First, the same era, similar reputation.
Second, there is a difference between pastoral and landscape.
Third, the style of poetry is the same.
Fourthly, the juxtaposition of Xie Tao has become the formation and characteristics of the traditional "new view of nature" and "genius view of nature"
The first chapter is the formation of Tao Yuanming's "new view of nature" and Xie Lingyun's "genius view of nature"
Section 1 clan, society and family concept
First, the new portal is elegant.
Second, the elite species of gorgeous family.
The second section, Tao Yuanming's heart of statecraft, Xie Lingyun's heart is heavy.
One, forty ignorant and fearless.
Two, Lan Zhi Yushu Sheng Jie court.
The third section Tao Yuanming's life turning point and Xie Lingyun's obsession
First, the war between the rich and the poor will eventually win.
Second, invading officials and disturbing people and touching minefields
The fourth section: Tao Yuanming's poetic pause and Xie Lingyun's tragic curtain call.
First, control yourself against your will.
Second, arrogance leads to the death of genius.
The second chapter is the connotation and characteristics of "new view of nature" and "genius view of nature"
The first section reviews the view of nature in Wei and Jin Dynasties and the origin of Xie Tao's view of nature.
First of all, natural evolution is good
Second, the differences in the expression of natural four righteous people
Third, the inheritance of natural family style.
The second part is the main content and theoretical characteristics of Tao Yuanming's "new view of nature"
First, I have a "shadow spirit" in my heart all my life.
Second, rural life is natural.
Third, the "sex" of Yuanming has surpassed it.
The third part: the connotation and theoretical characteristics of "genius view of nature"
First, advocate epiphany and thank guests.
Secondly, genius naturally has the artistic practice of breaking the "new view of nature" and "genius view of nature"
The first chapter is the comparison of Xie Tao's poetic views.
Section 1 "Lover" and "Master" —— Comparison of Xie Tao's Attitude towards Things
First, "lover" and "master" have different meanings.
Second, the causes of "lover" and "master"
Section two: fixed view and free view-a comparison of Xie Tao's view of things.
Firstly, the advantages and disadvantages of fixed view method are analyzed.
Second, the advantages and disadvantages of sightseeing methods
Section III Harmony of the Whole and Exquisiteness of the Part —— Comparison of Xie Tao's Physical Ways
First, the overall harmony is profound.
Second, the local exquisite and complicated boredom.
The second chapter is the comparison of "reason" in Xie Tao's poems.
Section 1 Understanding Hyunri and Verifying Hyunri
First, understand metaphysics calmly.
Second, mountains and rivers and Hyunri are free.
Section 2 Aesthetic Existence and Philosophical Existence
First, poetry is both reasonable and beautiful.
Metaphysical poetry is two cents.
The third chapter compares the artistic realm of Xie Tao's poems.
Section 1 Xie Tao's Pursuit of Truth and Clarity
First, the article is authentic Chai Sang wine.
Second, the scenery here is quiet and pleasant.
The second part: the transformation and dullness of Tao's poems.
First, make chemicals without me.
Second, the letter pen is poetry and nature.
Third, Shi Tao is insipid.
Fourth, quasi-pottery, and pottery is ultimately difficult to achieve.
The third part: the writing environment of Xie Shi's poems and the return to nature.
First of all, geniuses write freely.
Second, carefully build and return to nature.
Third, the vitality of life sends mountains and rivers
The fourth chapter is the inspiration of Xie Tao's poetry creation.
The first section, pastoral, landscape.
The second part: the acceptance and criticism of Xie Tao's poems in later generations.
Chapter 1 Southern and Northern Dynasties-Xie Gaoyou Road
The first section recluse poets see deep and clear
In the second section, Poet Laureate thanked the remains.
Chapter II Sui and Tang Dynasties-Xie Tao on a par
The first section of the Sui Dynasty's evaluation of Tao Yuanming
Section II Evaluation of Xie Tao in Tang Dynasty
First, I want to pursue profound knowledge with my heart and fist.
Second, Xie Cai is down and out.
Third, how to think like a grateful hand
Section III Understanding of Several Laws
Chapter III Song, Jin and Yuan Dynasties-Respecting Tao and Restraining Xie
The first part is an overview of Xie Tao's comments.
One, but Xie Tao and at the same time
Second, monographs and poems are not as good as people.
Third, Yuanming has gone away for thousands of years.
The second section is Su Shi, Xin Qiji and Zhu's research and comments on Tao.
First, only Yuan Ming was called a former life.
Second, only during Ling Tao's intentional period.
Third, Peng Ze in Shang Youtao's life
The third section discusses the characteristics of ceramic criticism in Song Dynasty.
The fourth section summarizes Xie Tao's criticism in Jin and Yuan Dynasties.
First, the end of luxury.
Second, thank the guests for reflecting on the past and present.
The fourth chapter is the critical perspective of repeated differences between Ming and Qing Dynasties.
The first section Xie Tao's fate in the Ming Dynasty
I. Comments on recurring differences
Second, the personality theory does not have Xie Shi color.
The second part is an overview of Xie Tao's criticism in Qing Dynasty (including modern times).
First, look at Yuan Ming from the perspective of Confucianism.
Second, the favorite number of guests is Chuanshan.
The fifth chapter takes Lu Xun's comment on Tao Wei as an example to see the innovation of methodology-a glimpse of Tao Yuanming's criticism in modern times.
The first section is the characteristics of Lu Xun and Tao Yuanming's research methods.
The second part: Lu Xun's discussion on the causes of pottery characteristics.
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