Yu Zhigang prefaces music flying in life.
order
The first part elements
Voice Section 1: Pitch, dynamics and timbre
Pitch: the level of sound
force
tone colour
Listening Essentials, Vocal Music Guidance and Sound Quality
Stravinsky, Firebird, Act II
Listening points
Ellington and his jazz band C-Jam Blues
Listening points
Section 2 Performance Media: Human Voice and Musical Instruments
sound
musical instrument
stringed instrument
woodwind instrument
brass instruments
percussion instrument
keyboard instrument
electronic musical instrument
Britten, Introduction to Youth Orchestral Music
Listening points
The third quarter rhythm
Paidian
beat
Stress and syncopation
speed
Section 4 symbols
Record pitch
Record the rhythm
Record silence (rest)
Recording beat
score
Section 5 Melody
Section 6 Harmony
Harmony and disharmony
triple
Broken chord (arpeggio)
Chopin, Piano Prelude in E Minor
Exhibition point of view: Pianist Roger Kermian plays.
Chopin Prelude in E minor
Listening points
Section 7 mode
major scale
minor
Tone mark
Chromatic scale
Adjustment; adjust
be homonymous
Section 8 Music texture
Single-voice music texture
Polyphonic music texture
Theme music texture
Change the texture
Bizet, Frodo's Dance
Listening points
Section 9 Music form
Skills of establishing musical form
Repeatedly
contrast
change
Types of musical forms
Three-stage music form: A B A
Tchaikovsky, moody dance
Listening points
Two-stage music form: A B
Beethoven, Country Dance No.7 in Major
Listening points
Listening to music forms
Section 10 Music Style
The second part is the Middle Ages and Renaissance.
The first section medieval music (450- 1450)
gregorian chant
Church mode
Hallelujah: We saw his glory.
Vocal music guidance
Hildegarde van Bingen, heir.
Vocal music guidance
Medieval secular music
Stable ratio
The Development of Multi-voice Music: Organo
Notre Dame Conservatory of Music: Quantifying Rhythm
14th century music: French "new art"
Matthew (New Testament Volume 1)
Matthew, since you forgot.
Vocal music guidance
Mass of the virgin Mary
Exhibition Viewpoint: Conductor Andrew Palot conducted Matthew's Ode to the Lamb of the Virgin Mass.
Vocal music guidance
Music in the Renaissance (1450-1600)
Characteristics of Renaissance Music
Lyrics and music
vein
Rhythm and melody
Religious music in the Renaissance
De Rip and the Classical Songs of the Renaissance
Deprey, hail Mary ... Virgin Mary.
Vocal music guidance
Palestrina and Renaissance Mass
Teach real Madrid the mass of Cyrus
Vocal music guidance
Secular music in the Renaissance
Vocal Music: Pastoral in Renaissance
Wilkes, Vesta, the kitchen god, came down the mountain.
Vocal music guidance
instrumental music
Passamezo and Gallardo
Part III Baroque Period
The first section baroque music (1600-1750)
Characteristics of baroque music
Emotional consistency
rhythm
melody
force
vein
Chords and basso continuo
Lyrics and music
Baroque Orchestra
Music form in baroque period
The Social Status of Music in Baroque Period
Section 3 Grand Concerto and Repetition Form
Bach, Brandenburg Concerto in D major, No.5.
Listening points
The fourth quarter fugue
Bach, organ fugue in g minor
Listening points
Section 5 Opera Elements
Section 6 Opera in Baroque Period
Section 7 Claudie Monteverdi
Oflo
Vocal music guidance
Section 8 henry purcell
Basic bass
Cato and Aeneas
Vocal music guidance
Section 9 Baroque Sonata
Corelli, Sonata No.10 in A minor.
Section 10 Anthony Vivaldi
spring
Listening points
Make a point; Violinist and conductor Jenny
Ramon played and conducted Vivaldi's concerto Spring.
Section 11 johann sebastian bach
Bach's music
Section 12 Baroque Suite
Bach, Suite 3 in D Major
Section 13 hymns and church oratorios
Church oratorio
Bach: Wake up, a voice is calling.
Vocal music guidance
Vocal music guidance
Section 14 oratorio
Section 15 george frideric handel
Handel's music
Messiah (the savior expected by Jews)
Vocal music guidance
Vocal music guidance
The fourth part of the classical period
Section 1 Classical Style (1750 ——1820)
Style characteristics of classical music
Emotional contrast
rhythm
vein
melody
Power and piano
The disappearance of sustained bass
Orchestra in classical period
Classical music form
Section 2 Composers, Patrons and Groups in Classical Period
crowd
Vienna
Sonata form in the third quarter
Demonstration section
Development Department
Copying department
End of movement
Mozart, Symphony No.40 in G minor
Listening points
Section 4 Theme and Variations
Haydn, Symphony No.94 in G major (stunned)
Listening points
Section 5 minuet and middle section
Mozart, serenade
Listening points
Section 6 Rondo Style
Beethoven, String Quartet in C minor
Listening points
Section 7 Classical Symphony
Section 8 Classical Concerto
Section 9 Classical Chamber Music
Section 10 joseph haydn
Haydn's music
Trumpet concerto in bE major
Section 1 1 Wolfgang Amadeus Mozart
Mozart's music
Don Juan.
Vocal music guidance
Symphony no.40 in g minor
Piano concerto no.23 in a major
Listening points
Exhibition point of view: pianist Murray Pleah plays and conducts Mozart's piano concerto in A major, the first movement of K.488
Section 12 Ludwig van Beethoven
Beethoven's music
Piano Sonata in C Minor (Sadness)
symphony no. 5 in c minor
Listening points
Listening points
The fifth part romantic period
The sixth part of the 20th century and beyond
Part VII Non-Western Music
Important vocabulary
CD audio track
postscript
After publication, I still remember the song "Listen to Music".