Thoughts on Reading Peony Pavilion
Peony Pavilion, the full name of which is Peony Pavilion, is also called "Four Dreams of Tang Yuming" with Purple Hairpin Phoenix, Handan and Conan.
The story is about Du Liniang, the daughter of Du Bao, the prefect of Nan 'an. She broke through the shackles, went out to visit the park privately, and touched the scene, and dreamed of a tryst with scholar Liu Mengmei. From then on, I couldn't afford to get sick and died in love. Du Bao was promoted and resigned, and built a plum blossom view in his daughter's cemetery. Yagyu went to Beijing and tried to spend the night in the temple. He picked up the self-portrait of Du Liniang's martyrdom in the garden and recognized this woman as the woman who had a tryst with him in the Peony Pavilion in his dream. In the evening, Du Liniang told yagyu the reason and begged yagyu to dig the grave and open the coffin within three days. Yagyu hinted that Du Liniang came back from the dead, and they got married and went to Lin 'an. Chen Liangliang, a teacher from Du Liniang, visited the cemetery. Yagyu left without saying goodbye, so he went to Lin 'an to report Yagyu's grave robbery to Du Bao. Yagyu finished the exam in Lin 'an, which coincided with the invasion of nomads from the south and delayed his publication. Du Bao, the special envoy of Anfu Department, was besieged in Huai 'an. Entrusted by Du Liniang, Yagyu wrote home to announce the good news of resurrection, but he was imprisoned. After the nomads from the retreat, yagyu was the top student in high school. Du Bao was promoted to the military post with Pingzhang, refused to recognize the marriage and forced his daughter to divorce. The dispute was settled before the emperor.
Du Liniang, the only daughter of Du Bao, the magistrate of Nan 'an, was instilled with the thought and understanding of feudal ethics from an early age. But the cruel feudal ethics could not bind her in adolescence at all. A Book of Songs? Guan Ju provoked Li Niang's feelings. She doesn't think this is a work to promote Confucian ethics. And think that this is a love poem, a poem that has stirred the hearts of countless girls. Li Niang, who has been trapped in the boudoir for a long time, was inspired by the wonderful spring scenery in her back garden and moved for a spring outing. This shows that the rigid feudal ethics can't bind people's innate lust at all, thus exposing the hypocrisy and cruelty of Neo-Confucianism in Zhu Cheng at that time.
Although Du Liniang's behavior was inconsistent with the society at that time, it did not affect the plot development of the work. The author expounds the theme of the work through her behavior of not being a good family.
After reading this work, I have to be moved by Du Liniang's courage, persistence and true feelings. A song, "Swing inside and outside the wall, laity inside the wall, beauty inside the wall, laughing and gradually becoming silent, affectionate but ruthlessly annoyed." This is the first time they met. After a dream in the back garden, Li Niang got lovesick, couldn't get sick, and even died. In reality, Du Liniang and Liu Mengmei have never met at all, let alone true love. Then what caused Li Niang to die of a spring injury? Is this really a dream? No, it's not. Dreams have more or less accelerated the tragedy, but dreams are closely a prop to promote the tragedy, not the main reason. Imagine, in today's 2 1 century, who will be lovesick because of an illusory spring dream? The chances of falling in love at first sight are slim now, let alone dying for a dream of falling in love with spring. In Du Liniang's era, when true feelings were suppressed and human nature was bound, it might just be an ordinary thing.
In ancient times, women had to obey the four virtues, and could not go out of the front door or enter the second door. I often hide in the boudoir to embroider and practice piano and painting. The man I met before I got married was probably his father and brother, as well as his family. How many people can fall in love at first sight when they suddenly meet a handsome man who is not related to her? And harsh dogma simply doesn't allow this kind of personal lifelong thing to happen. But often things are bound to happen, and the more bound they are, the more they can inspire human nature to challenge. Let's say today, men and women are equal, there are more opportunities to meet the opposite sex, and society is enlightened. Many people can find their other half through searching and live a happy life. How can there be so many tragedies of abandoning home and eloping?
Therefore, in the final analysis, it is the feudal ethics that ruthlessly suppressed human nature and created countless tragedies.
Another feeling is Du Liniang's real feeling. Although this is just a dream. But I can't put out the feelings burned in my heart. After that day's death, she broke through many difficulties and finally met Liu Mengmei. And how much courage and perseverance it takes to break through these difficulties. It is said that love has a time limit. Li Niang has been a ghost for three years, but she is still obsessed with Meng Mei and has gone through all the hardships to realize her dream. How many long-distance couples choose to break up and become strangers because they can't stand the distance between time and space? What I want to say is that while we are bravely pursuing love and happiness today, please don't let go easily. Love always needs persistence.
Thoughts on Reading Peony Pavilion
Peony Pavilion is a classical novel by China. I was born in the birthplace of Kunqu opera, and I was fortunate to have seen the drama adapted from this novel. But because of his young age, he never understood its essence. Now that I am a middle school student, I have a different feeling after reading this novel again.
I have been in Nanjing Xingang Secondary Vocational School for two years, and I want to go to the school library for the first time. I fantasize that I can swim in the sea of knowledge in the library and become a cultured, literate and civilized citizen through continuous reading. Now this wish has finally come true. Looking at one book after another, I am at a loss, and I am already dazzled!
Open the pages that have begun to turn yellow. It must have been several years. Tang Xianzu's novel Peony Pavilion has exquisite language and gorgeous wording. I have read many modern romance novels, all of which are true love stories, most of which are vigorous love stories, and this novel subverts my view that Platonic love can exist. Du Liniang is a graceful woman who looks like a wild goose. One day, I decided to go to the garden with the encouragement of the girl Chunxiang, and I specially dressed up before going to the garden. Dressing up is for people to see, but she said, "No one can see the benefits of just three spring days, so don't worry about sinking fish and falling geese." I'm afraid I'll be ashamed of flowers and close my eyes. "Afraid of being seen. This is indeed a typical psychological state of adolescent girls. " How can you know spring scenery without going to the garden? "The nature of spring awakened her youthful vitality. She lives in an almost isolated environment shrouded by feudal ethics, watching her youth pass away, but she can't help but suppress her inner excitement. With infinite sadness, Du Liniang returned to her boudoir. Soon she felt tired and fell asleep on the box. It was this sleep that changed her fate. In his dream, he dreamed of a handsome young man, and the two of them were affectionate and privately married for life. After that, Li Niang got sick because of love and died. I really can't get rid of my soul. The curtain rolls in the west wind, and people are thinner than yellow flowers. Li Niang was buried under the plum blossom tree after her death. Although she is in the underworld, she still does not forget to look for her dream lover. After many hardships, she finally got a happy reunion.
Civilization and courtesy month has begun again. Newspaper posters about what is civilized behavior and what is not civilized behavior can be seen everywhere, and the most conspicuous one is civilized love. Although it is normal to talk about "love" in secondary schools, I am afraid it is far from civilization. At present, there is a popular saying: the beginning of middle school love means the end of breakup. I think this is the best explanation.
Thoughts on Reading Peony Pavilion
"For you, as beautiful as flowers, like time? You feel sorry for yourself in the secluded boudoir. " Once again, I was moved by Master Wang's feelings in Peony Pavilion. When I think of Lin Daiyu walking in the Grand View Garden, I can't help being left beside the rockery. Who knows that when you are with the Peony Pavilion, what you experience is only the most erotic song in the world? My only regret is that these people really only want to go to the opera. They have never analyzed the mystery of this play.
The author said: Life is like a dream, and the only thing I am proud of is peony. Overwhelmed by my studies, I have to spend half an hour watching the author's Peony Pavilion before going to bed, and then swim under the peony pavilion in that play. Sometimes I forget the time and swim in it.
When she rose, Liu Mengmei called Li Niang in the white painting a few words of "beauty". Sister! Dan soul! Take me into the peony pavilion dream! "The more gratifying thing is that Li See Niang's soul is playing. There are many people who died of lovesickness in ancient and modern romance novels, but how many people will be worried about this dream and the sentence "Guan Yu, in Jiangzhou, a gentle and graceful lady, a good gentleman", let alone "Peony Pavilion"
"What night without scenery, what night without dreams? But Shaowu and you, "I was holding a book. Gradually, I took it into my dream and met Li Niang and Frida Meng. "I didn't know until I woke up, because it was too late to get together with my peony pavilion last night. I just fell asleep on my book. My mother came to urge me to get up early, so I had to put the peony pavilion on the shelf and rush into a new day. I still don't forget the Peony Pavilion reborn last night and the paper theater that accompanied me.
Sometimes, being with the Peony Pavilion makes me a little dissatisfied with myself. Why can't I be as poetic as Li Niang in the play? It is said that "if you learn, you will write an article one day, glad you came. No one asked under the window for ten years. " Why can't you read thousands of words now, and you can't make any poems like "noble spirit"? As for Du Liniang and Liu Mengmei in The Peony Pavilion, I only have that envy.
Open the book and see those dramatic figures who have been staged for thousands of years. If I stand in the book, how can I not be fascinated by the joy of being with the Peony Pavilion?
Thoughts on Reading Peony Pavilion
The Peony Pavilion has a beautiful language, and there are many elegant lyrics and songs in it. Such as hawthorn
For you, it's as beautiful as flowers and jade, like water passing by.
This is a question of looking around in a quiet boudoir and feeling sorry for yourself.
Before turning this peony column, it is near the edge of the lake rock.
As you loosen the collar button, the width of the clothes will be wider, and the sleeve tip will be pressed against the teeth.
Then wait for you to take a warm and patient nap.
Where did you meet?
Look at each other, don't say nothing when interests meet.
There are also bizarre imagination, illusory fairyland, and bizarre and touching plot of coming back from the dead. Make it a literary masterpiece.
The moving feature of Peony Pavilion is that it strongly pursues individual freedom and opposes the romantic ideal of feudal ethics. This ideal seems to be the antithesis of the feudal system. Good things belong to Du Liniang. Tang Xianzu's description of Du Liniang's beauty is very successful, and those fragments describing Du Liniang's feelings and ideals are more attractive. "Peony Pavilion" wrote that she died not from the destruction of love, but from the vain desire for love. The Peony Pavilion, through the image of Du Liniang, expresses the demands of young men and women for individual liberation, freedom of love and independence of marriage at that time, and exposes the destruction of feudal ethics on people's happy lives and beautiful ideals.
Thoughts on Reading Peony Pavilion
The Peony Pavilion is mainly about a poor scholar, Liu Mengmei, who dreamed that a beautiful woman was standing under a plum tree in a garden and told him that there was a marriage between them. Since then, Liu Mengmei has often missed her. Du Bao, the magistrate of Nan 'an, also has a female name, Li Niang, who is outstanding in talent and looks, reads widely and likes reading. She has read The Book of Songs? After Guan Yu, I hurt my spring and looked for it. When I came back from the garden, I saw a scholar weeping willows in his sleep, and they met at the Peony Pavilion. Since then, Du Liniang has been lovesick, and he can't afford it. Before she died, she asked her mother to bury her under the plum tree in the garden, and asked Chunxiang, the maid, to hide her self-portrait under the stone in Taihu Lake. His father was promoted to Huaiyang, entrusted Chen Liangliang to bury his daughter, and built a "plum blossom view". Three years later, Liu Mengmei went to Beijing to take the exam, spent the night in Meihua Temple, and found a portrait of Du Liniang under the stone of Taihu Lake, and found that Du Liniang was the beauty he had seen in his dream. Du Liniang's soul wandered into the backyard, and Liu Mengmei met again. Later, Liu Mengmei dug a grave and opened a coffin, and Du Liniang was resurrected. They got married and went to Lin 'an. Du Liniang's teacher, Chen Liangliang, saw Du Liniang's grave being dug, so he condemned Liu Mengmei's grave robbery. Entrusted by Du Liniang, Liu Mengmei wrote home to announce the good news of rejuvenation after taking the exam in Lin 'an, and was imprisoned by Du Bao as a result. After the list was published, Liu Mengmei changed from a prisoner to a champion, but Du Bao refused to recognize her daughter's marriage and forced her to divorce. This argument appeared before the emperor, and Du Liniang and Liu Mengmei finally got married.
The love description in The Peony Pavilion has the ideological height and characteristics of the times that some previous love dramas can't match. The author clearly regards this rebellious love as the breakthrough of ideological liberation and personality liberation, and no longer stays in the narrow sense of opposing parents' orders and matchmakers' words. The author let the young men and women in the play risk their lives for love, which not only has a strong romantic color, but also gives love great power to overcome everything and transcend life and death. The brand-new drama concept is expressed by brand-new characters, which is one of the most outstanding achievements of Peony Pavilion. There is no doubt that it has shaped the image of Du Liniang and provided a glorious image for China Literature Portrait Gallery. The biggest feature of Du Liniang's personality is his persistent pursuit of love. She died for love, born to love. Her death was not only the real result of young women's pursuit of love in the real society at that time, but also a means for her to transcend the bondage of reality.
There is no doubt that Du Liniang is the author's brilliant work, and the basic tendency of the theme of Peony Pavilion is reflected in it. The image of Du Liniang tells us that love is more than just a satisfactory husband. She loves Liu Mengmei, not only because he is "young, affectionate" and "talented" like Cui Yingying loves Zhang Junrui, but because they have the same pursuit of human nature. Du Liniang's parents are against their love precisely because they demand the natural development of nature. That is to say, in the eyes of her parents, as a girl, thinking about men, she has her own love requirements, and she has committed a dogma. Yingying's mother didn't have this idea, only thought that the son-in-law she was looking for should be suitable. Therefore, what Du Liniang pursues is man's natural requirements, that is, "natural feelings", that is, "desires": sexual desire and lust, not just a happy marriage between men and women. Her parents just don't allow her to have this kind of "desire", not to be a person, not to have human rights. When the two sides clashed, Du Liniang resisted, even with his life. This conflict is aimed at feudal ethics and Zhu Cheng's Neo-Confucianism, as well as the feudal consciousness of suppressing human nature. Therefore, the love written in Peony Pavilion is far beyond the scope of love. It openly advocates the recovery and return of human nature, showing the tendency of pursuing human nature and demanding individual liberation, that is, destroying natural principles, praising people's desires, and loudly calling for breaking the shackles of neo-Confucianism in order to gain recognition and respect for living natural people.
Du Liniang is touching, not only because she poured out her inner feelings and yearning for happiness, but also because she dared to enter the dream world, pursue her dream lover and realize her yearning for happiness and happiness. After waking up, she was unwilling to give up her dream and went to "dream". She also devoted her life to the pursuit of ideal love and died for "love". Moreover, "although she died nine times without regrets", she never forgot her feelings in the underworld, and finally broke through the boundary between life and death because of infatuation, came back to life, realized ideal happiness, and combined with her dream lover. Du Liniang's persistence and indomitable faith have spanned thousands of years and regions, with all those who love * * *. Even if the social environment and morality do not allow it, in our inner world, happy imagination can soar, and we can experience the beautiful vision of Du Like Li Niang written by Tang Xianzu. "But it's impossible to miss each other. Peony Pavilion crosses the third road." Even if you can't get it in this life, there may be an afterlife.
Peony Pavilion not only has profound ideological connotation, but also has outstanding artistic achievements. The first is to introduce romanticism into legendary creation. First of all, what runs through the whole work is Du Liniang's strong pursuit of ideals. Secondly, the artistic conception is fantastic, which makes the plot bizarre and tortuous. Third, observe life and express characters from the ideal height of "emotion". Second, in the aspect of characterization, we pay attention to showing the inner world of the characters, and tap the subtle feelings of the characters, so that they can be revealed in form and spirit, thus giving them distinctive personality characteristics and profound cultural connotations. Third, the language is rich and colorful and the artistic conception is far-reaching. The whole play uses lyrics to pour out the feelings of the characters. On the other hand, it has a peculiar, sharp, steep and slender language style. These characteristics have always been deeply affirmed. Some lyrics are still popular today. Show a high artistic standard.
The theme of Peony Pavilion lies in the word "love", which is developed with the concepts of "love to the extreme", "love to the truth" and "love to the depths": the first book was inspired by "love in dreams", the second book became "ghost love" and the third book came down to "human love". The Peony Pavilion can be said to be an epic love story, a continuation of the Romance of the West Chamber and the Red Chamber. It is a peak in China's romantic literary tradition. The significance of The Peony Pavilion lies in affirming the objectivity and rationality of love desire by visual means and strongly criticizing the unreasonable "civilization". The Peony Pavilion is similar in thought to The Romance of the West Chamber, but The Romance of the West Chamber focuses on the feelings before desire, while The Peony Pavilion focuses on the feelings after desire. The Romance of the West Chamber describes the natural development of emotions, and more expresses the good wishes of all sentient beings in the world, while The Peony Pavilion particularly highlights the conflict between emotion (desire) and reason (ceremony), emphasizing the objectivity and rationality of emotions. This difference is caused by the difference of the times.