Fan Ceng *** 1938.7.5-***, a native of Nantong, Jiangsu Province, is a contemporary Confucian scholar, thinker, master of Chinese studies, master of calligraphy and painting, writer and poet in China. His calligraphy has a high status in China, and he is a very famous calligrapher in China. The following is a selection of Fan Ceng's calligraphy works that I compiled for you. I hope it works for you!

Appreciation of Fan Ceng's Selected Calligraphy Works

Selected pictures of Fan Ceng's calligraphy works 1

Selected pictures of Fan Ceng's calligraphy works 2

Selected pictures of Fan Ceng's calligraphy works 3

Selected Works of Fan Ceng's Calligraphy Figure 4

Fan Ceng's personal data

Fan Ceng *** 1938.7.5-***, a native of Nantong, Jiangsu Province, is a contemporary scholar, thinker, master of Chinese studies, master of calligraphy and painting, writer and poet in China. At present, he is the president and professor of Peking University Chinese Painting Research Institute, a lifelong researcher of China Art Research Institute, the only tenured professor of Nankai University and Nantong University, a "special adviser on multiculturalism" of UNESCO, and an honorary doctor of literature from Glasgow University in the United Kingdom and an honorary doctor of literature from university of alberta. He is a cultural master who combines poetry, calligraphy and painting, literature, history and philosophy, Confucianism, Buddhism and Taoism in contemporary China. He has published more than 60 kinds of poems, calligraphy and painting, philosophy, etc. 160, among which 1 19 kinds are treasured by the National Library. Fan Ceng advocated "returning to classicism and nature" and practiced the aesthetic principle of "taking poetry as the soul and books as the bone", which made great contributions to the development of Chinese painting and initiated the "neoclassicism" art. 1984, Okayama Fan Ceng Art Museum was established; 1986, donated and presided over the Oriental Art Department of Nankai University; In 2008, Fan Zeng Art Museum of Nantong University was unveiled; 20 1 1 won the lifetime achievement award of China Prize for Art and Literature. There are twenty-four words in self-evaluation: I love painting and can write; I resigned and expressed myself quite well; I am good at reading history and have a little understanding of the changes of ancient and modern times.

Four ancient inkstones with a little knowledge of calligraphy

With the survival of famous inkstones becoming more and more scarce, many inkstones have been invested by * * *, and they began to collect more valuable inkstones. For example, in the Ming and Qing Dynasties, Beijing gathered various inkstones carved by skilled craftsmen from all over the country. Due to the cultural accumulation of history and technology, at that time, the material selection, polishing technology and carving technology of inkstone had reached a quite mature stage, so many fine products emerged all over the country.

First, Duanyan

Its material is collected from Lanhe Mountain at the southeast end of Gaoyao County, Zhaoqing City, Guangdong Province, also known as Axe Mountain, because it is "light and soft, lonely and silent to the touch, tender but not slippery like children's skin", which is harmless and suitable for ink. Since the advent of the Tang Dynasty, Duanyan has always been favored by scholars. Coupled with the beautiful texture, various names, more and more complex processing technology and higher status, it has risen to the top of China Shiyan, lasting forever.

Second, she inkstone.

The founder of "She inkstone" is Yi inkstone. According to historical records, Yi inkstone began in Yan State, the capital of Xia Dynasty in the Spring and Autumn Period. In the late Tang Dynasty, Chao and his son in Yizhou inherited the skill of making ink from pine smoke and created Yishui inkstone in Jinshuiyu on the Yishui River. Later, Ting Gui, the son of Chao, was appreciated in the Southern Tang Dynasty, and was named "Mo Guan" and given the surname Li. Later, he moved to Zhou She to avoid chaos and became the founder of Huimo and She Yan. However, Gu Yan, a city located in Yishui, has a long history and is famous at home and abroad.

Its material is taken from the stream of Weilong Mountain in Wuyuan County, Jiangxi Province, belonging to the Tang Dynasty, so it is also called Weilong inkstone. Its stone moistens it, caresses it like a muscle, grinds it like a blade, holds a pen to astringent water, slides without rejecting ink, and the ink is small and easy to dry, making it clean. Since the Tang Dynasty, it has maintained its position as a famous inkstone. This is an inkstone.

Third, Yan Tao.

Also known as Taohe inkstone. Its material is taken from the deep water of Zhuonitao River in Gansu, to which Zhou Tao belongs. Yan Tao is the most precious stone in the north, because its stone is fine, silky in texture, beautiful in color, fine and fast in ink, heat preservation and pen making. It was scarce in the Song Dynasty and resumed production after liberation.

Third, Cheng Niyan

Cheng Ni inkstone is a non-inkstone material, belonging to ceramic inkstone. The production method is as follows: the filtered fine mud is used as raw material, mixed with yellow lead balls, vigorously kneaded, put into a mold for molding, carved with a bamboo knife, dried, fired in a kiln, and finally wrapped with black wax for firing. The production of Cheng Ni inkstone began in the Jin and Tang Dynasties and flourished in the Song Dynasty. Its characteristics are hard and wear-resistant, easy to ink, no ink consumption, comparable to inkstone. The main colors of Cheng Ni inkstone are eel yellow, crab shell green and rose purple. In the Tang Dynasty, Zhou Guo * * * now south of Lingbao County, Henan Province * * * has become a famous producer of Cheng Ni inkstone. Modern Cheng Ni inkstone is produced in Luoyang, Henan, Julu, Hebei, Qingzhou, Shandong, Jiangxian, Hubei, Ezhou, Tongzhou, Sichuan and Baoshan, Jiangsu.