Wulingchun Spring Festival Evening Translation Li Er Children
The wind stopped, the dust smelled of flowers, and the flowers had withered. The sun has risen high, but I'm too lazy to dress up. The scenery remains the same, the personnel have changed, and everything is over. I wanted to pour out my feelings, but before I could speak, tears came down first. I heard that the spring scenery in Shuangxi is still good, and I plan to go boating. I'm afraid a boat like Shuangxi grasshopper can't carry many of my worries.
The annoying wind and rain stopped, and all the flowers on the branches fell, only the dust stained with flowers exuded a faint fragrance. Looking up, it's already high, but I still don't want to freshen up. Spring goes to summer, flowers bloom and fall, as old as ever. Only sad people and sad things make me sad. When I think about this, I will burst into tears before I speak. It is said that the spring scenery in Shuangxi is not bad. I will go boating there for fun. Well, I'm really worried. I am afraid that the boat in Shuangxi can't bear the heavy sadness in my heart!
Note 1 This word can be found in Miscellaneous Poems, Miscellaneous Poems of Caotang, Poems of Celebrities in Past Dynasties, Who's Who, Ci De, Less than Ji, History of Women in Ancient and Modern Times, Collection of Ancient and Modern Ci Poems. Legacy of Tongguan, Excerpts from Tongguan, Collection of Celebrities are titled Late Spring, Ci Xue You Ti is titled Chunmu, Ci Hua is titled Chunxiao, and Ci Gui is changed to Wulingchun Ershi. Zhao Wanli's Collection of Shuyu Ci says: "Up to the previous episode of Caotang Poetry, it was like a dream, and then this poem was quoted without the author. Playing with artistic conception is quite like Zuo Li's. " (The last volume of Poems of Caotang, written by Cheng Hua Ben, Jing Ju Ben, Chen Zhongxiu Ben and Yang, has no author and is the same as the original), which was mistakenly written by Ma Hong in the second volume of Selected Poems of Heartbroken in Ancient and Modern Times. 2 "dust smell", falling flowers touch the ground, and dust is also contaminated with the fragrance of falling flowers. Qing Wanshu's Flowers Exhausted, Ci Poem and Ci Rhythm are Spring Exhausted. 3 Dusk and Flowers as Sunset, Cifu, Lexicon and Lexicon as Dawn by Qing Wanshu. 4 "Things are different from people", things are still there, and people are not like the past. Cao Pi of the Three Kingdoms wrote "The Book of Songs goes to court": "The festivals are different, but things are different. How is my work? Song He Zhu's "Flowers in the Rain": "People are not things, and it is easy to break the heart for a long time, and the treasure is empty. 5 "Tears come first", Tong Guan's Legacy and Tong Guan's Wonders are regarded as "tears", and Shen Jifei's poems in this thatched cottage are annotated as "A pearl is a mistake". The Records of Licheng County in Chongzhen was written as "Tears flow first", and the word "language" was deleted by mistake. 6. Wen Shuo, Qing Ye Shen Mi compiled Selected Poems of Tiannanxuan as Wen Dao. "It's still fine in spring", and "Xiaopu" compiled by Ming Chengshan is "It's still fine in spring". "Shuangxi", the water name, is a famous scenic spot in the Tang and Song Dynasties in Jinhua, Zhejiang. There are two waters, Donggang and Nangang, which meet in the south of Jinhua, so it is called "Shuangxi". "Nine Mountains and Rivers in Zhejiang Tongzhi", Volume 17, quoted from "Records of Places of Interest": "Shuangxi, south of Jinhua, is called Donggang and Nangang. Donggang originates from Dapen Mountain in Dongyang County, enters the county via Yiwu westbound, joins Cixi, Baixi, Yuquanxi, Tanxi and Songchixi, passes under rocks and joins Nanganghui. Nangang originated in Huang Bishan, Jinyun, passed through Yongkang and Yiwu, entered the county, merged into Songxi and Meixi, circled Pingshan to the northwest, and joined Donggang and the gate, hence the name. 7 "planning", preparation and planning. " "I'm going to, I also want to, also going to. Song Jiangkui's Red Lips: "Next to the fourth bridge, I plan to live with you every day." Xin Qiji's "Fishing": "Nagato's business, quasi-courtesy and wrong. Qing Luchang's Canoe, Poems of Celebrities in Past Dynasties and Poems of Celebrities in Past Dynasties are all used as canoes. 8 See the Jade Piece in the Boat, Guang Yun. "Ship", a small boat, with two sharp ends like grasshoppers. "Collection of Arts and Literature" Volume 7 1 Yuan Jiaju in Southern Song Dynasty: "Yuyao made He Zan build a flat bed and take a boat, which is beautiful. Zhang Tang He Zhi's "Fisherman" words: "The fisherman's brown on the fishing platform is fur, and he sails in twos and threes", and "There is a fisherman in the creek, and the boat lives in the west. Song Dynasty's "Jin Mang Ji Huang Zhong Gong Fisherman's Poems (Fifteen Poems)": "The home is nameless, and there is an urn in Huluba." Yuan Zhen Wu's "Fisherman" words: "How much power is the boat? The clouds and rain in the river head are semi-harmonious. 9 "zai", Qing Wanshu's "Lexical": both "Ci Tong" and "Lexicon" note that "zai" is a kind of contrast, which is also wrong. There are many words before and after the word. Why is it a contrast? Cha Dan 'an wrote it, and the last sentence also said, "I have endless worries." Shen Xuan has the first three sentences, the third sentence is plain, and the tail cloud "suddenly has new worries" and "worries from the wine side" is wonderful! Case: See Zhao's poem "Song of Heart Wind in Wuling Spring" for the sentence of "gushing". Ye Zhao is a famous teacher and has "Tarnum's long and short sentences". " I can't move ",Song Zhengwenbao's" Liu Yang Ci ":"No matter what the rain or the smoke, I will hate Jiangnan. 」
Appreciation of Wulingchun in the Spring Festival Evening This poem Wulingchun was written by the author after his middle-aged widowed, which is incomparable to the poem in my heart forever. This word uses the scene of late spring to write the poet's deep depression and sorrow. The whole word is full of sighs, beautiful language, beautiful artistic conception and beautiful scenery.
This word inherits the traditional writing and adopts the first-person narrator, which is similar to later plays. With the first-person tone and deep melancholy melody, she created an image of a talented woman wandering in the lonely and desolate ring.
This word is concise and implicit, which shows Li Qingzhao's skill in refining words and making sentences. Among them, the phrase "the wind stops the dust and the fragrant flowers are exhausted" is even more extreme: it not only points out the previous wind and rain scene, but also leads to the charm that the fallen flowers turn into dust after the rain clears; It not only describes the author's depression that she can't go out in rainy days, but also her feelings that she is afraid of spring and hurts her body. It's endless.
This word goes from the outside to the inside, from the outside to the inside, step by step, layer by layer, with the upper part focusing on form and the lower part focusing on heart. "I am tired of combing my hair at night" and "I want to cry first" are descriptions of the external movements and demeanor of the characters. "Comb your hair at night" written here is another state of mind. At this time, she went south because of Jin people. After several funerals, her like-minded husband Zhao Mingcheng had already passed away and lived alone in Jinhua. What she sees before her eyes is the annual spring scenery. Seeing things and thinking about people, things are different, and she can't help but feel sad and feel that everything is over. Therefore, she gets up early and is lazy to comb. "Tears flow first when you want to talk" is clearly written and profound. Here, when Li Qingzhao wrote tears, she first used "I want to talk about it" as a foreshadowing, and then let the tears come to her eyes. Simple five words, the words seem simple, but the intention is extremely profound, and it suddenly pours out uncontrollable sadness and is touching.
The next part of the words focus on excavating inner feelings. First of all, she took three groups of function words, Wen Shuo, Pei Yi and Yi Afraid, as an opportunity, ups and downs, twists and turns, touching. The first sentence "I heard that the spring scenery in Shuangxi is just right" suddenly rose, and the poet just shed tears. However, when she heard that Shuangxi, a suburb of Jinhua, was full of beautiful spring scenery and tourists, she became interested in traveling and "planned to go boating". The words "spring is still sunny" and "boating" are relaxed and lively, just right, and she shows the poet's momentary joy. The word "Yi Ji" was written before "Pan canoe", which is even more graceful and low, indicating that the poet's interest in travel is temporary and not very strong. The word "canoe" laid a good foundation and set off the following sadness, while the last two sentences of "I'm afraid" were followed by a violent ups and downs, which made the feelings extremely deep. Here, the reasons why Shang Kun said that "combing my hair at night is very tiring" and "I want to cry first" have also been profoundly revealed.
The outstanding feature of the artistic expression of this word is the clever use of various rhetorical devices, especially metaphors. Metaphor is a common phenomenon in poetry; However, it is very difficult to use it in a novel way. Good metaphors often turn spirit into matter and abstract feelings into concrete images, which are full of new ideas and unique features. In this poem, Li Qingzhao said, "I'm afraid the ship can't carry much on its mind." "Using" trouble "to describe it is also an exaggerated metaphor, but she created a new word herself, which was used naturally and without trace. Readers say it is natural and appropriate because it comes from the previous sentence "canoe" and "canoe" comes from "Shuangxi", which is full of feelings in the landscape and nature and forms a complete artistic conception.
Wulingchun Spring Festival Evening Appreciation of Erjiang Changlin
There have always been many works about sadness: either expressing one's feelings directly, or "borrowing words to write about my worries" ("Poetry in Spring"); Or skillfully use metaphor, "how much sorrow can there be, just like a river flowing eastward" (Li Yu's Yu Meiren); Or melt into the scenery, "the threshold chrysanthemum worries about smoke and blue tears, the curtain is light and cold, and the swallows fly away." "(Yan Shu's" Recent Flowers "); ..... These are all interesting and have their own characteristics. Li Qingzhao's "Wu Linchun" is also about sorrow, so you can make your own new words. It skillfully expresses profound and complicated inner feelings by euphemistic melody art, and has high aesthetic value, thus becoming a lyric masterpiece widely circulated in later generations.
This word was written in the fifth year of Emperor Gaozong in the Southern Song Dynasty (1 135). At that time, the northland fell, her husband died, and the poet lived alone in Jinhua, Zhejiang. This word expresses all the sadness of the destruction and death of this country. Although there is only one word "sorrow" at the end of the word, "sorrow" is really the theme clue that runs through the whole article. The whole poem is extremely subtle and euphemistic, with ups and downs, and numerous twists and turns are hidden in the short range (Huang Liaoweng's "Primordial Thorn"), which fully embodies the characteristics of graceful ci school and endures people's taste.
The first sentence, "The fragrance of flowers has run out", just means that the flowers have been blown down by the wind. But if you think about it carefully, "the wind has stopped", then the poet must have been locked indoors by the wind and rain before, and his melancholy and sadness can be imagined (and it is also the foreshadowing for the following "sailing"). "The Smell of Dust" makes the sky clear, and the fallen flowers turn into mud, revealing the regret of destroying the beautiful scenery. "Flowers are exhausted" not only makes up for the reason of "dust fragrance", but also pushes the meaning of "worry" to a deeper level, meaning "out of the water, spring goes and spring comes". Triple, frustrated. "It's tiring to comb my hair at night." I get up when the sun is high, but I'm not in the mood to comb my hair. This seemingly counterintuitive detail description shows the author's inner pain that is hard to be dispelled under the environmental pressure of national pain and family hatred. Looking around, Mr. Wang's legacy is still there, seeing things and thinking about people, thinking about his hometown in the north; And "things are different", the scenery is not the same as before, and we can't help but feel sad; I feel that everything is closed and endless loneliness, so I use the word "everything is closed" to sum it up. I really don't know where to start. I just want to say that the tears have already come down, and the phrase "Tears first when you want to talk" has been unable to restrain the surge of sadness, which can be described as "nine times a day", which is sad and moving. At this point, the word has shrunk to the last piece, and the sorrow has come to an end.
"I heard that Shuangxi Spring is not bad", and the tone suddenly changed. The poet is still crying, but now he is "going boating". There seemed to be a moment of joy, and his heart was folded. However, "I heard" is only heard from people around me, indicating that I am alone all day and have no joy; Take care of the last sentence "the wind stays" and "it's getting late". "Shang" and "blindly" indicate that the poet has sprouted the idea of spring outing to solve his worries. However, before leaving, my mood changed again: "I'm afraid" Shuangxi's boat is too small to carry so much sadness. Then you have to worry behind closed doors and be ecstatic alone. The above sentence "Tears flow first when you want to talk" tells the reason. Generally speaking, the general idea of the whole film is that a small spring outing is not enough to comfort the poet. However, the author is good at using three groups of function words: "hearing", "imagination" and "fear" to express his subtle and complicated psychological changes in special circumstances incisively and vividly, with deep feelings and deep feelings.
The last two sentences are well known. "Trouble" is an inner thing, an abstract thing that can only be understood and elusive. Now, the author put it on the boat in an imaginative way, giving people a tangible three-dimensional sense; Moreover, I'm afraid I'm too worried to carry the ship, and then I'm afraid I'll appear to have weight again; In connection with the word "light" in the previous sentence, it seems that the ship is slowly pressing to the surface of the water under the pressure of heavy worries, thus gaining a sense of dynamics. It turns virtual into real, with novel meaning and amazing imagination. It is really a wonderful word to describe melancholy. Li Qingzhao is good at writing sorrow. In addition to this word, sadness is written in form, weight and dynamics, and she also writes sadness in length. In other words, "Now a new sadness has been added" ("Reminiscent of Feng Tai Xiao"); There is a kind of concentration: "whose flute blows deep sorrow?" "("Fang Ting ") and so on. These are vivid images and profound charms.
The word "Wulingchun" reflects the separation and hatred of people in the war from one side. Li Qingzhao skillfully integrated the sadness of the times into her limited artistic realm, thus making this word typical. Therefore, this word has not only won the artistic aesthetic value, but also won the social aesthetic significance. (Jiang) According to
The creation background of Wuling Spring Festival Evening is that Li Qingzhao took refuge in Jinhua, Zhejiang in 1 135 (five years in Shaoxing, Song Gaozong). Huang's textual research on Li Qingzhao's deeds: "The meaning of the word was written in March of late spring, which was March of Shaoxing five years." Chronology of Zhao Qingzhao and his wife: "In the five years of Shaoxing, Jin people made Chuzhou and surrounded Bozhou. At noon, the puppet troops committed an Feng, and the Han Shizhong guerrilla Jin people were defeated in Dayi Town. Ugly, Jin people are trapped in Chengzhou and surrounded by Haozhou, and the emperor is like Pingjiang. Li Qingzhao's preface to flattery said: "In October this year, I heard an alarm in Huaishang. Zhejiang people go from east to west and from south to north. Those who live in the mountains are looking for the city, those who live in the city are looking for the mountains, and there is an endless stream in the afternoon. Yi 'an layman returned to Jiang from Lin 'an, ventured into Yan Tan, arrived in Jinhua, and lived in Chen Mansion. At that time, the nomads from the army invaded, her husband had died, and the stones and stone cultural relics in the house were also lost. The author is alone, wandering in the bonfire, and has experienced a bumpy road and a bumpy life. The situation is tragic, and his heart is extremely sad.
Shen Zufen at the Spring Festival Evening
This word was written by the author when he took refuge in Jinhua, Zhejiang for five years (1 135) in Shaoxing, Song Gaozong. She is fifty-three years old. At that time, she was already in a state of ruin, her dear husband died, most of her treasures were lost, and she was homeless in a foreign land, and her feelings were extremely sad.
The first sentence describes what we are seeing at present, which is full of flowers and desolation, but it avoids describing the violent wind and disorderly flowers from the front, and only uses the word "the wind stops the dust" to express the consequences of this small disaster, and then the wind destroys the flowers and falls all over the ground, all of which are in it. It is very meaningful to use a pen. Moreover, when the wind doesn't stop, flowers fall like rain. Although it is extremely unbearable, there are still residual flowers visible; After the wind stops, the flowers have been stained with mud, and people have turned to dust, leaving traces, but with the smell of dust, the spring scenery has been swept away, which is even more unbearable. Therefore, the word "wind leaves dust fragrance" is not only implicit, but also expands its capacity because of its implication, which makes people feel more. The second sentence is because what you see is what you see, so you do it. The sun is already high, and my hair has not been combed yet. Although it is similar to "getting up and combing your hair" in "The Phoenix Stage", it is where will you go's sorrow. This is the hate of death, with different shades.
Three or four sentences, written from hidden to vertical, point out all the sufferings, and the origin is "things are human beings." And this kind of "things are human beings" is by no means an accidental, individual or subtle change, but an extremely extensive, drastic, fundamental and significant change, which involves endless things and endless pain, so it is summarized as "doing everything possible". This is really "17 years of history, where to start"? So I was just about to say, tears have come out.
The first two sentences are implicit; After two sentences, the truth rate. Implicit, because this situation has nowhere to sue; Truth rate, because although you know there is nowhere to sue, you still have to sue. Therefore, if they are opposite, they are actually complementary.
The first movie spoke eloquently about the unbearable scenery and the sadness of the mood, so the next movie kicked off and talked from a distance. This poetess likes to travel around the mountains best. According to Zhou Hui's "Qingbo Magazine", when she was in Nanjing, "it snowed heavily every day, that is, wearing a hat and traveling around the city looking for poetry." Winter is like this, and spring can be imagined. Since she has a hobby of sightseeing, she also has a sad mood that she needs to take advantage of sightseeing, and Shuangxi is a scenic spot in Jinhua, so she naturally has the idea of boating on Shuangxi, which is called "how worried about a spring outing" in Nian Nujiao. But in fact, her pain is too great and her sadness is too deep. Can boating be alleviated? Therefore, before I swam, I had predicted that the ship was too heavy to carry. This idea is both novel and true. The next * * * four sentences, the first two sentences open, a turn; After the two sentences are together, it is another round; The six function words "listen and speak", "imagine" and "fear" have vivid turning points. Although Shuangxi Spring is good, it is just a "smell"; Going boating was just a "plan", and then "fear" suddenly appeared below, killing the "plan" above. I thought about it when I heard about it. As a result, I just sat at home worrying.
Wang Shiming's "Flower Picking" says, "I can't bear many worries", "I can take my old worries home" and "I can only take a boat from hatred to two realms", so that we can meet each other. "Don't leave the paddle, you'll have trouble driving all day", which is inevitable. This comment tells us that there must be a limit to the novelty of words. The right thing, after one step, becomes a mistake; Beautiful things, after a step, become ugly. For example, the expression "sculling" is both "leaving the boat" and "a troubled day", so it is difficult to be accepted for fear of being unclear, artificial and unnatural. So Wen Xin Diao Long? "Love" said: "Those who meet in secret are clever with new ideas, and those who don't agree are blamed for losing their lives. The difference between "smart" and "unfamiliar" is only one step away.
Li Houzhu's "Young Beauty" said: "I asked you how sad you can be? Just like a river flowing eastward. " Just more worry-free than water. Qin Guan's "Jiangchengzi" says: "Even the riverside is full of tears, and there is not much sorrow." Sadness materialized and became something that could be put in the river and discharged with the water. Li Qingzhao and others put it further on the boat, so sorrow has weight, which can flow with the water and be carried away by the boat. Dong Jieyuan's A Little Crimson Lip Gloss in Lu Xian? The tail said, "Don't ask about the severity of parting. You can't carry it on a horse. " Then put the sadness off the boat and put it on horseback. Wang Shifu's The West Chamber zaju Gong Zheng? Correct, okay? The ending goes: "All over the world, full of troubles, measure how these large and small cars can afford." Unload the sadness from the horse's back and put it in the car. From these small examples, we can see that literature and art must be inherited and developed at the same time.
The whole layout of this word is also worth noting. Ouyang Xiu's "Picking Mulberry Seeds" says: "After all the flowers bloom, the West Lake is good, the ruins are red, birds fall and weeping willows wither. When all the tourists left, they began to feel the spring sky, put down the curtains and returned to the drizzle. " Zhou Bangyan's "Looking at the South of the Yangtze River" says: "Wandering prostitutes go back to the embankment alone. The grass is full of smoke and water, the west of the city is cloudy and dark, and the nine strangers are not stained with mud. Under the peach and plum blossoms, the Spring Festival Gala was unsuccessful. The flowers outside the wall find their way, and the willow trees cross the warbler and crow, which is sad everywhere. The practice is the same and can be compared. The first sentence of Tan Xian's Tang Fu Thorn criticizing European words is: "Sweep the floor and be born. This is the layout feature of these three words. Sweeping is sweeping, and life is life. Judging from the first sentence of these three songs, they are all talking about the end of the previous stage. The words O and Li mean that spring has passed, while Zhou Ci means that beauty is gone. At the end of the day, wheatgrass is full of flowers. Of course, there are many touching scenes to write, but after the end, what else is there to write? Didn't you just sweep away everything you could write at the beginning? It was not until I read on that I realized that there was another scene below. Ou Ci wrote about the leisure and sadness in late spring, Zhou Ci wrote about the bleak mood of returning to the embankment alone until returning, and Li Ci wrote about the deep pain brought by the dust. These are exactly what the screenwriter wants to express, and they are also the most touching parts, so they are called "sweeping the floor." It's like we went to see a full-length play and arrived a little late. When we walked into the theater, we just watched a lively scene, and then we started, but we didn't know what the next scene was. When we watched it again, we found that we had caught up with the best part of the whole play. The social life that any work can reflect can only be in certain aspects. Due to the limitation of space, the lyrics are even more so. This way of writing can use the omitted part as the background to set off the text, which unexpectedly strengthens the appeal of the text, so it is desirable. (Shen Zufen)
Poetry: Wuling Spring Festival Evening Poetry Author: Song Dynasty Li Qingzhao Poetry Classification: 300 Song Ci, selected Song Ci, junior high school ancient poetry, graceful and restrained, woman, funeral march, affectionate.