Draw a big circle first, divide it into three equal parts horizontally, and then divide it into two with a vertical line. The spacing between horizontal lines does not have to be accurate, but its proportion depends on the face you want to draw. Don't be too demanding.

Make a small mark (a short line, not a point) directly below the circle. In this figure, the distance from the circle to the mark is the same as the length of the third bisector of the circle. The mark position is the character's chin. It is better to draw short lines than dots, otherwise the chin will become too sharp. The position of chin marks is a way to adjust the face and appearance. Then draw two diagonal auxiliary lines, which must be tangent to the circumference (tangent middle school mathematics) and pass through the edge of the chin mark.

Then, make your face plump, not so thin. Draw two rounded triangles on both sides of the face. Adjusting the thickness of the triangle and the height of the cheekbones (where the triangle bends) can change the face shape and appearance, and draw different figures. *

Eyes:

Draw an upward curve first, and the line at the highest point of the curve should be a little thicker. Here we draw the eyes on the right side of the face (that is, the left eye of the character), so the left end of the curve is higher than the right end (the corner of the big eyes of the Japanese is a little droopy, which is pitiful, but if it is too droopy, the little dragon girl will become the old dragon girl).

Next, draw the lower part of the eye. In order to determine its position, gently draw two diagonal lines from the edge of the upper eyeliner as auxiliary lines. The inclination of the auxiliary line determines how wide the eyes will be. You can look at the examples at the back of this page to experience the changing effect of line inclination. Draw the eyeliner through the auxiliary line, the corner of the eye is slightly inclined to the lower right, and the line in the lower right corner is slightly thicker.

Erase the auxiliary line and draw a long oval in your eyes. There are also anime characters whose iris (eyeball) is a big circle, but here we draw it as a slender oval. Of course, you can also widen the shape according to your own preferences. The upper part of the ellipse will be covered by the upper eyeliner-in fact, no matter what style of eyes, we can't see the whole eyeball, and the upper part will almost be covered by the edge of the eye frame (except, of course, when we are frightened or angry).

Next, draw the outline of the eye highlights. Usually cartoon characters have some shadows in their eyes. Girls in comics generally have obvious shadows and luster. Create a light source of your choice in your painting, which is the same in the whole picture. For example, if the light in a painting comes from the left, then the highlight area of the rest of the picture must also come from the left, otherwise the relationship between light and shade will not be harmonious (unless you use multiple light sources, but this range is not involved in this textbook). Draw two long ellipses: the big ellipse is on the upper left of the iris (eye) (overlapping with the iris edge, as shown in the figure), and the small ellipse is on the other side of the eye.

Next, draw the pupil under the highlight. The highlight area is usually at the top, so don't draw pupils under the highlight. Then draw eyelashes. In this eye we painted, eyelashes are continuous spikes that grow from the upper right corner of the eye. Eyelashes should be drawn along the curve of the eyes, so that they look like they grow from the eyes. Don't just draw zigzag lines that stick to her eyes. In fact, eyelashes are tiny curves born from eyelids.

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