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What excellent regular script calligraphy works are there?
Jiuchenggong Liquan stele, Huadu Temple stele, Wild Goose Pagoda Inscription, Duobaota stele, Xuanmi Pagoda stele, etc.

1, "inscription of liquan in jiucheng palace"

The Inscription of Liquan in Jiucheng Palace is a regular calligraphy work written by Ou Yangxun Shudan in the sixth year of Zhenguan in Tang Dynasty (632). Existing in Shaanxi linyou county Museum.

It is Ou Yangxun's thoughtful work in his later years. It has always been respected by scholars as an authentic regular script, and has been praised by later generations as "the first regular script in the world" or "the first official script in the world".

The knot is slender, the middle palace is tightened, the four sides are open, and the left side is folded and the right side is vertical, which saves the day. The glyph is shaped with the trend, and the left and right structures are opposite. The upper and lower structures are narrow and wide, the shelves are stable and the weather is solemn. Its white cloth is uniform, and the word spacing and row spacing are sparse, which is the most accurate one among the nine palaces. The whole monument is full of blood and bare charm.

2. Huadu Temple Monument

The full name of the Huadu Temple Monument is the Inscription of the Buddhist Pagoda of the Forever Monk in Huadu Temple. Founded in the five years of Zhenguan in the Tang Dynasty. Ou Yangxun's book. The pen is thin and powerful, the structure is restrained and slender, and the statutes are rigorous. This monumental work is beyond the reach of future generations, so it is called the extreme principle of model law. ?

Engraved in the fifth year of Zhenguan in Tang Dynasty (AD 63 1 year), Li Baiyao wrote an article in regular script in Ou Yangxun, with 35 lines and 33 words each.

The original tablet was in Zhong Nanshan Buddhist Temple in Chang 'an (now Xi). The monk thought there was treasure in the tablet, so he smashed it and the original tablet was damaged. During the Northern Song Dynasty and the Qing Dynasty, there were many engravings after the stone was destroyed. The original stone rubbings are only Song rubbings, which are now in Shanghai Library.

3. Preface to Big Wild Goose Pagoda.

The preface to the sacred teachings of Yanta, also known as the preface to the sacred teachings of Qiongji, is a famous inscription in the history of calligraphy and a masterpiece of Chu Suiliang's regular script in the Tang Dynasty.

In the 4th year of Yonghui in Tang Gaozong (AD 653), there were two stones and two stone tablets embedded in two brick niches on both sides of the south gate of the Big Wild Goose Pagoda. The writing directions of the two stone tablets and inscriptions are symmetrical to each other, and the two stone tablets are *** 1463.

The inscription is a preface, and its full name is Preface to Tang Sanzang. Located in the brick niche on the south side of the tower and the west side of the voucher door. Li Shimin wrote an inscription with 42 words in 2 1 line, which was carved from right to left.

The lower tablet is the preface tablet, the full name of which is Preface to Three Monks in Tang Gaozong. It is located in a brick niche on the east side of the ticket gate in the south of the tower. Tang Gaozong Li Zhi wrote an article with 20 lines and 40 words, which was carved from left to right.

4. "Many pagodas and monuments"

The full name of the multi-pagoda monument is the multi-pagoda induction monument of Qianfu Temple in Xijing, Datang. In the 11th year of Tang Tianbao (752), it was written by CenXun, a scholar at that time, and inscribed by Xu Hao, calligrapher Yan Zhenqing Shu Dan and stone carver Shi Hua. It is a regular calligraphy work. Now it is preserved in the second room of Xi 'an Stele Forest.

This monument has 34 lines and 66 words in total, and its contents mainly record the reasons and construction process of Jin Chu, the Zen master of Xijing longxing temple, who created many pagodas. Overall beautiful and vigorous, refreshing and pleasant, with a sense of simplicity and vividness.

The brushstroke is rich and beautiful, smooth and steady; Horizontal thin vertical thick, strong contrast; Start paddling, end paddling, turn paddling. The structure is rigorous and compact, compact and regular, smooth and well-proportioned, the monument is excellent and has many words. Most people who study Emperor Yan started from this monument and entered its temple.

5. Mysterious Tower Monument

Xuanzang Tower Monument, the full name of which is the inscription and preface of Xuanzang Tower Monument given to Master Qi Dada by Anjiu Temple, a monk in Zuo Jie in Tang Dynasty, was written by Pei Xiu, then prime minister, and Shu Dan, a calligrapher, in the first year of Tang Huichang (84 1), and it is a regular script calligraphy work. Now it is preserved in the second room of Xi 'an Stele Forest.

The mysterious pagoda has 28 lines, each with 54 words. Master Xu Da's good deeds in three generations, namely, Shunzong and Xianzong, were announced to later generations to commemorate the deeds of the master. Its structure is tight, the brushwork is sharp, the bones and muscles are exposed, the masculinity is full, the handwriting is like a knife, the stroke thickness is changeable, and the style characteristics are remarkable.

The mysterious pagoda monument is a milestone in Liu Gongquan's calligraphy creation career, which marks the complete maturity of Liu's calligraphy. It has always been regarded as an authentic model for beginners and has a far-reaching impact on future generations.