Character summary:

China is an outstanding master of modern Chinese painting, China is an outstanding master of modern Chinese landscape painting, and he is a member of the Second CPPCC. He is good at the research and teaching of landscape painting, flower-and-bird painting, painting history and seal cutting, and the excavation, arrangement, compilation and publication of China's artistic heritage.

Introduction to Huang:

Jinhua to Shexian period (1865 ~ 1907). Huang studied the history of poetry, calligraphy and seal cutting since childhood, and devoted himself to studying the works of Ming Dynasty adherents such as Gu, Gu and Huang Zongxi. 1886, Yingxian tried to make up for Gong Sheng. Learn to draw flowers from Chen Zhongguang in Yangzhou. Learn from Zheng Shan, Anqing. 1904 went to Wuhu Anhui Public School to teach, and the following year he taught in Xin 'an Middle School in Shexian County. 1907 to Shanghai.

Shanghai period (1908 ~ 1937). From 65438 to 0905, he published the Journal of Chinese quintessence, and after coming to Shanghai, he served as the editor-in-chief of the Journal of Chinese quintessence. During the period of1911~1927, he successively edited China Guodeng Collection, China Grand View, Famous Paintings of Past Dynasties and China Famous Paintings Collection, and served as editor-in-chief of Chinese Painting Monthly and director of the Fine Arts Department of the Commercial Press. 1925 published a monograph on the history of painting, The Micro of Ancient Paintings. 1926 organized the society of artistic view of Jinshi calligraphy and painting, and edited the bimonthly view of art. 1928, published 1 series of Romantic Paintings, and completed the fourth series of Art Series. He has taught in Changming Art College, Xinhua Art College and Shanghai Art College successively, and served as the tutor of Jinan University Chinese Painting Research Association. 1934 Published Travel Notes of Huang, Painting Essentials and other works.

Beiping period (1937 ~ 1948). 1June, 937, at the invitation of Beiping Antiquities Exhibition Center and Beiping Art College, he came to Beiping to appraise calligraphy and painting and became a professor. At this time, his landscape paintings are integrated with ancient people and nature, and his original style is increasingly distinct.

During his stay in Hangzhou (1948 ~ 1955), he left Pingping for Hangzhou on 1948 as a professor of traditional Chinese painting. 1949 Professor, East China Branch, Central Academy of Fine Arts (now Zhejiang Academy of Fine Arts). 1953, was awarded the title of people's artist. Director of Chinese Painting Research Institute of Central Academy of Fine Arts (later changed to National Academy of Fine Arts). 1955 was elected vice chairman of East China Artists Association and member of the second Chinese People's Political Consultative Conference.