the late Qing Dynasty, Wu Dayou once hired Huang Yulin and others to make pots for him, which was mentioned in many historical materials and was more credible. However, as stated in "An Examination of Yangxian Clay Pot", "The green mountain pot has a big clay pot with a handle ...", Qing Qing was appointed as the governor of Taiwan Province Province during the Wu Jia period. "Today, people still quote:" This pot was built in the Sino-Japanese War of 1894 (1894), just when Wu Dayou was the governor of Taiwan Province Province, its division was defeated by the Japanese army, or as Zhang Hong said, "it is a summary of history". (See Appreciation of Yixing Purple Sand, edited by Gu Jingzhou, 149, published by Sanlian Bookstore Co., Ltd., Hongkong 1992). The credibility is not that great. There are many books about Wu Dayou's deeds published in China, including the Draft of Qing History, but they are incomplete. Mr. Gu, the former director of Shanghai Library, wrote a book "Chronicle of Mr. Wu Shuzhai", which has not been read so far. As for whether Wu Dacheng ever served as the governor of Taiwan Province Province, some information I saw did not mention it. As for when Wu Daxiao participated in making teapot and hired Huang Yulin and others to make it, we can find the answer from the existing teapot and have the exact date. Wu Dacheng (1835- 1902) was born in Wuxian, Jiangsu. The first name was Da Chun (to avoid the Tongzhi Emperor Mu Zong Zai Chun changing his current name), and the word Zunqing was named Hengxuan, Baiyun, Baiyun Sicao, Songxuan, Zheng Niche and Ertian Jushi, and the last name was Zhai Ling. The rooms are named 28 general print Zhai, Erjiu Mansion, 12 Zhai, 16 Zhai, 10 Guishan Zhai, 10 general print Zhai, 10 Tonggu Zhai, 8 Tiger Fu Zhai, 300 Ancient Souzhai, and 58 Bi 64 Cong 72 Gui. At the beginning of Tongzhi, he joined the Pinghua Society Painting and Calligraphy Association. Learn less from Chen's seal script and participate more in ancient seal script after middle age, which is beneficial to seiko. He is a famous epigraphy archaeologist and philologist. (See Yu Jianhua's Dictionary of Surnames of Artists in China, page 276, Shanghai People's Fine Arts Publishing House 198 1, Chen Yutang's Dictionary of Modern Names in China, page 349, Zhejiang Ancient Books Publishing House 1993, China Ancient Knowledge Dictionary, Ma Wenxi and Zhang Guibi, etc. )

Wang Huai's word "small sea" has rich meanings. He came to Jiaqing from Qingganlong. He is good at calligraphy and poetry. The teapot he made is elegant and smart, with correct calligraphy and few utensils.

During the period from Yongzheng to Qianlong in the Qing Dynasty, Yang Jiguang used the palace-style pot as a decorative technique to make royal palace vessels. The clay materials were properly matched, and they were praised for their bright colors, exquisite craftsmanship and few vessels.

From Xianfeng in the Qing Dynasty to Jiang Anqing in the early years of the Republic of China, he was a famous purple sand craftsman with simple workmanship, simple craft and few pots. Show the joy of a simple farmer, mature technology, and take a clear case as a clue.

Huang Pengnian (1823- 1889) was born in Zhu Gui, Guizhou (now Guiyang). Qing Daoguang twenty-seven years (1847), Jinshi, Jiangsu official, was once called Hubei ambassador. He took sorting out disciplines as his responsibility, trained scholars, worked hard to teach Baoding Lianchi Academy, and made great achievements for the public. Father assisted Chen and said that he was a scholar and an official was a phoenix. Zi, edited by Guan Hanlin Academy. Passed down from generation to generation, it has a collection of thousands of books. Peng Nian likes painting things and flowers. Love tea, customize Yixing sand pot. Cai tasted the "white clay small square pot", with "Pengnian" seal script at the bottom and "Zishou" seal script on the lid. Peng Nian compiled Jifu Tongzhi, including Tao Lou Ji. Sixty-seven years old, one for sixty-eight.

During the period from Daoguang to Tongzhi in Yong Bok Chu, people were good at learning the strategies of the super rich, but it was impossible to imitate them. Most of the pots made are Fiona Fang-style, and there is a "white mud flat pot", which is exquisite and neat, with the seal of "Yongfu" inside, and is also good at making goose egg-shaped pots.

Jiang was a purple sand ceramist from Tongzhi to the early Republic of China. He was good at making flower pots, and chrysanthemum petal pots were the best. He wrote a few words around the petals at the bottom of the pot as his signature. Among them, there are many red pottery pots with exquisite craftsmanship, which skillfully shapes the beauty of the pots. But there are few transmitters, such as a pot with chrysanthemum petals, and the poems at the bottom are lost.

Wu Yueting has no information at present.

Modesty, there is no such person in the book, but his pot is quite good. I once saw a device with the handwriting of "Thousand Willow" in unbounded cursive script. The carcass of the device is smooth and shiny, and the carcass is mixed with coarse yellow clinker. The fuselage is slightly heavier, but convenient.

During the period from Daoguang Qing to Tongzhi, Wang Dongshi was good at making antique pots with exquisite carving, exquisite craftsmanship and originality. At that time, the literati cooperated with him to make pots, and many exquisite pots were handed down, such as Dongpo Diaoliang Pot, which was full of artistic sense and well-designed. The pot body was carved by the villagers!

During the period from Kangxi to Yongzheng in the Qing Dynasty, Chen Jiexi preached good antiques, especially Gaigong, which was never seen in the history of its disseminators.

Shao was a master of pot-making in Qianlong period of Qing Dynasty. He tasted a small pot made of vermilion, with the words "He Sheng" engraved on the lid and "Qing Gan Long years" engraved on the bottom. In my book "Jingxi Zisha Pot", there is a Liu Shan-style Zhu Ni pot with Liu Shan as the base and Hesheng as the cover. The shape of this pot is very good, but when it was unearthed, the lid of the pot broke into two pieces. The whole vessel is barrel-shaped, and the pot body is slightly wrinkled and dense, which is called "wrinkle-free and ink-free". The bottom section is engraved with "Liu Shan" and the lid section is engraved with "Hesheng", all of which are carved with three knives. The knife method is sharp and sharp, and the knife method is particularly brilliant, but the knife method is precise and rigorous, but the brushwork is extended. This is a rare masterpiece in Zhu Ni's paintings. According to the custom of inscriptions on Zhu pottery pots, the bottom of the pot should be a scholar or a dignitary who ordered the firing.

Pan Shicheng is a native of Panyu, Guangdong Province, according to the record of "Yang Xian Sha Hu Kao". Pan Shi's family has always loved tea, so they ordered an exclusive sand pot in Yixing, one for their own use and the other as a gift. The custom-made sand pot in Pan Shi has a fixed shape, which is used to put the seal on the edge of the pot cover, not on the bottom. All stamps used are stamped with the word "Pan". Because Pan Shi's reputation is widely spread, the world calls it a "pan pot", and the way of signing money generally follows the precedent. Occasionally, some people see that regular script has no margins, or it is engraved with an iron blade, and some people seal Tao's name on the cover. Up to now, the shapes of pans can be roughly divided into three types. The belly is a flat persimmon called "short pan"; The body is slightly higher and nearly oblate, which is called "middle plate"; The height of the ship, which is nearly pear-shaped, is "climbing high" People in southern Fujian usually make tea in pots. However, according to local villagers, Pan Shicheng was originally from Putian and was proud of Pan Shi. When his daughter gets married, he will use a pot as a dowry, hoping to be as rich as Pan Shicheng in her husband's family. Therefore, Yixing Pan Pot is required, and Shantou Pot, which was born and raised in China, is rarely used. Usually, this kind of wedding pot is not necessarily used for making tea, but also for putting hair oil on the dresser, and a hundred years later, the hostess often uses it as a funerary object to show her gratitude to her parents for their upbringing.

From Qing Daoguang to the early years of the Republic of China, the word Runxian lived in Shushan, Yixing since childhood and was good at making purple sand playthings. Most of his products are miscellaneous flowers and fruits, such as beans, walnuts and persimmons. They are beautifully made, almost real, with excellent color and beautiful appearance. However, the made pot has rarely been circulated so far. Take a [Sanrun Diamond Pot] as an example, the pot mud is coarse purple sand, which is neat and uniform.

Shao Jizu, who lived from Yongzheng to Qianlong in the Qing Dynasty, is said to have made elegant pots, solid and clean, and is also famous for his pastel techniques.

Siting, surnamed Lu, was a Taoist priest in the early Qing Dynasty, with an unknown date of birth and death. Among Zhu Clay Pots, Gong Yi, Junde and Siting were all outstanding pot makers in Qing Dynasty, and because of their great fame, they became synonymous with Yixing Zhu Clay Pots in later generations, among which Junde and Siting became the names of specific shapes.

Shao Yixing purple sand artist in late Qing Dynasty and early Republic of China. Craft casserole. Yixing Zisha Craft Factory has "Han Jun Pot", a pot made by Shao and a book by Yu Youren. Lavender clay is well-made, neat and simple, and the pot body is engraved with the words "Mr. China, right-handed". Height 8. 1, caliber 6.6 cm. Yixing purple sand is recorded.

From Fang Zengsan's Shunzhi period to Yongzheng period, the pots made by Fang Zengsan were simple and elegant, elegant, excellent and solid. Most of them are light goods with few pots, such as a [short square pot]. The pot is square, thin and neat, with a square seal script at the bottom, and the calligraphy is in the style of Jin and Tang Dynasties. This man's pot is extremely rare, and the weathering and particle change of the soil tire are quite serious and very rare.

During the period from Yongzheng to Qianlong of the Qing Dynasty, a family heirloom made pots for a living, and the pots, saucers, cups and saucers made in the Tang and Song Dynasties were all exquisite.

Baiyuan has never seen any historical records, but he has tasted a small pot unearthed, which is "the West of Beijing makes less than Baiyuan". Knowing his surname Shao, he should be a master of the early Qing Dynasty. The transmitter is changeable in shape, simple and heavy in style and elegant in engraving. The signature format is as follows: the oval seal "Jingxi" is placed on the upper right, and the seal "Baiyuan" is placed on the lower left (like this); Others stamped the bell at the bottom of the pot with the six-character seal of "Jingxi Original" in Yang language; There are also "100 yuan" seal characters printed in the upper right corner of poetry; Others simply carved the word "hundred circles" in regular script with a steel knife. The transmitter is made of purple sand, cinnabar and sand saving, especially cinnabar. There are five kinds of Zhu Tao jars in my book "Jingxi Zisha Pot", the bottom is Xuanwan Baiyuan, and the wall is Xiuwu. Kashiwabara utensils are not limited to the traditional ancient shapes, and there are often unexpected surprises. The bottom of this instrument is engraved with the words "Hundred Yuan for Bai Ting Opera" and the wall type is "Xiuwu". The calligraphy is elegant, the knife work is concise and smooth, and it exudes a strong literati atmosphere.

Wang Wang is an old master at making pots. According to the cloud, Wu Yungen and Zhu Kexin both studied under him.