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Directory? Idiom-men and women? Movies-Men and Women? Synopsis? Books-Interpretation of English-Chinese Dictionary for Men and Women &; Gt & ampGt Go to Iciba English to see the detailed explanation.

Idiom-Male and Female [Back to Directory] Male and Female Names

Pinyin n n n n n n n n n n

Explain a mixed group of people.

The Qing Dynasty Chu people won the fourth chapter of the Romance of Sui and Tang Dynasties: "Today, outside the stage, men and women, big and small, rubbed their backs and farted."

The cinema has been packed with many spectators.

Movie-Male and Female [Back to Directory] Actors: Apollo, Yang Qing, Zhang Kang, Yu Mengjie, Cui Zien.

Director: Liu Bingjian

Category: comedy

Type: comedy

Length: 89 minutes

Foreign titles: men and women

Country/Region: China

White language: Mandarin Chinese.

Issuing company: Cara M

Release date:1999165438+1October 20th, Argentina.

Evaluation: ★★★★★

Synopsis [Back to Directory] In the warm winter, Xiao Bo (Apollo) came to work in Beijing from other provinces and met three stories with different colors.

Qing Jie (Yang Qing), the female boss of the clothing store, likes him and lets him live at home. She has a cold relationship with her husband Dakang (Zhang Kang), but she warmly introduces Xiao Bo to her friend Amon (Yu Mengjie), hoping that they can become lovers. However, the result was unexpected: Amon found that he didn't like her. Sister Qing also decided to leave her husband and move to live with Amon. At Sister Qing's house, Dakang wanted to rape Xiao Bo. Xiao Bo resisted successfully, so he had to quit his job and come to his hometown for the night. Chong Chong (Wei Jiangang) claims to be a first-class writer of public toilet literature. He goes in and out of various public toilets every day, collecting foul language in the toilets. When Xiao Bo arrived, he was setting up the magazine "Brilliant Public Toilet". Gay friends Guigui (Cui Zien), who lives with him, runs a radio program called Time and Space in Public Toilets. His audience was originally only one: Chong Chong. After Xiao Bo appeared, it attracted a lot of people's attention. One morning, Guigui found Bug and Xiao Bo sleeping in the same bed. Go home, pack your bags and leave your stormy home. When Xiao Bo woke up from his sleep, he heard Guigui's last broadcast on the phone: "Dear listeners, this is the International Red Star Broadcasting ..."

TV Series-Men and Women

Actors: Li Cansen, Pin Guan, Zheng Xueer ......

Category: comedy

Type: comedy love

Length: 60 episodes

Country of manufacture: Chinese mainland.

Language: Mandarin

Release date: 2006

Introduction:

The new youth comedy Men and Women describes the colorful lives of three men and three women from different parts of a modern city in China. The play has a strong lineup, starring Li Cansen, a new Hong Kong comedian, Pin Guan, a popular Malaysian singer, and Zheng Xueer, a Singaporean beauty. The protagonists have their own rich inner world, their own persistent pursuit, their own happiness of being infected and their own troubles of growing up. In their stories of madness and laughter, their charming style like sunshine is always so attractive, and their sincere and perfect hearts are always so touching! A new classmate named Xu moved into Grandma Xu's house and became a new roommate. Xiao Gan agreed to help the boys keep their friendship. On the day of the fellowship, Yusheng (Pin Guan) was hospitalized with appendicitis, so he had to go out with Wei Guang to attend the fellowship meeting. Xiao Gan's plan is to have a pair of results with Yusheng, because Yusheng is in the hospital! Yusheng wanted to smoke a cigarette, so he went to the corridor to smoke with Wei Guang. Jumping around in the hospital bed, I heard someone knocking at the door and immediately hid under the bed. After Xiao Gan came in, she began to confess to Yusheng. Later, she found that the person lying inside was not Yusheng at all, but eastward. This story tells us that friends need mutual trust and respect.

Books-Men and Women [Back to Table of Contents]

Book Introduction Title: Male and Female Book Number: 1097929

Press: Fudan University Press

Pricing: 12.0

ISBN:730904472

Author: Huang Ziping

Publication date: 2005- 10- 19

Version: 1

Format: large 32 format

Content abstract: It is difficult but very interesting to sort out a collection of hundreds of thousands of words on the topic of "men and women" from the voluminous prose articles of this century, which goes without saying. Prose is a genre concept. Men and women are a gender concept. Is there any reason to consider these two concepts together? Some feminist critics in the world have thought deeply about the relationship between them, for example, "Gender and genre come from the same root, and their relationship in the history of literature is almost as close as their etymology." As a result, people discuss such attractive topics as "novels and women", pointing out that some literary styles are more suitable to be the discourse space of "women's comprehensive values", and so on. However, there are other feminist critics who disagree with this etymological reasoning method. They say, "If you can prove that' genre' and' gender' are related based on the same word, you can also prove that Christians and cretinists are related, because they are both derived from Latin' (christianus). Of course, the abuse of a method does not in turn prove that its effectiveness fails in a certain range: the etymological connection is still a connection, and it also projects a possible tortuous connection in the history of ideas, concepts and thoughts. Looking back on China's own "literary history" and "women's history", we can see that "genre difference" and "gender difference" actually operate under the same cultural power mechanism. China's ancient style classification can be said to be born together with the moral education system. "Zhou Li Dazhu" said: "Make six words to meet friends and relatives: one is the temple, the other is the life, the third is the prayer, the fourth is the meeting, the fifth is the prayer, and the sixth is the prayer." The Book of Rites also stipulates the scope of use of some styles, such as Zan: "Cheap is not expensive, young is not long, and courtesy is also. Only the son of heaven said that heaven should believe. It is not decent to be a vassal. "It is naive to regard genre as a category induction set by literary historians for the convenience of work, but not to see the operation of the cultural power contained in it. In every era, there is always a self-evident but orderly or vague relationship between schools, sometimes we call it "center-edge" relationship. Until today, when we notice that almost all comprehensive literary publications rarely put "prose" or "lyric short poems" in the "headline position", the unwritten "ethical" order between genres is obvious. Sometimes we can hear rumors that writers who are engaged in script creation find themselves "falling between two chairs" at literary conferences, unable to be on an equal footing with famous directors, celebrities and stars in the Dramatists Association, and being run by novelists and poets in the Writers Association. They called for the establishment of a special "drama writers association", which showed the embarrassing position or marginal position of a certain genre in the contemporary cultural power mechanism. If we link it with other parliaments that require a certain percentage of women's representatives, there is always some truth in this connection. Similarly, the "gender difference" is not only a division in the physiological or biological sense, but also a division in culture and politics. As simone beauvoir said, women are not born, but cultivated. From China's classical masterpieces, it is easy for us to cite materials to illustrate this point. " "Zi Zhi Tong Jian" states: "In ancient times, there was no distinction between men and women. Tai Hao began to get married, taking the skin of husband and wife as a gift, changing his surname to match, attaching importance to the foundation of human relations, and the people did not slander him. Book of Rites: "Women obey others, children obey their fathers and brothers, husbands obey their husbands, and husbands obey their sons. "The Book of Rites, Dai Li": "A woman who is obedient to others is also. Shuowen: "Women are obedient. "In the male-dominated civilization of two thousand years," the difference between men and women "is not only a distinction, but also a different order, which is a norm for the relations between master and slave, up and down, pecking, and internal and external. In this way, when we put the two concepts of genre and gender together, the historical subject as the same "divider" emerges, and the image of omnipotent father stands out in the prospect of cultural history. More precisely, any division is carried out under the rules of "parent law". Because "men and women" is an unavoidable and inevitable topic in literature, culture, ethics and other fields, the male-dominated society stipulates the way, scope, style, taboo and so on to talk about it. Zhou Zuoren once said that China's prose has always been divided into two categories, one is "carrying Tao" and the other is written for fun. "Men and women" can also be mentioned in the former articles, but they are serious and dignified, and their culture mainly appears in the form of ethics textbooks. Male-dominated civilization does not even object to talented women writing such things, such as Women's Commandments and Women's Virtue written by Ban Zhao and Song Ruohua. More works involving "men and women" or "romance" can only be expressed in the marginal form of discourse order such as poems, legends, stories and novels. The historical unconscious, which is pushed into the dark field, adjusts, dispels, supplements and lubricates the operation of the whole cultural power mechanism with the help of strong or weak catharsis in this latter discourse. It is easier to make it clear now that this collection of essays is "very interesting". 1At the end of the 9th century and the beginning of the 20th century, great changes have taken place in China society. Correspondingly, the structural order of style also produces such displacement dislocation as "the center moves to the edge and the edge moves to the center". The dominance of orthodox poetry has declined rapidly, and the novel, which has always been regarded as a gentleman's act, has been promoted to the terrible position of "the best literature" and shouldered the great mission of "improving the collective governance". The new Book of Songs of the people of the new country has also "tried" and finally "stood on the edge of the earth and called". Drama is directly introduced from abroad, not singing but reading, and civilized drama has come to the "drama movement". "In this period, the fate of prose is the most ups and downs. It doesn't start from the rough market and enter the palace like a novel; It's not like new poetry, starting all over again, starting all over again. Unlike drama, what is purely "taken" has nothing to do with the old drama (at least on the surface). Speaking of it, in the whole literary heritage of China, the proportion of all kinds of prose works is greater than the sum of poems, novels and operas. The so-called prose itself is complex and vague, which can accommodate various styles, such as ancient prose, official history and eight-part essay, which occupy the "central position", as well as marginal essays, notes, letters, diaries and travel notes. Therefore, when talking about the displacement of prose in the changes of literary style and structure in China in the 20th century, we can't generalize. Borrowing from Zhou Zuoren's category, we might as well roughly say that "the article carrying Tao" moves from the center to the edge, and "the article expressing ambition" moves from the edge to the center. Complex situations, such as letters, diaries and travel notes, will not be discussed here. Infiltrate into the novel, or conversely, when the novel marches towards the "best" stylistic structure, it is wrapped in some marginal stylistic saltiness and revolution. It can be said that it is no longer appropriate for people to use the name "article" to summarize the above-mentioned various styles in the past. At least, in ancient literary theory, prose (usually referring to prose style as opposed to verse and parallel prose) was put forward as the translation name of western pure prose, and there was a long-running naming dispute. Zhou Zuoren advocated "beautiful prose" and "pure prose", which Hu called "rambling prose". Or translate essays into essays, or attack the old name as essays, or simply merge them into one, as Yu Dafu said, "Join essays or essays together to pray for unbreakable names and harmony on both sides. "There are also some new names, such as essays, miscellaneous feelings, essays, essays, newsletters, reportage, etc. , under the banner of prose. The difficulty of naming just shows the embarrassing position of prose. In the development of China literature in the 20th century, it has always been between the center and the periphery, between literature and non-literature, between pure literature and "generalized literature", between elegance and vulgarity, between the revival of tradition and external influence, praise and exposure. Sometimes it may really be "two sides and three knives", and more often it is a dilemma. In the first decade of the May 4th New Literature Movement, Hu Shi, Lu Xun, Zhou Zuoren, Yu Dafu and others all thought that compared with novels, new poems, plays and essays, their achievements were the most impressive. A considerable reason is precisely because they strongly advocate anti-tradition, but because the tradition that can be relied on is the richest and deepest. But before long, when discussing such a big question as "Why China didn't produce great literature", Lu Xun had to stand up and defend the essays and essayists, thinking that writing essays was also a "serious matter", just like writing such a masterpiece as War and Peace in Russia. Behind Lu Xun, the voices of "revival prose", "revival essay" and "essay era" never stopped. The characteristics of prose, such as "scattered", "miscellaneous", "small" and "chaotic", indicate that it is amorphous, non-standard and inclusive, and is always rejected by the mainstream. It is precisely the advantage of prose that it can always question the mainstream consciousness, pay attention to the marginal cracks, and pay attention to the unconsciousness and interest suppressed by historical reason. Needless to say, the dislocation of stylistic structure is only part of the great changes in social, cultural and ethical structure in the twentieth century. Zhou Zuoren once thought that "essays are the acme of literary development, and his prosperity must be in the era of Wang Gang's liberation. "At the beginning of the 20th century, with the collapse of kingship, patriarchy was shaken. During the May 4th Movement, the most popular topics were "filial piety" and "festival" (festival "small hunger, big humiliation"). The difference between men and women is questioned not only in inferiority complex, but also in the sense of classification. " I am a' person'! "Women's rights were first put forward as a part of human rights. Young people and women were treated equally as" sons of mankind "rather than daughters-in-law or husbands of daughters-in-law, and were placed in the same trench against patriarchal culture. Women's liberation has never been considered separately from the big topic of "human liberation" (followed by social liberation and class liberation), so it is often covered up or even submerged by the latter. Women in China in the 20th century, like "prose" in the staggered literary order, are in various complicated contradictions in the social structure changes. On the one hand, the social status of women has indeed changed dramatically, and it has been confirmed by the Constitution and laws. On the other hand, the inequality actually suffered by women is still ubiquitous, and some aspects are even getting worse (such as long-distance trafficking in women). You will ask, can the liberation of society and class replace the liberation of women and their female consciousness, or is the latter an unsatisfactory proof that the former "comrades still need to work hard"? Another puzzling trend is that, at the end of 20th century, contrary to European and American feminists, women in China seem to put more emphasis on "women are women", which seems to be quite different from the starting point at the beginning of this century. A widely circulated interview may explain the problem. When an ordinary woman was asked about her understanding of "equality between men and women", she said, "Even if you have to do the same heavy and dangerous work as men and wear the same ugly and untidy clothes, at the same time, they won't give you your seat on the bus, so you can still undertake all the housework when you get home from work. "It seems that Women's Liberation is not only poetic, but also full of essays and essays. Interestingly, Mao Dun once wrote a short story called Poetry and Prose, which described the love and marriage life of new young women at the beginning of this century. Ding Ling's two famous essays "We Need Essays" and "Some Thoughts on March 8th" were published in Liberation Daily almost at the same time. The so-called essay, I think, is nothing more than accidentally discovering contradictions where there seems to be no contradictions, and this "discovery" has cultural and literary implications. People who like to look for "isomorphism" everywhere may not be wise if they exaggerate the connection mentioned here. This preface only tries to provide a reading strategy to look at the miscellaneous styles and themes discussed in this collection. Among the collections, the earliest creation time is an unpublished "Husband and Wife Convention" written by Mr. Cai Yuanpei, a scholar in the former Qing Dynasty and the president of Peking University. The "advanced consciousness" expressed in the article is almost as surprising as its outdated style. In his early years, Lu Xun wrote a long reasoning article based on the "universal law of morality" and mentioned the issue of "economic rights" in his famous speech "What happened after Nora left". Later, he simply struck a "fatal blow" to male-dominated civilization with hundreds of words. However, Zhou Zuoren has always based his argument on the extensive knowledge of anthropology, folklore and sexual psychology, and his style and views have rarely changed. It was Nie Gannu who inherited Lu Xun's style and devoted his greatest fighting passion to the issue of women's rights. The article "You can be a virgin primary school" is based on a newspaper. This strange transformation between hymen and education level is really amazing. Today, such essay materials are not difficult to find in many personals. Xu Zhimo's speech quoted many viewpoints in Woolf's masterpiece My Room, a feminist pioneer and novelist at that time, but it was undoubtedly explained and understood by the romantic male poet in China. Lin Yutang imitated Nietzsche's Quotations from Master Sa, and Liang Shiqiu ridiculed the equality between men and women in Essays on Elegant Rooms. However, since this taunt was written by a man, "even" seems impossible. Zhang Ailing's Talking about Women begins with an English book, copying the English gentleman's "motto" to satirize women, but finally points out the most glorious female image in her mind-the image of Mother Earth. The lyrical essays written by Yu Dafu, He Qifang, Lu Li, Sun Li and others in the collection, talking about first love, mourning or reminiscing about old feelings, may show more feelings than rational essays. To borrow Zhou Zuoren's words, their style and feelings are "so old and so new", and the old and the new are difficult to mix. Prose about marriage and couples occupies a considerable space, among which the discussion about "wedding ceremony" is the most interesting, and the ceremony can best reveal the cultural changes. The most typical style of "combining Chinese and western styles" in the 20th century is enduring for quite interesting reasons. The theme of mourning is China's classical prose. Zhu Ziqing and Sun Li are two different writers, but the similarities and similarities in writing the same theme are thought-provoking. In a collection of essays with the theme of "men and women", the works written by men account for the vast majority, which is nothing to the people who compile books. Fortunately, there are two female writers recently, Zhang Xinxin and Wang Anyi, whose masterpieces are the finale. One is talking about marriage standing outside the door, and the other is talking about "housework", which can reveal new information in the 1980 s and extend the topic to the present. Miscellaneous but not pure, scattered and miscellaneous. Bakhtin, a critic of the Soviet Union, has the so-called theory of polyphony or miscellaneous language, which is the most appropriate statement to evaluate China literature in the 20th century. As far as "prose" about "men and women" is concerned, it is even more so-style, language, ideas and thoughts are changing, splitting and conflicting in the flow of time and space, which is extremely vivid and interesting. If you don't believe me, please open your book and read it carefully. Content: my festival in the eyes of Mr. Lu Xun

What happened after Nora left?

Zhou Zuoren

Dogs can scratch carpets.

Read "Worship of Sex"

Zhu ziqing

woman

Xu zhimo

About women

Zhou Zuoren

eunuch

Lin Yutang

Quoted from Master Sa Shi Tian (3)

Qu Qiubai

About women

Lu Xun

Women don't necessarily lie more.

strange

evolution of mankind

Nie Gannu

About Nora

"It may also be a virgin primary school."

Ding ling

Thoughts on March 8 th

Nie Gannu

Prostitutes

On Wu Dalang

Zhou Zuoren

Female taboo

Zhang ailing

About women

Liang Shiqiu

woman

man

Zhou Zuoren

first love

He Qifang

grave

yu dafu

Like water in spring.

He Qifang

dirge

Lu Li

bottom drawer

Red bean shrub

Sun Li; Betty Sun

Deleted text

Cai Yuanpei

Husband and wife agreement

Ye Shengtao

Meaningless boundary

Zhu ziqing

To the dead woman.

Spouse selection

Lao She

Popo dialect

Wang Liaoyi

between husband and wife

Liang Shiqiu

wedding ceremony

Qian Xiao

An important event in one's life (usually marriage)

Sun Li; Betty Sun

Anecdotes of the deceased

Xingxin Zhang

The man standing outside the door.

Wang Anyi

About the housework

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