Liangping New Year Pictures are watermark color-matching woodcuts, which are quite different from other color-matching New Year Pictures. Generally, the color matching New Year pictures use woodcut overprint lines, and the colors of the pictures are almost all hand-painted (such as Mianzhu New Year pictures in Sichuan, etc.). ) In addition to overprinting lines, Liang Ping's New Year pictures are hardly hand-painted, but are overprinted layer by layer with line boards and color swatches. This is very close to the modern industrialized printing structure. More importantly, after many investigations and studies by sichuan fine arts institute printmakers, it is considered that the New Year pictures printed by this method are more colorful and the artistic effect is almost unparalleled, which is very rare in New Year pictures and printmaking.

Liang Ping's New Year pictures are made of local hard pear wood, wired and colored, and there are as many editions as there are colors. This stereotype is very precious. Wu Benxin, a successor of New Year pictures, once collected several pieces, all of which were listed as national second-class cultural relics. There are many professional stresses on overprinter of New Year pictures, and the most unique trick is to point out the color after overprint, which is also called face-opening. This move often represents the unique ingenuity of the craftsman. For example, some people enlarge the goalkeeper's two black eyes, which is commonly known as "cross-eyed", so that the characters' eyes look more intense and the image is particularly powerful and lovely. Generally speaking, New Year pictures include "flower paper", "flower paper" and "door painting", among which the most popular are door gods, such as "official promoted to priest", "general map", "flogging", "five sons entered the university" and "handsome hat" ... In short, they are rooted in the people, so it is no wonder that there is a proverb in the local countryside:

The painting techniques of Liangping woodcut New Year pictures not only inherit the technological process of traditional watermark woodcut New Year pictures and the carving techniques of Sichuan School, but also absorb the carving and color matching techniques of Huizhou School and Jinling School, and also use the focus perspective in western paintings to skillfully use Yin and Yang (light and shadow paintings) to distinguish the distance. Its composition is full and concise, the characters are exaggerated and deformed, the color contrast is strong, the motion and static are handled properly, and the shape is simple and rough, which makes people unforgettable. After the painter finished painting the manuscript, the sculptor pounded it with sticky rice, completely pasted it on the smooth pear board, carefully carved the main outline according to the manuscript, and then carved it into various color boards according to the line board. The lines are even, clear, straight and full of tension.

Light and soft after adding powder), hard color (made by grinding various colored minerals,