Independent cold autumn, Xiangjiang River going north, orange island. You see the mountains and plains, and the layers of forests are all dyed; The river is full of water, and hundreds of people compete for the flow. The eagle strikes the sky, the fish is shallow, and all kinds of frost fight for freedom. Lonely, ask the boundless earth, who is in charge of ups and downs?

Took a hundred couples on a trip. Recalling the past, the years are thick. Just a classmate and teenager, in full bloom; Scholar spirit, Fang Qiu. Pointing out the maze, inspiring words, the dirt in Wan Huhou that year. Remember hitting the water in the middle stream and the waves stopped the speedboat? Qinyuanchun in Changsha (1925)

Most of China's classical poems are sad for autumn. Looking through Chairman Mao's poems, I feel a soft spot for autumn, probably because autumn is vast, desolate and atmospheric, which is more in line with the mind and heroic spirit of soldiers. The opening of Chairman Mao's poems is a hymn of autumn, freedom and youth.

The autumn praised by Chairman Mao is a kind of autumn in which "all kinds of frosty days strive for freedom", and all kinds of nature, such as mountains, forests, rivers, kudzu, eagles, fish and so on, strive for freedom and enjoy themselves in this frosty day. "Although there are many kinds, solitude is the most spiritual." As the spirit of all things? They have no freedom! Therefore, the poet is "lonely". In this "lonely" autumn, the poet's melancholy is as "lonely" as autumn. In the face of free "all kinds" and unfree human beings, he can't help being in charge of ups and downs on the boundless land like Qu Yuan?

Qu Yuan asked Heaven for an answer. Poets ask questions, and the answer is clear to them, that is, they are young scholars who will arouse the people to lead the ups and downs. Because the revolutionary situation at that time was not very clear, the poet was "disappointed".

Some people may wonder why Mao Zedong's open-book poems don't mention the country and people. In fact, the phrase "ask the vast land" is not asking me about the poor land of China. Isn't it my country and the people who are not free that poets are "disappointed" because they can't "strive for freedom"? The poet's complex of loving the country, worrying about the country and serving the country comes down in one continuous line with the lofty ideals and generous and sad young poets of past dynasties, and has injected a new spirit of the times with the development of the times.

Let's go back to those young scholars. They are friends of poets and leaders of the times. They "point to the country for inspiration", and they "hit the water in the middle stream and stop flying boats". They will "strive for freedom" for the Chinese nation and "dominate the ups and downs" for the vast land!

The sentence "The soil is the Wan Huhou of that year" is very interesting. Young poets in past dynasties mostly took "Wan Huhou" as their goal. Lu You, a patriotic poet, "Wanli seeks to seal Hou, and Ma defends Liangzhou"; Liu Kezhuang, an outstanding poet in the Southern Song Dynasty, was still sighing after drinking: "How can General Li see Emperor Gao!" The poet Mao Zedong used it to express a complete break with the old world.

In Chairman Mao's poems, this word is praised by all parties, and its artistic achievements are also discussed. Here are some unique feelings.

When we taste this word, we will initially feel that from "Cold Autumn" to "Shallow Fish" is an autumn map of Xiangjiang River. A young man enjoys Qiu Guang by the Xiangjiang River, and everything seems to be still. The young man seems to have stood there thousands of years ago. Who is he? What are you thinking about? Is he Jia Yi who was demoted to Changsha? In this Xiangjiang River, "Yuan Xiang keeps flowing, why do you complain about Qu Zi?" The imagination of time and space is infinite. And the phrase "all kinds of frosts strive for freedom" is like a sudden peak, which makes everything above move and come alive. Those "various" and "frosty days" that seem to have solidified for thousands of years have not actually solidified. "Eagle strikes the sky, fish jumps shallowly", and both heaven and earth are fighting for freedom! The dynamic and static switching is so free, and the dynamic and static contrast is so strong. All this is done by the seemingly handy word "freedom". Isn't it a bit exaggerated to say that it is a "genius pen"? For comparison, let's take a look at Liu Yong's "Looking at the Tide of the Sea". There is "Qiantang has been prosperous since ancient times" on the top, and there is an autumn color map of West Lake on the bottom: "Heavy lakes overlap, with laurel trees in Sanqiu and lotus flowers in ten miles. Guan Qiang cleared up, Ling Ge sang all night, and Xi Xi caught the lotus baby. " Secondly, the travel map of "thousand riding high teeth" of dignitaries. Finally, it boils down to "the future map will be good and will be praised by Fengchi." Although there are characters' movements, they are only static sketches with gorgeous words but lack of soul.

What a "competition for freedom", it embodies the spirit of the times at that time. Natural selection, freedom and equality were the pursuits of that era. In the whole word, these three words not only complete the dynamic and static switching, but also undertake the transformation from "ten thousand categories" to people. The subsequent "Ask the boundless earth, who is in charge of ups and downs" pushed the whole word to a climax.

If the upward shovel action is moderate, the downward shovel is relaxed. Many of the previous sentences, at first glance, only describe the wandering and smelting of youth, romantic, relaxed and leisurely. The word "do you remember" stretches like an ape's arm, and then "the middle stream hits the water and the waves stop the boat" is like a full moon. Looking back at the seemingly random sentences in front of me, I suddenly feel full of tension. This is the heroic struggle of Fenghua teenagers to "strive for freedom" for mankind. Here, it is enough to cite Xinmin Society and Xiangjiang Review.

The combination of boldness and grace is a major artistic feature of Ci. If you only look at the static state, this word can be called the masterpiece of the graceful master. Mao Zedong's Autumn Color Map of Xiangjiang River will not be inferior to Liu Yong's Autumn Color Map of Qiantang. And once Mao Zedong's "Autumn Color Map of Xiangjiang River" moves, Liu Yong is even hard to match, right? Writing here, let's take a look at a famous poem by Xin Qiji, Shui Long Yin, which is also about autumn. At the beginning, it is "clear in the Chutian swing, and the water goes with the day to the end of autumn". Then, with a turn of the pen, he wrote down Qingshan's "Mourning for Hatred", followed by "Seeing Wu Gou, patting all over the railing" and lamenting that "no one attended the meeting". Finally, Du Fu wept blood. "Who are you, calling the red scarf and green sleeves, patting the hero's tears!" Martyrs grieve for autumn, but this is the worst. Graceful and restrained school pointed out that this word is too explicit, but the poet's national hatred is not exhausted, his ambition is hard to be rewarded, and there is no way to serve the country. I am afraid it is difficult to be implicit. Jiaxuan's words are noble and sad, noble and hateful; Mao Zedong's ci is full of lofty sentiments, covering the times and opportunities.

Hymn of autumn, hymn of freedom, hymn of youth. These three are complementary, freedom is the soul, everything in autumn is full of vitality because of "fighting for freedom", and young people are full of heroic spirit and struggle for freedom.

Qinyuanchun Changsha is an open book written by the poet Mao Zedong. In fact, it is a declaration of the poet to transform the old world. However, the poet's writing is elegant but not wonderful. The ancients said, cited but not sent, also.