The scenery depicted in Spring is full of vigor and breath of life. "When I look at things, everything is my color." When people look at foreign things, emotions will be projected into them, making them look human. Mr Zhu Guangqian, an aesthete, called this phenomenon "the humanization of the universe". He said: "the phenomenon of empathy can be called' humanization of the universe', because with empathy, only physical things can have human feelings, while inanimate things can have life." You see, in Mr. Zhu Ziqing's pen, in spring, "everything seems to have just woken up", and the sun's face is red; "Wild flowers are everywhere: miscellaneous, named and unnamed, scattered in the grass, like eyes, like stars, still blinking"; Spring breeze "touches you like a mother's hand"; "Birds build nests in flowers and leaves. They are very happy. Call friends to show off her crisp voice and sing a melody that blends with the light wind and flowing water. " The author feels the scenery of spring with his heart, pours his feelings into it, and makes the scenery vivid and vivid through artistic techniques such as metaphor and personification. Mr. Zhu Ziqing once said: "Realism is equivalent to the theory of" vivid "or" vivid ",not only that, but also that." It can be said that Mr. Zhu Ziqing's prose has reached such an artistic realm.
"Spring" is exquisitely described and full of emotion. Looking forward to spring is the beginning of the article. The author wrote: "Looking forward to, looking forward to, the east wind is coming, and the pace of spring is coming soon." Putting the two "expectations" together shows how eager we are to look forward to the arrival of spring. The east wind is coming, reporting the news of spring. Listen, the pace of spring is near. In just a dozen words, the author's serious and joyful mood is fully expressed.
The author carefully observed the mountains, water and sun in early spring. "The mountains are moist", which means that the snow is melting, the spring is bright, and the tender grass is green, which is particularly refreshing and moist. The blush of the sun personifies the sun, which not only shows the warmth of spring, but also captures the characteristics of spring and shows the inner charm of spring. To write about the mountains, water and sun in early spring is to start from a big point and outline a general outline for the following detailed description. In the following, the author describes the scene of spring from the aspects of spring grass, spring flowers, spring breeze, spring rain and people in spring.
The grass crept out of the soil, tender and green ... the wind was quiet and the grass was soft. How vividly the word "drill" is used; How do "tender, green" and "soft grass" write the characteristics of early spring grass succinctly and richly.
Flowers are more beautiful in spring. How enthusiastic the flowers are: "Peach trees, apricot trees and pear trees are full of flowers to chase, and you won't let me or I won't let you"; How beautiful the color of the flowers is: "red as fire, pink as chardonnay, white as snow"; How pleasant the taste of that flower is: "There is sweetness in the flower; When I closed my eyes, the tree seemed to be covered with peaches, Xinger and pears. Hundreds of bees are buzzing under the flowers, and butterflies of different sizes are flying around. " There are wild flowers, "scattered in the grass, like eyes, like stars, still flashing."
"The shadow of the ancient wood is short, and the stick helps me cross the bridge east. The clothes are wet with apricot flowers and rain, and the blowing surface is not cold. " When spring shines on the earth, the willows spit out new green, and the breeze gently blows on people's faces, which is warm and soft, making people feel no chill. The author describes the spring breeze with "blowing the face without cold breeze", and then captures a vivid and intimate metaphor "touching you like a mother's hand" to describe the charm of the spring breeze. Then, the author wrote the taste of spring breeze with extremely delicate brushstrokes: "The wind brings some newly turned earthy smells, mixed with the smell of grass, and various floral scents, all brewing in the slightly moist air." Finally, write down the music of the spring breeze-the dancing songs of birds and the piccolo of a shepherd boy riding on the back of a cow. "The scenery that is difficult to write is like now", and the author wrote the spring breeze that is difficult to write through with vivid pen and ink.
When the author was writing about the spring rain, he first wrote about the characteristics of the spring rain: "Like ox hair, like a needle, like a filament, it is densely woven diagonally, and there is a thin layer of smoke on the roof." Then write the scenery in the rain, and paint a quiet and beautiful picture of ink and spring rain.
Spring is like this. What are people like in spring? Spring has come, "every family in the city and countryside, old and young, has come out one by one." Relax your muscles and bones, be full of energy, and do your job. Write down those who have been "dormant" for a winter and welcome the happiness brought by warm weather. People are full of hope because "a year's plan lies in spring", and they have just started, so they have plenty of time and hope.
At the end of spring, the author always uses three metaphors to describe spring. Spring is new, and it has strong vitality: "Spring is like a newborn doll, new from head to toe, and it is growing." Spring is beautiful and lively: "Spring is like a little girl, dressed beautifully, laughing and walking." Spring is strong: "Spring is like a strong young man with iron arms and legs, leading us forward." From the newborn doll to the little girl and then to the youth, the order described in this paper is also intriguing, and different scenes at different times are written.
The structure of Spring is rigorous and exquisite. The author always writes spring first, then describes it in detail in several aspects, and finally writes it in order to wrap up the full text and make the finishing point. The article begins with "the footsteps are near" and ends with "leading us forward", beginning with personification and ending with personification. Its conceptual layout and rhetorical embellishment are quite ingenious. As for the fresh, simple and meaningful language of Beauty and Elegance, people can feel the feeling of "extremely positive and mellow taste".
Appreciating the hymn of spring 2. Reading Zhu Ziqing's prose Spring (Wu)
In the May 4th New Culture Movement, Zhu Ziqing embarked on the literary road with his new poems, and then made great contributions to the establishment of a brand-new vernacular prose, becoming a unique prose writer in the history of modern literature. Yu Dafu said in "Introduction to Two Proses of China New Literature Series": "Although Zhu Ziqing is a poet, his prose is still full of that kind of poetry. Among the prose writers of the Literature Research Association, except for Ms. Bing Xin, the beauty of the article depends on him. "
Spring is such a famous poem.
This essay depicts a beautiful and vibrant picture of a hundred flowers in the style of poetry, praising and expressing the creativity of spring, bringing infinite hope to people, thus inspiring people to work hard and forge ahead bravely in the beautiful spring. This work can be said to be a lyric poem, a landscape painting and a hymn of spring.
"Looking forward to it, looking forward to it, the east wind is coming, and the pace of spring is coming soon." This way of writing expresses the eager expectation for spring and sets a lively and lively lyric melody and poetic atmosphere for the full text. Then, the author grasps the main features of spring and outlines the outline of spring: "Everything looks like I just woke up and my eyes opened with joy. The mountains are moist, the water rises, and the sun is blushing. " This silhouette painting captures the characteristics of spring and is painted with a blurred color, creating a touching artistic conception and arousing readers' warm yearning for spring: how beautiful spring should be!
Then, the author deliberately "pushed" five "close-ups" to describe the moving scene of spring in detail. Write grass first, "Grass is tender and green", highlight the "tender green" of grass, and describe the scene of green grass in spring. Write flowers, "peach trees, apricot trees and pear trees, you won't let me, I won't let you, they are all full of flowers." Red is like fire, pink is like chardonnay, and white is like snow, which highlights the "competition for beauty" of flowers and draws a prosperous scene of spring flowers. The third painting depicts the spring breeze, focusing on the "warmth" and "singing" of the spring breeze, and depicts the scenic spots where the spring breeze warms up. The fourth picture depicts the spring rain, exaggerates the "gentleness" and "moistening" of the spring rain, and draws a beautiful picture of the night rain and the suburbs. Finally, I drew a picture of the Spring Festival:
There are more kites in the sky and more children on the ground. Every family in urban and rural areas, old and young, came out one by one. Relax your muscles, cheer up and do your duty. "A year's plan lies in spring" has just begun, and there is plenty of time and hope.
There is not much pen and ink here, but it writes the happy scene of "city and township, every household, old and young" welcoming the spring. People came out in a hurry, relaxed and refreshed. In the beautiful spring of spring grass, spring flowers, spring breeze and spring rain, "from each according to his ability" is full of infinite vitality and hope. If the focus of the first four paintings is the "spring" of nature (some of which are interspersed with human activities), then the focus of the fifth painting is the "spring" of people who are diligent in spring ploughing and getting up early.
Finally, the author couldn't help singing spring:
Spring is like a newborn doll. It's new from head to toe and still growing.
Spring is like a little girl, dressed up and walking with a smile.
Spring is like a strong young man with iron arms and legs, leading us forward.
This ending is very strange and beautiful. After describing spring perfectly, the author praised it sincerely, further revealing that spring has unstoppable creativity and infinite hope. Three figurative metaphors, step by step, one after another, boil down to the full text at once.
Spring has distinct characteristics in artistic expression.
First, the combination of poetry and painting creates a harmonious realm of blending scenes. The author's deep admiration for spring is not expressed directly, but expressed by depicting all kinds of scenery in spring with affectionate brushstrokes, giving all kinds of scenery a distinct emotional color. For example, the description of flowers not only vividly describes the flowers of various fruit trees, but also describes the blooming wild flowers: "Wild flowers are everywhere: miscellaneous, famous and nameless, scattered in the grass like eyes, like stars, blinking." The author's pleasure in enjoying flowers is poured between the lines, and all the "scenery words" are "love words". Due to the emotional input, these small wild flowers seem to have become lively animals full of feelings, and the internal poetry and external scenery are harmoniously blended into a concrete and sensible artistic image, so the realm of the picture is painted with a rich lyric tone.
Second, the structure is tight and the levels are orderly. According to the needs of revealing the theme and lyricism, the work produced five pictures. The connection between the pictures is naturally compact, and the first four pictures are used as the bedding and contrast of the fifth picture, thus opening the artistic conception and revealing the theme. After the topic was announced, the last Qifeng stood out. The article is well-organized, clear in context and varied.
Third, the language is simple and meaningful. Zhu Ziqing is good at refining easy-to-understand and vivid spoken English. His prose language is fresh and simple. Such as writing grass "in the garden, in the field, look, a large area is full"; For example, writing flowers "You won't let me, I won't let you, they are all full of flowers to chase", these short sentences are all from spoken English. In a sense, it is easy to understand. From a rhetorical point of view, after the author's artistic processing, the rhythm is bright, not dull, and has a strong lyrical flavor. The author is also good at using wonderful metaphors to enhance the emotional taste of language. For example, writing about spring breeze caressing your face, saying "like a mother's hand caressing you" and comparing spring to "a baby who just landed", "a little girl" and "a strong man" are novel, appropriate, unconventional, vivid, profound, intentional, simple and fresh.
"Spring" is an essay with traces of stylistic evolution. It has a fresh style and cheerful artistic conception without the faint sad tone of the author's early poems. This article was written from 1928 to 1937. During this period, the author was addicted to the study of classical literature. Therefore, he can only sing pastoral songs about spring, and it is impossible to show the distinctive spirit of the times in his works. As for the "spring" in the hearts of the broad masses of the people under the leadership of China's * * * production party, the author could not reveal and praise it at that time. Zhu Ziqing (1898.11.22—1948.8.12) was originally named Huazi, and later renamed as Ziqing, with a string. Originally from Shaoxing, Zhejiang, he was born in Donghai, Jiangsu, and later settled in Yangzhou with his grandfather and father. When I was a child, I studied in a private school and was influenced by the traditional culture of China. 19 12 entered the first year of primary school, 19 16 entered the preparatory school of Peking University after graduating from high school. Go to sleep, little man. 19 19 was written in February. It was his first poem. He was a participant in the May 4th patriotic movement and embarked on the literary road under the influence of the May 4th wave.
1 920 After graduating from the Philosophy Department of Peking University, he taught middle schools in Jiangsu and Zhejiang provinces and took an active part in the New Literature Movement. Poetry Magazine was founded by Yu Pingbo and others in 1922, and it was the earliest poetry publication in the birth period of new poetry. He is a member of the early literature research society. The long poem "Sinking" was published in 1923. At this time, he also wrote beautiful essays such as "Paddle Shadows and Lights Shadow Qinhuai River".
1August, 925, taught in Tsinghua University and began to study China's classical literature. The creation is mainly prose. 1927 wrote "The Back" and "Moonlight on the Lotus Pond", both of which are masterpieces. 193 1 year, he studied in Britain and roamed Europe. After returning home, he wrote some miscellaneous notes about Europe. 1September, 932, director of the Chinese Department of Tsinghua University. War of Resistance against Japanese Aggression broke out 1937, moved south to Kunming with the school, and served as a professor at National Southwest Associated University, teaching courses such as Song poetry and literary studies. During this period, I wrote the semantic shadow of prose. 1946 returned to Beijing from Kunming as the director of the Chinese Department of Tsinghua University.
On the eve of Beijing's liberation, he died of stomach trouble.
Bibliography of works:
Xue Chao (poetry anthology) 1922, Business.
Trace (Poetry and Prose) 1924, Yadong Library.
Later (prose collection) 1928, enlightened.
Miscellaneous notes on European travels (essays) 1934, Wu
You and me (essays) 1936, business
London Miscellaneous Notes (Prose Collection) 1943, Enlightened
Teaching Chinese (Essay) 1945, Enlightened.
Classic Talk (Essay) 1946, Wenguang
On poetry (poetics) 1947, Wu.
New Poetry Miscellaneous Words (Poetics) 1947, Writers Bookstore.
Standards and Metrics (Paper) 1948, Wenguang
China Collection (Prose) 1948, Mingshan Bookstore.
Appreciation of local customs (essay) 1948, Observatory.
Collected Works of Zhu Ziqing (Volume 1-4) 1953, Wu.
Collection of Zhu Ziqing's Classical Literature (Volume I) 198 1, ancient books.
Zhu Ziqing's Preface and Postscript Book Review Collection (Essay) 1983, Sanlian
Selected Works of Zhu Ziqing's Prose 1986, Hundred Flowers
Complete Works of Zhu Ziqing (Volume 1-3) 1988 Jiangsu Education (Incomplete)-
Zhonghua Book Company 1937 edition, the fourth volume of the new junior middle school Chinese textbook, chose the prose "Spring". This is probably the earliest source of this article so far. 1928, Zhu Ziqing indicated in the article "Where to Go" that he would take an escapist road, and this negative ideological tendency was indeed reflected in other works around that period. But the tone of the article "Spring" is positive and enterprising. So it is estimated that the writing time of this work is between 1930 and 1937.