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May I ask the names of the twelve palaces on both sides of Qing Palace, Gan Qing Palace and Kunning Palace? It is said that the zodiac represents the twelfth birthday. How exactly do they correspond?
On both sides of Gan Qing Kunning Palace, there are 12 palaces. Its cover making is self-evident. The so-called Gan Qing and Kunning are like heaven and earth, and everything is like the sun and the moon. The left and right lanes are lined with three houses and twelve houses, which are like twelve Chen. Manchu entered the customs, built palaces, ruled Kangxi and Jiaqing, and all the twelve palaces were rebuilt.

Dongliugong: Ren Jing Palace, Chenggan Palace, Zhongcui Palace, Yan Xi Palace, Yonghe Palace and Jingyang Palace;

West Six Palaces: Yongshou Palace, Yikun Palace, Palace of Gathered Elegance, Qixiang Palace, Changchun Palace and Xianfu Palace.

Ren Jing Palace-

Ren Jing Palace, one of the six inner palaces. In the 18th year of Yongle in Ming Dynasty (1420), it was first called Chang 'an Palace, and in the 14th year of Jiajing (1535), it was renamed Ren Jing Palace. In the Qing Dynasty, the old name of the Ming Dynasty was used and rebuilt in the 12th year of Shunzhi (1655), 15th year of Daoguang (1835) and 16th year of Guangxu (1890).

The palace is the second courtyard, with the main entrance facing south and the famous quiet door. There is a stone shadow wall in the door, which was handed down as a relic of the Yuan Dynasty. The main hall in the front yard, namely Ren Jing Palace, has the width of five rooms, yellow glazed tiles and a hill-like roof, and five animals are placed under the eaves. Under the eaves, there is a single-inclined single-tilted five-step bucket decorated with dragons and phoenixes and painted seals. The front and rear eaves of the open room open the door, and the second roof room is a sill wall and a sill window, and the doors and windows are double-crossed and four-footed. In the Ming room, there is a plaque with the imperial title "Zande Palace". The ceiling pattern is two dragon play beads, and the inner eaves are painted with dragon and phoenix seals. The interior is paved with square bricks and there is a wide platform in front of the temple. East and west halls, open rooms and doors, yellow glazed tile hard mountain roof, colorful paintings under the eaves. There are ear rooms in the north and south of the annex hall.

There are five main halls in the backyard. The open rooms have open doors, hard mountain roofs with yellow glazed tiles, and Gong Dou, Dragon and Phoenix and painted seals under the eaves. The wing rooms are built on both sides. There are three east-west halls in front of the temple, which are also open in Ming style, with yellow glazed tiles, hard gable roofs and colorful paintings under the eaves. There is a pavilion 1 in the southwest corner of the hospital. This palace maintained the pattern when it was first built in the Ming Dynasty.

Ren Jing Palace is the residence of concubines in Ming Dynasty. Emperor Kangxi was born in this palace in March of the 11th year of Shunzhi in Qing Dynasty (1654). In the 42nd year of Kangxi (1703), Prince Heshuoyu died, and Emperor Kangxi lived in this palace to mourn his brother. Since then, this palace has been used as the residence of empresses. Xiao Sheng, the mother of Emperor Qianlong, Wan Guifei, Emperor Xianfeng and Zhenfei, Emperor Guangxu, all lived here.

Chenggan Palace-

Chenggan Palace, one of the six inner palaces. In the 18th year of Yongle in Ming Dynasty (1420), it was originally called Yongning Palace, and in the 5th year of Chongzhen (1632), it was renamed Gangong in August. Remove the old along the edge. In the 12th year of Shunzhi (1655), it was rebuilt, and in the 12th year of Daoguang (1832), it was slightly repaired.

The palace has two courtyards, the main entrance of which faces south, and it is called Ganmen. The main hall in the front yard is Chenggan Palace, with five rooms in width, yellow glazed tiles leaning against the top of the mountain, five beasts under the eaves, five steps of single-warping, dragons and phoenixes, and seal paintings on the inner and outer eaves. Open the door in the open room. The sill wall and sill window between the second floor and the top floor are crossed by the doors and windows with four rhombuses. The interior is made of square bricks, the ceiling is painted with double phoenix, and the plaque of Emperor Qianlong's imperial title "Decheng is submissive" hangs in the middle. In front of the temple is a spacious platform. There are three affiliated halls in the east and west. The open room has open doors, yellow glazed tiles, a hard gable roof, and colorful paintings with spiral decorations under the eaves. In the seventh year of Chongzhen (1634), a plaque was placed in the east and west affiliated halls, which were called Zhenshunzhai and Mingdetang.

There are five main halls in the backyard. The open rooms have open doors, hard mountain roofs with yellow glazed tiles, and Gong Dou, Dragon and Phoenix and painted seals under the eaves. There are ear chambers on both sides. East Hall 3 and West Hall 3 are all open in Ming Dynasty, with yellow glazed tiles and hard gable roofs decorated with colorful paintings. There is a well pavilion in the southwest corner of the backyard. This palace maintained the pattern when it was first built in the Ming Dynasty.

This palace was occupied by the imperial concubine in the Ming Dynasty. Empresses and concubines lived in the Qing Dynasty, and the emperor shunzhi Dong Eshi, Daoguang Xiaocheng, your wife, your wife, and Xianfeng emperors Yun Qi and Wangui lived here.

Zhongcui Palace-

Zhong Cui Palace, one of the six inner palaces. In the 18th year of Yongle in Ming Dynasty (1420), it was originally called Xianyang Palace; In the 14th year of Jiajing in Ming Dynasty (1535), it was renamed Zhong Cuigong; In the fifth year of Qin Long (157 1), it was changed to Xinglong Palace in front of Zhongcui Palace, and then to Sage Hall, where the Crown Prince lived. In the Qing dynasty, the old name of the Ming dynasty was used, and it was rebuilt in the 12th year of Shunzhi (1655), then in the 11th year of Daoguang (183 1), 13th year of Tongzhi (1874), 16th year of Guangxu (1890) and Guangxu. In the late Qing Dynasty, hanging flower doors and verandahs were added to the palace gates.

The palace is the second courtyard, with the main entrance facing south and the famous Zhong Cuimen. The main hall in the front yard is Zhong Cui Palace, which is five rooms wide, with yellow glazed tiles leaning against the top of the mountain, front porch and five animals on the eaves. The eaves are single-tilted and single-tilted five-legged arches with Soviet-style color paintings. Open the door in the bay, two sill windows, ice seams, and step by step brocade doors and windows. The interior was originally built on it, but later the ceiling was added and the floor was paved with square bricks. In the Ming room, there is a plaque with the title "Shu". In front of the temple, there are three east-west halls, three front porches, bright rooms with open doors, yellow glazed tile hard mountain roofs, and Soviet-style color paintings under the eaves.

There are five main halls in the backyard, with open doors, yellow glazed tiles on the top of the hill, Soviet-style colored paintings under the eaves and wings on both sides. There are three halls in the east and three halls in the west, all of which are open in Ming Dynasty, with yellow glazed tiles and hard gable roofs. There is 1 Jingting in the southwest corner of the hospital.

Zhong Cui Palace was the place where concubines lived in Ming Dynasty, and was once the Crown Prince Palace. The Qing Dynasty was the residence of the empress. When Emperor Xianfeng of Qing Dynasty lived here when he was a child, Prince Gong Yixin's mother, Daoguang Guifei, also lived in this palace to raise her. Xianfeng empress Xiao lived in Zhongcui Palace from the moment she entered the palace until her death in the seventh year of Guangxu (188 1). After Guangxu's wedding, the Jade Dragon Queen once lived here.

Now, the jade articles of the Forbidden City are displayed here all the year round.

Yan Xi Palace-

Yan Xi Palace is one of the six palaces in the Inner Palace, which is located on the east side of Dongerchang Street. Built in the 18th year of Yongle in Ming Dynasty (1420), it was originally named Changshou Palace. In the 14th year of Jiajing (1535), it was renamed Yanqi Palace. It was renamed Yan Xi Palace in the Qing Dynasty and rebuilt in the 25th year of Kangxi (1686). Concubines lived in Ming and Qing dynasties, and Yi Tian and Cheng Guiren, Guangwu Emperor of Qing Dynasty, once lived here.

Yan Xi Palace has the same pattern as the other five palaces in the Eastern Sixth Palace, with two courtyards, five halls in the front yard, yellow glazed tiles on the top of the mountain, a plaque inscribed by Emperor Qianlong on the east wall, "Saint Cao praised the farmers" on the east wall, and "The map of emphasizing agriculture after Cao" on the west wall. There are three halls in front of the temple: East Hall and West Hall. There are 5 main halls in the backyard and 3 east and west halls, all with yellow glazed tile hard roofs.

In the 25th year of Daoguang (1845), Yan Xi Palace caught fire, and 25 buildings, including the main hall, the back hall and the East-West Annex Hall, were destroyed. In the 11th year of Tongzhi (1872), reconstruction was proposed, but it failed. In the year of Xuantongyuan (1909), a three-story western-style building, the Water Hall, was built in the original site of Yan Xi Palace. The water temple is surrounded by pools and Yuquan mountains and rivers. There are 9 rooms on each floor of the main building, with a door on each side of the ground floor and a corridor around it. The four corners of the building are connected with the third floor 1 hexagonal pavilion, and there are two doors on the ground floor, which are connected with the main building and the cloister respectively. According to Qing Gong Ci and Qing Shi Draft, the water hall is made of copper, with glass as the wall, water is placed in the interlayer of the wall to store fish, and the bottom floor is also glass. The fish in the middle reaches of the pool can be counted one by one, and the algae are uneven and picturesque. Yulong inscribed "Ling Nv Man Xuan", commonly known as "Crystal Palace".

In fact, the frame of the hall is all cast iron, and the four dragon columns of the hall are also forged by cast iron. Most of the whole building is white marble, and bricks are rarely used. The outer wall is carved with flowers, and the inner wall is pasted with white and colored tiles. Due to the emptiness of the national treasury, the Crystal Palace was not built until the winter of Xuantong for three years (19 1 1), and construction was forced to stop. In June of the second year of Xuantong (19 10), Empress Yulong ordered Xiyuan Electric Office to install electric heaters, electric fans and add electric lights for Yan Xi Palace.

19 17 In zhang xun restoration, the northern part of Yan Xi Palace was bombed by planes directly under the army.

193 1 year, the Palace Museum converted it into a cultural relics warehouse.

Lama Temple-

Lama Temple, one of the six palaces in the Inner Palace, is located in the east of Chenggan Palace and south of Jingyang Palace. In the 18th year of Yongle in Ming Dynasty (1420), it was originally named Yong 'an Palace, and in the 14th year of Jiajing (1535), which is even more famous. Twenty-five years of Kangxi (1686), thirty years of Qianlong (1765) and sixteen years of Guangxu (1890) were rebuilt. Concubines lived in the Ming Dynasty and empresses lived in the Qing Dynasty. Empress Xiao Gongren, Emperor Kangxi of Qing Dynasty, once lived in this palace for a long time. Later, Jing Guifei, Dao Guang, Li Guigui, Ban Guigui and Xianfeng Xinchang lived here successively. After Guangxu's wedding, this is the residence of Jin Fei.

The palace is the second courtyard, with the main entrance facing south and the famous Yonghe Gate. The main hall in the front yard is the Lama Temple, with five rooms wide, three rooms in front of Baoxia, a yellow glazed tile roof, five animals in the eaves, a single upturned, single upturned, five-forked bucket, dragons, phoenixes and seal paintings. The door of the open room has a sill wall between the second floor and the top floor with windows on it. There is a plaque with the theme of "Yi Zhao Book God" in the main room, and white bricks are hung on the ceiling. East and west halls, bright rooms with open doors, yellow glazed tiles on the top of the mountain, colorful paintings under the eaves. The north side of the East-West Annex Hall is a wing with 3 rooms each.

The main hall in the backyard is called Tongshunzhai, with five rooms wide, yellow glazed tile hard mountain roof, wide open doors, four double cross doors, two outer air doors in the middle, two rooms and sill walls between the tips, stepped windows, large glass square windows under, and ear rooms on both sides. East and west halls, open rooms and doors, yellow glazed tile hard mountain roof, colorful paintings under the eaves. There is a pavilion 1 in the southwest corner of the hospital. This palace maintained the pattern when it was first built in the Ming Dynasty.

Jingyang Palace-

Jingyang Palace, one of the six imperial palaces, is located in the east of Zhongcui Palace and the north of Yonghe Palace. In the 18th year of Yongle in Ming Dynasty (1420), it was originally named Changyang Palace, and in the 14th year of Jiajing (1535), it was renamed Jingyang Palace. It was rebuilt in the 25th year of Kangxi (1686). In the Ming Dynasty, this was the place where concubines lived. In the Qing Dynasty, it was converted into a place for collecting and storing books.

The palace is the second courtyard, with the main entrance facing south, named Jingyang Gate, and the main hall in the front yard is Jingyang Palace, with a width of 3.

Sometimes, the roofs of yellow glazed tiles are different from the other five houses in the East Sixth Palace. Five wild animals were placed under the eaves, and dragons and seals were painted under the eaves. Open the door of the open room and the glass window of the second room. In the Ming room, there is a plaque with the theme of "gentle Jia" The ceiling is decorated with double cranes, and the inner eaves are decorated with spiral painted faces. The indoor square bricks stand on the ground and stand on the platform in front of the temple. East and west halls, bright rooms with open doors, yellow glazed tiles on the top of the mountain, colorful paintings under the eaves.

The main hall in the backyard is the royal study, which is five rooms wide. The bright room is open with yellow glazed tiles resting on the top of the mountain. Between the second floor and the top floor, there are sill walls and sill windows, and a bucket is placed under the eaves, decorated with dragon patterns and seals. During the Qianlong period of the Qing Dynasty, the Book of Songs written by De and Ma were collected here, and the title of Qianlong Palace was "Xueshitang". Gong Xun Tu, which was displayed in the East-West Sixth Palace on New Year's Day, was originally collected here. East-west three halls, bright rooms with open doors, yellow glazed tiles on the hard top of the mountain, colored paintings under the eaves, Jingting Pavilion in the southwest corner 1. This palace maintained the pattern of the early Ming Dynasty.

Now it displays the enamel artifacts of the Forbidden City here all the year round.

The West Sixth Palace is Yongshou Palace, Taiji Palace (Qixiang Palace), Yikun Palace, Changchun Palace, Palace of Gathered Elegance and Xianfu Palace. Like the East Sixth Palace, the West Sixth Palace is also the place where the emperor's concubines live. Not only are they the same at this point, but the architectural forms of the West Sixth Palace and the East Sixth Palace are also exactly the same.

Changchun Palace in the West Sixth Palace is famous for the murals of A Dream of Red Mansions. A Dream of Red Mansions was listed as an anti-book in the Qing Dynasty, but it was widely circulated in the late Qing Dynasty. Empress Dowager Cixi likes reading A Dream of Red Mansions, and so do the concubines and concubines of Emperor Guangxu. So I hired an artist to paint the mural of Changchun Palace's Dream of Red Mansions. The mural technique of A Dream of Red Mansions is superb, and there is no slack.

Palace of Gathered Elegance in the West Sixth Palace was once the bedroom of Empress Dowager Cixi, who celebrated her 50th birthday here in the 10th year of Guangxu (1884). Empress Dowager Cixi insisted on holding a grand birthday celebration for herself despite years of war and poverty. Empress Dowager Cixi tore down Chu Xiumen for the sake of style, and connected Palace of Gathered Elegance and Yi Kun Palace. The palace is luxuriously furnished, including dragon and phoenix ivory boats and ivory pagodas.

Yongshou Palace-

It is one of the six palaces in the Inner Palace. Built in the 18th year of Yongle in Ming Dynasty (1420), it was originally named Changle Palace. In the fourteenth year of Jiajing (1535), it was renamed Yude Palace, and in the forty-fourth year of Wanli (16 16), it was renamed Yongshou Palace. In the twelfth year of Shunzhi in Qing Dynasty (1655), the thirty-sixth year of Kangxi (1697) and the twenty-third year of Guangxu (1897), they were all rebuilt or overhauled, but they still basically maintained the pattern of the early Ming Dynasty.

Yongshou Palace has two courtyards, the main hall in the front yard is five rooms wide, and the yellow glazed tile rests on the top of the mountain. Exterior eaves are decorated, with double cross and four diamond doors in the front and rear eaves of the Ming room, sill walls in the second room and the top room, and double cross and four diamond windows in the upper room. On the east wall of the Qianlong Palace in the temple, there is a plaque of "Lingde Yi Shu", and on the west wall, there is a poem of "San Banji". After six years of Qianlong (174 1), Emperor Qianlong ordered that the plaques in the East and West Palace of the Imperial Palace should be made according to the style of Yongshou Palace, and should not be tampered with or replaced after hanging.

There are three halls in the main hall, east and west. There are five main halls in the backyard, with a wing for storing things and three auxiliary halls for storing things in front of the hall. There is 1 Jingting in the southeast of the hospital.

Yongshou Palace is the residence of concubines in Ming Dynasty and empresses in Qing Dynasty. In the 18th year of Wanli in Ming Dynasty (1590), the emperor summoned Shen Shixing and others here. In the 11th year of Chongzhen (1638), due to frequent domestic disasters, the emperor lived in this palace. The emperor shunzhi's concubines, Dong Eshi and Ke Fei, and Jiaqing's concubines all lived here. In the 13th year of Yongzheng (1735), Yong Zhengdi collapsed. Empress Xiao Shengxian lived in Yongshou Palace, and Emperor Qianlong lived in the south corridor of Gan Qing Palace several times to greet Yongshou Palace.

In the thirty-seventh year of Qianlong (1772), Princess Ke Heshuo got married, and in the fifty-fourth year of Qianlong (1789), Princess Xiao Gulun married the son of Xiao Shenyang, and they all held a banquet in Yongshou Palace. In the middle and late Daoguang period, foreign invasion became more and more serious, but the court hid it in Yongshou Palace. After Guangxu, the front and back halls of this palace were set as big warehouse for storing imperial objects.

Yikun Palace-

Yikun Palace, one of the six palaces in the inner court, was the residence of concubines in the Ming and Qing Dynasties. Built in the 18th year of Yongle in Ming Dynasty (1420), it was originally named Wan 'an Palace, and changed to Yikun Palace in the 14th year of Jiajing (1535). In the Qing dynasty, it was renovated many times. It used to be the second courtyard. In the late Qing Dynasty, the back hall of Yikun Palace was changed into a hall called Tihe Hall, and the east wing and the west wing were each changed into a passage, connecting Yikun Palace with Palace of Gathered Elegance, forming a four-courtyard pattern.

The main hall is 5 rooms wide, with yellow glazed tiles resting on the top of the mountain and going out of the corridor before and after. Bucket arches are used under the eaves, and the beams are decorated with Soviet-style colored paintings. The door is decorated with a swastika at the bottom, five bats hold a long skirt across the door, and the window is decorated with a swastika pattern. In the middle of the Ming Dynasty, there was a horizontal throne, a screen, incense sticks and a gongshan, on which the plaque of Cixi's imperial pen "Rongde" was hung. On the east side, the magpies climbed plum fields and the wisteria pine fields on the west side were carved with rosewood, which separated the main room from the Eastern and Western Dynasties, and the Eastern and Western Dynasties were separated from the tip by partitions. There is a screen door in front of the temple, and a pair of bronze phoenix, bronze crane and bronze stove are arranged under the pedestal. When Puyi was Emperor Xun, he installed a swing in the front porch of the main hall. Now that the swing has been dismantled, the swing is still there. There are three buildings with yellow glazed tiles and hard hilltops, namely Hongyan Hall and Yuanhe Hall.

When Houdian and Diandian were connected with Palace of Gathered Elegance and Yikun Palace in the late Qing Dynasty, it became a hall. Five rooms are wide, with front and rear doors, back eaves out of the corridor, and yellow glazed tile hard roof. There is also an east-west hall, with a 1 pavilion in the southeast of the front. In the 10th year of Guangxu, Cixi moved to Palace of Gathered Elegance on her 50th birthday, where she was congratulated. It was also here that Emperor Guangxu chose concubines.

Now is the original display of court life.

Palace of Gathered Elegance-

Palace of Gathered Elegance is one of the six western palaces in the imperial palace, which was occupied by concubines in the Ming and Qing Dynasties. Founded in the 18th year of Yongle in Ming Dynasty (1420), it was originally named Shou Chang Palace, and was renamed Palace of Gathered Elegance in the 14th year of Jiajing (1535). It was renovated many times in the Qing Dynasty. In the 10th year of Guangxu (1884), in order to celebrate the 50th birthday of Cixi, 632,000 silver was spent on large-scale renovation, and the existing buildings were the appearance after the renovation in the 10th year of Guangxu.

Palace of Gathered Elegance was originally the second courtyard. At the end of the Qing Dynasty, the Chu Xiumen and the fence were demolished, and the back hall of Yikun Palace was changed into a main hall, named Tihe Hall, which connected Palace of Gathered Elegance and Yikun Palace to form a courtyard with four entrances. The front porch of Palace of Gathered Elegance is connected with the front porch of the East-West Annex Hall, the topic and the corner of the eaves gallery behind the hall to form a cloister. The glass inlaid on the wall of the cloister is immortal and blessed, which was written by many ministers to wish Cixi's birthday.

Palace of Gathered Elegance is located on the top of the mountain, with only one roof, the width of five rooms and a front porch. Under the eaves, the beams are decorated with elegant Soviet-style paintings. The door is separated by wood carvings in the south, with a cross brocade bottom, five bats holding longevity and a long-lived skirt. The window decorations are decorated with millions of words and long life patterns. The inner eaves are beautifully decorated. In the middle of the Ming Dynasty, there was a ground screen throne, behind which there were five red sandalwood mirror-inlaid screens with "Great Round Mirror" plaques. There is a bamboo apron glass partition carved in rosewood on the east side, and a magnolia apron glass partition carved in rosewood on the west side, which separates the east and the west from the Ming respectively. On the east and the top, there is a grape grain floor with branches carved and wrapped in rosewood. The west and the top are separated by partitions. A large glass is embedded in a rosewood carved frame, which has a shelter from the wind and rain. The west tip serves as a warm pavilion and is a dormitory for living.

Palace of Gathered Elegance's courtyard is spacious and quiet, and two vigorous cypress trees stand among them. A pair of bronze dragons and a pair of bronze sika deer were placed on the east and west sides under the pedestal, which were cast at the fiftieth birthday of Cixi in the tenth year of Guangxu. The East Hall and the West Hall are the Yanghe Hall and the Fufu Hall respectively, all of which are hard-topped buildings with a width of 3 rooms.

The back hall is Lijingxuan, with five rooms wide and a single eaves and hard roof. There are some things with halls called Feng Guangting and Yi Lan Pavilion. After entering the palace, Cixi once lived in the back hall of Palace of Gathered Elegance, and she ruled the emperor in this life. In the 10th year of Guangxu, Cixi moved to Palace of Gathered Elegance on her 50th birthday, and named the back hall Lijingxuan.

Now is the original display of court life.

Qixiang Palace (Taiji Hall)-

Taiji palace

Taiji Hall, one of the six western palaces of the Forbidden City, was built in the 18th year of Yongle in the Ming Dynasty (1420). Formerly known as Weiyang Palace, it was renamed Qixiang Palace and Taiji Hall in the late Qing Dynasty because its biological father Xing Zhu Youjue was born here in the 14th year of Jiajing (1535). It was repaired many times in the Qing Dynasty.

Taijitang was originally the second courtyard. In the late Qing Dynasty, when it was rebuilt into the Shouquan Palace, the back hall of the Taiji Hall was changed into a hall, and the back eaves were connected with the treasure house, and the corner gallery was connected with Changchun Palace and its east and west attached halls, forming a cloister. The East Wing and the West Wing each have a passage, so that the Taiji Hall and Changchun Palace are connected into a four-way courtyard.

Tai Chi Hall is 5 rooms wide, with yellow glazed tiles resting on the top of the mountain and going out of the corridor in front and back. The eaves are painted with Soviet-style color paintings, the doors and windows are decorated with cross brocade, and the windows are picked up step by step. Five Blessingg interior decoration gypsum pile longevity sky pattern, which changed in the late Qing Dynasty and early Republic of China. Between the Ming Dynasty and the Eastern and Western Dynasties, the flowered railing cover carved from rosewood was separated from the floor cover with ball patterns, and the floor screen throne was set in the middle. There is a tall glass screen door in front of the temple, with auspicious phoenix longevity patterns on it, which forms a spacious courtyard with the east and west halls.

The back hall is the body hall, and the top of the mountain is hard-topped with yellow glazed tiles, which are five rooms wide and open at the front and back. The back eaves are connected with three treasure houses, which are the Changchun Palace stage. In the 10th year of Guangxu (1884), she performed here for half a month to celebrate the 50th birthday of Cixi. During the Wanli period of the Ming Dynasty, there was a fire in Gan Qing Palace and Kunning Palace, and the immortal Zhu Yijun once lived in Qixiang Palace. Before Sun Emperor Puyi left the palace, Tongzhi Emperor Yu once lived in Taiji Hall.

Now is the original display of court life.

Tiyuandian

Tiyuandian was originally the back hall of Qixiang Palace. In the ninth year of Xianfeng in Qing Dynasty (1859), it was changed to the main hall at the front and back doors, and the inscription of Xianfeng Imperial Pen was "Tiyuandian". The hall is a yellow glazed tile hard roof with a width of 5 rooms. The bay opens the front and rear doors, and the second bay and the top bay are sill walls and supporting windows. Every room in the room is separated by a flower cover, but the west end is one of its own rooms, and there is a door communicating with the second room. There are three wing rooms in the east and west, and the middle room 1 becomes a passage connecting Changchun Palace. There are three rooms in the back of the main hall, with yellow glazed tiles rolling on the roof, facing north and facing Changchun Palace. It is a small stage for singing in the imperial palace in the late Qing Dynasty, also known as Changchun Palace Stage. This temple is now the original display of court life.

Changchun Palace-

Changchun Palace, one of the six palaces in the Imperial Palace, was built in the 18th year of Yongle in the Ming Dynasty (1420). Originally known as Changchun Palace, it was renamed Yongning Palace in the 14th year of Jiajing (1535) and Changchun Palace in the 43rd year of Wanli (16 15). It was rebuilt in the 22nd year of Emperor Kangxi of Qing Dynasty (1683), and then it was renovated several times. In the ninth year of Xianfeng (1859), the Changchun Gate of Changchun Palace Palace was demolished, and the back hall of Qixiang Palace was changed into a main hall, and Emperor Xianfeng inscribed "Tiyuandian". Changchun Palace and Qixiang Palace are connected in this way.

There are five rooms in Changchun Palace, with a wide area, yellow glazed tiles leaning against the top of the mountain, front porch, bay door, partition air door, bamboo skirt, sill window between the second and the tip, and brocade window step by step. In the Ming Dynasty, there was a throne on the ground screen with a plaque of "respecting internal rules". There are curtains on the left and right, which are separated from the second room, and there is a floor-to-ceiling kang in the north of the tip room, which is the dormitory. There are 1 pairs of bronze turtle cranes in front of the temple. The East Annex Hall is called Shoushou Hall, and the West Annex Hall is called Chengxi Hall, with 3 rooms each. The front porch is connected with the corner porch, which can connect all the halls. There are 18 huge murals with the theme of A Dream of Red Mansions painted on the inner wall of the gallery, belonging to the late Qing Dynasty. To the south of Changchun Palace, that is, under the back castle of the Sports Hall, is the stage in Changchun Palace Hospital. There are screen doors in the northeast corner and northwest corner, which communicate with the back hall.

The back hall, named "The History of Pleasant Love Letters", was built at the same time as Changchun Palace, with 5 rooms wide and 3 rooms on each side. The East Hall is called Yishouzhai, and the West Hall is called Lezhixuan, with 3 rooms each. There is 1 Jingting in the southeast of the backyard.

This palace was inhabited by concubines in the Ming Dynasty, and Li lived here during the apocalypse. Empresses lived in the Qing Dynasty, and the filial piety queen of Emperor Qianlong once lived in Changchun Palace, where the coffin was parked after her death. Empress Dowager Cixi lived in this palace from Tongzhi to Guangxu ten years (1884).

Xianfu Palace-

Xianfu Palace is one of the six palaces in the Imperial Palace. Built in the 18th year of Yongle in Ming Dynasty (1420), it was originally named Shou 'an Palace. In the 14th year of Jiajing (1535), it was renamed Xianfu Palace. It was rebuilt in the 22nd year of Kangxi (1683) and the 23rd year of Guangxu (1897).

There are two courtyards in Xianfu Palace, the main entrance of which is a glazed door with four wooden screens. The main hall in the front yard is called "Xianfu Palace", which is three rooms wide and has a yellow glazed tile roof. It is higher than the other five palaces in the West Sixth Palace and has the same shape as Jingyang Palace in the symmetrical position in the East Sixth Palace. There are doors on the front eaves, the rest are sill windows, and the indoor wellhead is smallpox. Only the door is installed in the back eaves, and the rest are eaves walls. On the east wall of the temple is Emperor Qianlong's "Saint Jieyu as a Tribute", and on the west wall is "Jieyu as Xiong Tu". There are retaining walls on both sides of the gable, and small doors are set along the wall to communicate with the backyard. There are three east-west halls and three hard peaks in front of the temple, each with a wing.

The main hall in the backyard is called "Tong Tong Tang", with five rooms wide, hard hilltop and three rooms east and west. The front eaves are provided with doors and curtain frames, and the rest rooms are supported by windows; The back cornice wall does not open windows. Provide indoor floor partition, and the ceiling is submarine ceiling. Temple East Room, inscribed "Qin Deyi", once contained guqin; There are Wang Wei's Snow Stream Map, Mi Zhihui's Xiaoxiang Baiyun Map and other scrolls in the West Room's Painting Zen Room, all of which are old collections of Dong Qichang's Painting Zen Room, hence the name. There are east and west halls under one roof, and there is a 1 Jingting Pavilion in the southeast of the hall.

Xianfu Palace was occupied by empresses, with the front hall as a place to salute and climb, and the back hall as a bedroom, which was changed to the occasional residence of the emperor during the Qianlong period. In the first month of the fourth year of Jiaqing (1799), Emperor Qianlong collapsed, and Emperor Jiaqing lived in Yuxianfu Palace to observe filial piety. He ordered not to make the bed, but only white felt and rush mats. In October of the same year, he moved to hall of mental cultivation. Since then, Xianfu Palace has been restored as the residence of concubines, and Daoguang Lindi's nobles (Zhuang Huangshun's imperial concubine), concubines, children's imperial concubines, and Chang Fei have all lived here. In the thirty years of Daoguang (1850), Emperor Xianfeng lived in Yu Xian Fugong to observe filial piety for Daoguang, and he still lived here frequently after the expiration of filial piety.