1, the author narrates in the order of events, describing the beautiful grassland first. Then write the scene of welcoming guests on the grassland and the situation of the grassland party.
2. The author changed scenery, from scenery to people, and finally ended up with a concise, powerful and meaningful poem. The full text is orderly, clear in context, closely linked, and promotes nature.
3. Beautiful written language, good at using metaphors and personification. It is both similar and vivid, concise and vivid.
4. Text fusion scene, whether describing natural scenery, or meeting the host and the guest, gathering to say goodbye, the author's praise is everywhere.
Grassland is an essay written by Lao She at 196 1. This is a lyrical prose with both literariness and beauty. With fresh brushstrokes, the author described the beautiful scenery he saw when he visited the grasslands in Inner Mongolia and the touching scene of Mongolian compatriots warmly welcoming Han compatriots from afar.
The article is rigorous in thought, exquisite in structure, clear in theme, beautiful in writing and far-reaching, and praises the magnificence of the motherland and the friendship of national unity. This article is from Lao She's travel notes "Scenery in Inner Mongolia", and the full text is included in "Little Flower Collection" 1963 edition published by Baihua Literature and Art Publishing House.
Appreciation of works:
In the early 1960s, the socialist pastoral areas showed the author the beautiful grassland scenery and the prosperous atmosphere of people and animals. The warm hospitality of Mongolian comrades to the author and his party fully reflected the touching scene of national unity and brotherhood. All this has greatly aroused the author's love for the socialist construction of the motherland and the cause of national unity, and he can't help expressing it.
The author's feelings are very profound and subtle, so he doesn't express his feelings directly, but uses indirect lyric techniques to let his passion naturally appear in the landscape, narrative and object, thus making the article full of feelings and particularly touching.