Watching the sunrise from the top of Mount Tai has always been described as a spectacular sight. Some people say that climbing Mount Tai without seeing the sunrise is like a big drama without eyes, and the taste is a bit dull after all.
The day I went to climb the mountain was a rare fine weather. Wan Li is in the sky, but there are no clouds. The common smoky hills are clear. The companions all said with joy, "Tomorrow morning, we will definitely see the sunrise." I want to climb the mountain with this, too.
Climbing all the way from the foot of the mountain and looking closely at the mountain scenery, I think it is not the only Mount Tai among the five mountains, but like an amazing green landscape painting, hanging upside down from bottom to top. At the foot of the mountain, the memorial archway of Daizongfang, a Ming dynasty building, was first revealed in the picture scroll, and then Wang Muchi, Doumu Palace and Shigu were slowly revealed. The mountains are getting deeper and deeper, more and more strange, more and more strange. In the mountains, sometimes there are extremely detailed figures. There are many statues in the Lvzu Temple next to Wang Muchi, carved with some people, such as Lv Dongbin. The posture is so lively. I can't help but blurt out, "live."
The picture scroll continued to unfold, and it didn't take long for the green white hole to appear, and it came to Dui Songshan. These two strange peaks face each other. The peaks are all grotesque old pine trees, which are thousands of years old. The color is so thick that it seems to run down. When you come here, you might as well be a freehand figure in a painting, sitting in the pine pavilion on the opposite side of the road, looking at the mountains and listening to the flowing water.
At that time, I felt that I was not only looking at the picture scroll, but also looking at a historical manuscript at random.
Excerpted from Yang Shuo's "The Top of Mount Tai"