"Gluttony" is a fierce beast in ancient legends in China, and its biggest feature is that it can eat. It is a fictional mysterious monster. This monster has no body because he eats his own body too much, only a big head and a big mouth. He was so greedy that he finally ate himself. It is a symbol of greed, so it is often used to describe greedy or greedy people.
Ancient bronzes are often decorated with the shape of heads, which are called gluttonous patterns. What people call gluttonous patterns are common patterns on bronzes and are considered to depict the faces of gluttonous animals. This pattern appears on the jade articles of Liangzhu culture in the lower reaches of the Yangtze River, but the gluttonous pattern is more common on bronzes, especially Ding Shang, as early as Erlitou Xia culture bronzes. Gourmet has related images in online games, online novels and film and television works with China's legend or fantasy martial arts as the theme.
Gluttony patterns, that is, the use of "strange mountains and rivers" as the theme, but these strange things are elusive. Ancient artists, unlike painters in the prosperous times of civilization, had ingenious means of "looking for ghosts, evil dogs and horses" At first, the manuscripts used were all loyal to realism, and gradually they were simplified by realism; Therefore, most of the images taken by gluttonous patterns have their sources, taking common birds and animals, or approaching humans. Gluttony patterns are mainly facial patterns, supplemented by feet, body and tail, and thunder patterns are ground patterns. A complete main pattern is composed of functions such as crown decoration, nose, eyes, eyebrows, angles, ears, mouth and teeth.
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Gluttony culture
Gluttony is a legendary evil animal that is extremely greedy, so greedy that it eats up all its body, so its appearance is generally headless. In ancient China mythology, gluttony was one of the four evils. Legend has it that the Yellow Emperor attacked Chiyou, who was beheaded, and became overeating on his first landing.
The animal face decoration of Shang and Zhou bronzes reflected the worship of natural gods at that time, so it had a mysterious and solemn atmosphere. However, there are different opinions about what these mysterious decorative patterns represent. Bronze ware is the embodiment of the ancestors' consciousness of "respecting god" in Yin Shang Dynasty, while the Zhou Dynasty developed into "respecting heaven and legalizing ancestors", forming a trinity of religion, political power and clan power.
Most scholars believe that the rulers of Shang and Zhou dynasties used the "ferocious terror" of bronze decorations to express the "mysterious majesty" of kingship and to express their possession of political power, status and wealth, which is daunting. Slave owners put all their majesty, will, glory, fantasy and hope on these horrible and ferocious ornamentation. Mr. Zhang Guangzhi also thinks that "bronze is politics and power", but he thinks that these animal designs are not for intimidation, but for communication with God.
Due to the low level of productive forces in primitive society, many unexplained phenomena are attributed to the power of God. People are full of awe of the gods, begging for them, pleasing them, and dominating things with the help of divine power. Therefore, the status of wizards who can communicate with the gods is very high, and the wizard class has become the original imperial ruling class.
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