Regular script sprouted in the Western Han Dynasty and prevailed in the Tang Dynasty. Xiao Kai, Tang Kai and Weibei in Jin and Tang Dynasties became the three schools of regular script creation. Next, I will bring you pictures of regular script, brush and calligraphy. I hope you like them.

Enjoy the calligraphy pictures of regular script brush 1

Regular script brush calligraphy picture 2

Regular script brush calligraphy picture 3

Regular script brush calligraphy picture 4

Regular script brush calligraphy picture 5

Classification of regular script

According to the occurrence time, there are three systems:

1. Regular script of Wei and Jin Dynasties: based on the laws of Wei and Jin Dynasties, it mainly exists in the form of small script. Represented by Zhong You, Wang Xizhi and Wang Xianzhi's lower case letters, the emphasis is on lower case letters. For example, Zhong You's Manifestations, He Jie Biao, Ji Zhi Biao, Wang Xizhi's Theory of Yue Yi, Huang Tingjing's Theory of Dong Fangshuo Painting, and Wang Xianzhi's Thirteen Lines Jade Edition. At this point, let's briefly talk about the selection of posts in lower case. Choose posts in lower case, and recommend catching up with Wei and Jin dynasties, and don't take Ming and Qing dynasties first. Why? The width is different. Wei and Jin dynasties were very free in small letters, like pouring pearls of all sizes into a plate of jade. The front is seal script, which is translation, not lifting, and the overall performance is simple.

2. Weibei. This is a special phenomenon, and it is a form of the Northern Wei Dynasty, which is mainly based on the inscriptions of this era. Later, this form was popularized, and all this type of calligraphy works were collectively called Weibei style. Its classification:

Cliff: It has a long history, twists and turns, mainly round pens, and Zheng Wengong, Shimenming and Zheng Wengong are relatively standardized.

Statue: 20 pieces of Longmen, carved with formula and sharp blade, Yang Dayan, Gong Pingchu.

Epitaph: Sima and yuanshi county are royal epitaphs, which are relatively standard.

Tablet: conventional, such as Zhang Menglong.

Focus on Weibei: Weibei is the first glory after the official script was changed to regular script. Weibei can be said to be various, with the thickest stone, the thickest worship of Ma Su and the most stretching statue of Yuanxiang. Among the 20 products of Longmen, the founder is Sun Qiusheng, with one monument and one style.

Just now I talked about the origin and classification of Weibei. Let's look back and see what Weibei is.

What is Weibei? It is all the calligraphy works covered by the style of some monuments carved in the Northern Wei Dynasty. The concept of time is weakened and the style type is strengthened. The tablet in calligraphy is not a form, it is an aesthetic element. It is simple and powerful. Feminine and masculine, they can be transformed and interwoven with each other. For example, Cao Quanbei showed the female body with masculine lines. China's aesthetic philosophy is dualistic and interdependent, and there are many black and white gray areas.

Calligraphy is the feeling brought by the spatial relationship between lines. The line itself contains static and dynamic, the strength and thickness of friction. There are changing lines in motion, and light itself can bring infinite feelings, such as calm lines, jumping lines, smooth lines and stagnant lines. The size of friction determines the difference between masculinity and femininity, that is, the line between Da Zhuan and Xiao Zhuan in the history of calligraphy. The lines that tend to be masculine are all based on Da Zhuan. The lines that tend to be feminine are all based on Xiao Zhuan. How to increase friction, torsion force, spiral force and hovering force? When dealing with every stippling in Weibei, it is forbidden to go straight and go around to the front before modeling. For example, a point is completed with three strokes: pen-in, pen-out, and counter-push, so as to increase its sense of accumulation, instead of drawing, it is a sense of volume and increase friction. Slow down after winding, have a sense of volume, and have enough ink. For example, when writing Shimen Ming, one kind is acting, which is a technical twisting pen. One is the complete execution of the brush, because the route taken in the execution process is different and naturally distorted. In short, the front bread should be wrapped to increase friction. The cohesion of the brush to be exerted: draw horizontally and write vertically, and draw vertically and write horizontally. Monuments can expand our traditional writing, and the casting effect and accumulation of lines are beyond the reach of ordinary brush writing, which requires us to adjust the writing technology of brush. The performance of brushes is endless, which can be gentle and beautiful, and can also surf the shore. Each stippling corresponds to the movement of a brush. Musicians can convert the feeling of listening to the wind into notes, and calligraphers can also bring people spiritual feelings. All forms correspond to the motion state of the brush. All the tangible ends lead you to the intangible, that is, the expression of feelings, the expression of gas field and feelings. All technologies are stairs. You can't go upstairs without stairs, and you can't go upstairs if you stay on the stairs. Eventually you will surpass the technology, but now everyone is still climbing the stairs.

Calligraphy must first do essential things, grasp the core and grasp the quality of line. Therefore, Wei Bei's temporary learning method focuses on grasping the quality and structural characteristics of the thread, and does not deliberately describe its knife cutting and stone flower. Yuanshi county belongs to the Huang family, and Longmen is a folk one. In Weibei, there is a tendency to engrave, to engrave and to write. Yuan Huai and Dong's epitaphs are partial to books, so everyone should choose the ones that are partial to books first, and then slowly select them.

Yuan Huai's epitaph recommended to you today is partial to books. First, its structure is close to our current regular script, and it is upright and broad. Second, it has the typical characteristics of monuments, square and simple. This kind of book is easier to use and master.

Another copybook is Zhang Xuan's epitaph. Regular script 20 lines, each line 20 crosses, * * * 367 words. Zhang is a black woman, because she avoided the name of Aisingiorro Michelle Ye, Emperor Kangxi of the Qing Dynasty, so she was commonly called "Epitaph of Black Women". Its calligraphy is exquisite and elegant, flat and sparse structure, tight inside and loose outside, with more meanings. Although this epitaph is an official book, its brushwork is eclectic, introverted and natural, elegant and smart. Both the center and the side of the brush strokes are used, and Fiona Fang is also used, so as to combine rigidity and softness, which is a vivid and elegant style. It is a masterpiece of calligraphy in the Northern Wei Dynasty.

3. Tang Wei. This is a typical regular script. Tang Kai refers to the mainstream calligraphy style in Sui and Tang Dynasties, which is completely mature and stereotyped. From the perspective of calligraphy, popular or popular. However, most of the regular script in Tang Dynasty is the object of later generations, and it is also the peak in the development history of regular script. A thousand words of wisdom, Jiucheng Palace in Ou Yangxun, Confucius Temple Monument in Yu Shinan, or blond hair. It was formed in Tang Kai from Yan Suiliang. In other words, they are "inheriting the charm of the Northern Monument in the Six Dynasties and starting the Tang Dynasty". In Yan Zhenqing and Liu Gongquan's place, the multi-pagoda monument, the Yan Liqin monument, the mysterious pagoda monument and the Shence Army monument are becoming more and more obvious, not moving. The way Jin people write is either the same as appreciating calligraphy or hitting a wall. In the middle of the Tang Dynasty, high tables and chairs appeared and were pushed. From the Wei and Jin Dynasties to the early Tang Dynasty, the brushwork was a natural movement of the hand, not a pen, but a wrist, not a pen, not a painting, and it was written naturally. Slight side is enough, Ou Yangxun and others replaced the responsible books with high tables and chairs. Chu began to form Tang Kai, which was not a translation. Such as Ou Yangxun, Yu Shinan, Yan Zhenqing, Liu Gongquan, Chu Suiliang and Zhao Meng: First, their origins; Second, their unique environment. For example, Yan Zhenqing's ancestors were from Yan Zhitui in the Northern Dynasty, so his calligraphy style has the blood of the Northern School's calligraphy style, and his words contain the elements of tablet.

Weibei and Tang Kai have different styles, which mainly have three characteristics:

Different styles: The inscriptions in the Northern and Southern Dynasties are simple and naive, such as the tablet of Yanlong, the tablet of Shanwang and the tablet of Guangwu General. There is also a sense of strictness and beauty in many aspects, such as Zhang Menglong Monument and stone statues. Cliff stone carvings are quiet and broad, and the weather is quiet, such as Mount Tai Diamond Sutra. There are also Xiao Shu's works, such as Shimen Ming, but Zhang Hei's epitaph is graceful and elegant, which can be compared with Han Li's Cao Quanbei's Wanli Jing Ya.

By the Sui and Tang Dynasties, the model was mature, which basically eliminated Wei Bei's intention to seal official letters. Form tends to be formal, while Tang Jie tends to be popular. Ou Shu is solemn and quiet; Yu Shu's generosity and spirit; Sui Liang's agility is changeable; Yan Shu's breadth is rich; Liu Shu's compactness and rigidity. Compared with Wei Bei, he is more unnatural and constrained by statutes. It's not surprising that the structure is relatively stable. However, Tang Kai is skillful in writing, meticulous and strict in statutes.

Structural differences: Wei Bei's words are almost natural, with a "childlike appearance", but simple and simple, not as good as "childlike body". In contrast, Tang Kai's structure is perfect and visual aesthetics is popular. There are Ou Yangxun's "Thirty-six Knot Method", Zhi Guo's "Ode to the Heart", Zhang Huaiguan's "Forbidden Classics" and other calligraphy theory's works specializing in the mystery of knot characters. Perhaps it is precisely because of the legal agreement that future generations respect the laws of the Tang Dynasty and dare not cross the line.

The difference between lines: Wei Bei's stippling is concise and powerful, full of elasticity, which is manifested in the unsmooth movement of lines. There are also beautiful and beautiful squares, which are very different from Han carvings. Harmony and peace. There are thousands of styles and features, which are difficult to list here. Tang Jie, on the other hand, has the exquisite beauty of Europe, which makes him elegant and chic, with a plump face and strong willows. After all, Weibei is the line of Da Zhuan and Tang Kai is the line of Xiao Zhuan. Let's first grasp the most basic big differences and then look at their different style positioning.

Regular script brush calligraphy picture