(1) Show cards on the table

When performing poker magic, it is often necessary to show a deck of playing cards on the stage.

Open, let the audience see the front or back of all the cards at the same time. This method is called table cards.

Www.deh.cn DEH Magic Network is the largest professional magic teaching institution in China.

1. Put a deck of poker cards face up on the performance stage, and fold the cards when you put them.

Tilt slightly to the right (as shown in figure 1).

2. Press the right hand gently on the card stack, and hold the left outer card edge with four fingers.

Then wipe it to the right (as shown in Figure 2).

3. Under the action of the four fingers of the right hand, the full card is regular from bottom to right.

Spread out slowly until a band is formed (as shown in Figure 3 and Figure 4). The audience took a look.

Go ahead, all the cards are chaotic, and the performers don't arrange the cards in a certain order. but

Keep the strength and direction of your right hand even if you wipe the card. If the stage is too hard and slippery, show it.

If you have difficulty in playing cards, spread a tablecloth on the performance stage to increase friction resistance. the same

The speed of the card should be faster, don't stop halfway, and let each card unfold.

The distance between cards is basically equal.

(2) Show the card with both hands

Spread a deck of playing cards randomly in the hands of the performer and show how many cards there are.

Cards, each card is different for the audience to check or ask the audience to choose. Therefore, big

Part of the poker magic, you can't play cards without your hands from the beginning. Skilled and intuitive card display table

The skill level of the performer (two-handed card display is also called running card).

1. Grab all the cards with your left hand and prepare to receive them with your right hand (as shown in figure 1).

2. The left thumb pushes the top cards to the right one by one, and the right hand takes them one by one.

At the same time, four fingers help organize the received cards.

3. Continue the action of the above Uygur cards until the left and right hands are basically equal.

Then hold down the lower right corner with your thumb and push it to the right slightly, and all the cards will unfold neatly (as shown in Figure 5).

Let the audience draw cards. Then the audience will see clearly the number of cards drawn.

After returning to Ka's territory,

You can also use double when you need to find a card from a deck of cards.

Hand-held card display method, as long as the full card face up for the above actions, you can find it.

Just push the cards out with your fingers.

Operation teaching

I believe you have seen a lot about the magic of coins passing through the back of your hand, and there are many ways to achieve this goal. Props can be used, but a prop is several hundred dollars, so the following provides a pure "coin crossing hand"

If you are interested, you can practice according to the picture. In fact, this is an application of the Tibetan currency method.

Performance phenomenon: the magician first shows that there is nothing in his hand, then takes out a coin from his right hand, clenches it with his forefinger and middle finger, and clenches his fist with his left hand, indicating that the coin in his right hand will be placed on the back of his left hand. When he gently rubbed it, the coin was gone and his left hand unfolded. It turned out that the coin had penetrated his palm and reached the performance of ........... in the painting, which was placed in the palm of his left hand.

Expression method: Actually, this is an application of Tibetan currency method. This method was introduced in the magic teaching area before. Pinch the coin with the index finger and middle finger of the right hand, then bend the index finger and middle finger of the right hand, and put the coin on the back of the left hand at the same time, so that the coin can be conveniently clamped in the tiger's mouth of the right hand, while the thumb is slightly loose when the left hand clenches the fist, leaving a small hole ... Turn the left hand slightly, and the coin will fall into the fist eye of the left hand .. Then, again. ...

Finally, open the left hand and the coin appears in the center of the left hand.

Poker flies in

Manifestation phenomenon:

The magician held two cards in his left hand, and the audience looked back and forth, indicating that there were only two cards. Then put away the two cards, hold them in front of your eyes, breathe in the cards and say, "Poker flies, poker flies." Separate the cards again. At this time, the magician has seven cards in his hand.

The magician put away the cards again, saying that the cards were scattered and there were only two left.

Repetition is fun.

Performance skills:

The magician holds two playing cards in his hand, and the last one is pasted with five cards with oblique angles (as shown in Figure 2). When the magician confessed the cards in his hand, the cards with diagonal edges fell. Poker will turn when it is folded and blown. If you open it again, of course, it will become seven cards (actually, two cards and five cards with oblique edges). Because the audience is far away and can't see the diagonal edge, it is considered to be a flying card. When it is folded again, the magician only needs to turn the poker around and spread it out, and the extra poker will "fly away" again.

Mathematical guessing card

Demo:

The performer handed a deck of cards to the audience, then turned around and asked the audience to follow his password.

1. Put three piles of cards on the table, and the number of cards in each pile should be equal (assuming 15 cards), but don't tell the performers.

2. Take four cards from the second pile and put them in 1 pile.

3. Take 8 cards from the third pile and put them in 1 pile.

4. Count how many cards are left in the second pile (1 1 in this example), and take the same number of cards from 1 pile and put them in the third pile.

5. Take five cards from the second pile and put them in 1 pile.

The performer turned around and said, "Take away the second and third stacks, so there are still 2 1 cards in the1stack, right?" The audience counted it, and it was 2 1.

Secret:

This is a magic designed by using the principle of identity transformation in mathematics. Be sure to remember: first, the number of cards at the beginning of each pile must be equal. The second time is the third time to take an equal number of cards from the 1 heap. In this example, the mathematical formula is 4*2+8+5=2 1.

Comments and suggestions:

This is a magic completely performed by mathematical laws, and the audience in this magic should be more "honest". If he doesn't do exactly what you say, your last move will fail. However, the most puzzling thing about this kind of magic is that the audience completely controls the cards. And it is very interactive. Of course, not all the audience are such "honest people". To deal with them, we need to use some "forced card" magic.

Discoloration of heaven and earth

Performance method:

The performer folded the cards into a fan, so that the audience could see clearly that there were red cards and black cards inside, and at the same time explained the reverse side. The performer drew a few more pictures, so that everyone could see the front and back clearly. Then, he folded the stack of cards and waved it up and down a few times. After re-unfolding, the stack of cards turned black.

The secret of magic:

1. Take red cards and black cards above 10 to perform;

2. Tear off half of some black cards vertically from the middle. Then tear off half of all red cards and stick the torn half cards together to become two-color cards;

3. Stack the special cards separately. When performing, when the cards are displayed in a fan shape, there are naturally red and black. After waving the cards, the cards turn over and turn black after unfolding;

Remember that all the cards drawn to the audience must be black cards that have not been manipulated.

Recognize the card in the bag

Take any five cards, face up, and put them on the table. The performer stepped back to let the audience recognize a card. Count silently from right to left. Remember the name of the card. The performer put away five cards and put them in his pocket. Then leave a card in the bag, take out four cards and put them on the table, with the cards facing up. Then he asked the audience what cards he recognized. After the audience answered, the performer said, I have put that card in my bag for a long time. So he took it out and put it on the table, with the card facing up, which is exactly what the audience knew.

Method:

1. Before the performance, put the other four cards in the loan.

2. When the performer takes back the five cards on the table, he should take them back from right to left in sequence (Figure 1).

3. After putting five cards in the pocket with four cards, take out the other four cards hidden in the pocket in advance and put them on the table, with the backs of the cards facing up (the audience mistakenly thinks that this is four of the five cards).

4. Then the performer counts the cards in the bag according to what the audience said, and draws this card out for the audience to see, which is the audience's approval.

There are five cards on the table and four cards in the bag, which can be performed many times in a row without revealing any clues.

Teach more.

1 There is a piece of paper and a pencil on the desk. The performer went to the table, turned out his clothes pocket for the audience to see, proved that there was nothing in the pocket, and then turned it back. The performer picked up a pencil and wrote a number on the paper (not to be seen by the audience). After writing, he put the note in his pocket. The performer said to the audience, "You can say a number now. I have predicted this figure, which was written on the note just now. Ok, now just think of a number and say it. " After the audience quoted a number, the performer took out a note from his pocket and showed the audience the number written on it. It's really a number quoted by the audience. What's going on here? Can performers really predict?

Specific operation:

The performer puts a pencil lead about 1 cm in the corner of the table in advance (because it is small, the audience will not find it). Of course, you can also hide pencil lead in other places as you like. When the performer picks up a pencil and writes numbers on the paper, he should pretend to be writing, but nothing was written at that time. After writing the note, put it in your pocket. When the audience reported the numbers, the performer secretly picked up the pencil lead on the table. Then put your hand into your pocket and use pencil lead to quickly write down the number quoted by the audience on the note (for the convenience of writing, when asking the audience to quote numbers, you can limit the number quoted to between 0 and 9). At this time, the performer takes out a piece of paper for the audience to see (when the audience sees the paper, the performer can throw away pencil lead), and the audience will feel very incredible. Good performance, this is a very wonderful little magic!

2. The banknotes turned white.

Preparation: banknote 10, blank paper 10.

Mode of performance: The performer puts a white note between the 9th and 10 bills in advance. At the beginning of the performance, the performers were holding 10 banknotes. Then take out a few positive and negative notes from the fan-shaped notes, and take the opportunity to move the 10 note to the bottom, with a pile of white paper below. Then, tidy up the stack of bills, punch the stack of bills with your right fist, and then spread the fan. Strange! The original pile of money has turned into white paper. Then pretend to take out some paper, so that you can cover the banknotes with the confession paper, and it looks as if all the banknotes have turned into white paper.

Note: The paper money and white paper used for performance should be new and strong.

Performance method

1. As shown in the figure, the first match was climbed by the left hand as a pulse counter. Adjust the position of the match so that it is close to the root of your finger and its head is facing yourself.

2. Hold the second match, the pulse generator, with the thumb and forefinger of the right hand, and press the nail of the middle finger tightly on the back of the match, as shown in Figure 2.

If you put a little pressure on the match with the fingernail of your middle finger, or let the match slide very slowly on the fingernail, then the match will inevitably produce a series of imperceptible pulses.

4. Put the generator match under the counter match, as shown in the figure. According to the method specified in the third step, let the nails of the middle finger of the right hand rub the matches smartly, so that the matches in the right hand will inevitably cause a series of vibrations in the left hand.

.5 Coincidence of two numbers

There is a piece of paper and a pencil on the desk. The performer went to the table, turned out his clothes pocket for the audience to see, proved that there was nothing in the pocket, and then turned it back. The performer picked up a pencil and wrote a number on the paper (not to be seen by the audience). After writing, he put the note in his pocket. The performer said to the audience, "You can say a number now. I have predicted this figure, which was written on the note just now. Ok, now just think of a number and say it. " After the audience quoted a number, the performer took out a note from his pocket and showed the audience the number written on it. It's really a number quoted by the audience. What's going on here? Can performers really predict?

Specific operation:

The performer puts a pencil lead about 1 cm in the corner of the table in advance (because it is small, the audience will not find it). Of course, you can also hide pencil lead in other places as you like. When the performer picks up a pencil and writes numbers on the paper, he should pretend to be writing, but nothing was written at that time. After writing the note, put it in your pocket. When the audience reported the numbers, the performer secretly picked up the pencil lead on the table. Then put your hand into your pocket and use pencil lead to quickly write down the number quoted by the audience on the note (for the convenience of writing, when asking the audience to quote numbers, you can limit the number quoted to between 0 and 9). At this time, the performer takes out a piece of paper for the audience to see (when the audience sees the paper, the performer can throw away pencil lead), and the audience will feel very incredible. Good performance, this is a very wonderful little magic!

6. Money turned white

Preparation: banknote 10, blank paper 10.

Mode of performance: The performer puts a white note between the 9th and 10 bills in advance. At the beginning of the performance, the performers were holding 10 banknotes. Then take out a few positive and negative notes from the fan-shaped notes, and take the opportunity to move the 10 note to the bottom, with a pile of white paper below. Then, tidy up the stack of bills, punch the stack of bills with your right fist, and then spread the fan. Strange! The original pile of money has turned into white paper. Then pretend to take out some paper, so that you can cover the banknotes with the confession paper, and it looks as if all the banknotes have turned into white paper.

Note: The paper money and white paper used for performance should be new and strong.

7. Newspapers hold water

It's amazing that the performer pours water into the funnel made of newspaper. How can newspapers contain water? But he still solemnly folded the bottom of the newspaper funnel to prevent water from coming out; The audience waited to see if the water flowed from under the newspaper. Unexpectedly, the performer suddenly threw the newspaper into the air, held it down and unfolded it. There is not a drop of water, and the newspaper is completely dry. Then roll up the newspaper and pour water from it into the cup. As a prop, you need two ordinary daily necessities: a large glass with a handle and a newspaper. In addition, an auxiliary prop is needed-a transparent plastic container with a diameter of 3 ~ 4 cm and a height of 15 cm, and an ear on it. During the performance, the glass is placed on the table and the plastic container is hung behind the glass (from the audience's point of view). Now roll the newspaper into a funnel, pick up the cup in your right hand, and lift the funnel-shaped newspaper behind the cup from bottom to top in your left hand, so that the plastic container behind the cup is hung in the newspaper. The water in the cup can be poured into the plastic bag in the funnel-shaped newspaper. When the water is almost poured, lift the hand holding the newspaper from bottom to top, let the glass hang the transparent plastic container, and then put down the glass. In order to enhance the performance effect, the performer deliberately pretended to hold the newspaper carefully, which meant not to let the water shake out, but suddenly he threw the newspaper into the air or simply threw it at the audience. Then roll the newspaper into a funnel shape and pour the water back into the cup from the newspaper-first put the plastic container hanging on the glass into the funnel-shaped newspaper, then pour the water from the plastic container into the forest, hang the empty plastic container in the same way, put the cup away, and then spread the newspaper to the audience.

8. Jumping competition

If you meet a group of friends by chance, you can tell them that you have just discovered a wonderful pulse detection method. So, you take out two ordinary wooden matches from your pocket and put one of them in the palm of your left hand, which shows that it can be regarded as a pulse counter. Then, put the second match under the first match and let it be used as a pulse generator during the whole demonstration. When your friend carefully observes that counter, he will naturally find that it is jumping up and down according to a certain rhythm, as if recording your heartbeat. Suddenly, your heartbeat lost its normal rhythm, and finally, it stopped beating with a nearly silent song. Next, you give the matches to your friends, let them check them carefully, and then let them have a try. Obviously, although they try their best to "glow" as happily as you do, the result is only to see two matches lying quietly in their palms "sleeping". You'd better use big wooden matches when performing this program. It is precisely because the requirements for props are not high, so you can borrow such matches as props anytime and anywhere. In fact, the real secret of executing this program lies in the hidden mechanism of matching pulse generator.

Performance method

1. As shown in the figure, the first match was climbed by the left hand as a pulse counter. Adjust the position of the match so that it is close to the root of your finger and its head is facing yourself.

2. Hold the second match, the pulse generator, with the thumb and forefinger of the right hand, and press the nail of the middle finger tightly on the back of the match, as shown in Figure 2.

If you put a little pressure on the match with the fingernail of your middle finger, or let the match slide very slowly on the fingernail, then the match will inevitably produce a series of imperceptible pulses.

4. Put the generator match under the counter match, as shown in the figure. According to the method specified in the third step, let the nails of the middle finger of the right hand rub the matches smartly, so that the matches in the right hand will inevitably cause a series of vibrations in the left hand.

Recommend a few more websites for you:

A tutorial on several small magic tricks

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As you have seen, any good magic has no props, and even if there are, it is not a good magic. Here are some simple props (such as recognizing the cards in the bag, turning the banknotes into white paper, guessing cards in mathematics, etc.). ). If you want to surprise people, do it yourself ~ ~ ~ Thank you for your cooperation!

Simple poker magic for beginners

Find a tough card for the audience to shuffle at will and then use double left (take two cards to make others look like one).

Let the audience remember the card (such as A), then bend the card into a bridge shape and put it on top of it, and then insert the first card (such as 2) into the card.

Sometimes the audience mistakenly thinks that the bent card has been inserted (as long as he doesn't press hard, he can jack up the card on it). Of course, this

Hold A with your accustomed fingers to prevent the audience from seeing that he is bent, and then you can sprinkle magic powder or recite spells at will.

Release the finger that pinches A again, giving the impression that the bent card floats on its own. Hold down 2 carefully. In the history of magic.

Professor Dan Vernon often uses this kind of magic, and the effect is really good.

Testing and girl's destiny magic

The magician and the girl each take a deck of playing cards and wash the cards several times. In order to prove that there is no secret in shuffling, the magician and the girl exchanged cards. The magician asked the girl to imagine and guess what cards the magician liked. Choose which card, and then decide what card to choose. After a while, each of them chose a card from a stack and put it on the top, then shuffled the cards. At this time, the magician and the girl exchanged cards again. They found the card they just chose from a pile of cards and threw it on the performance table. Then, both of them opened their chosen cards for public display, and everyone saw that their cards were all hearts 10.

This program doesn't need special preparation, and it can be carried out anytime and anywhere. It is best to use two decks of cards with different colors on the back. Let's assume that the back of one deck is red and the other deck is blue.

Method: Look at your own cards after shuffling and remember this card, because it is a key indicator. Suppose the card you see is "Box 8", don't be found by girls.

Then exchange cards, then your card is hers and hers is yours. Let her open the cards in her hand like you, and pick any "favorite card" from them so that the other party can't see it. For the sake of explanation, we marked an X on the back of the card selected by the audience.

Simple poker tricks

Phenomenon: The magician holds a deck of playing cards, and there are spades and Zhang Meihua A on the table. The magician began to deal cards neatly to stop the audience. When the audience stops, the magician puts the ace of spades on the top of the dealt pile of cards, and then neatly puts the dealt pile of cards on the bottom of his hand. Organize the cards. When the cards were dealt again, the audience stopped again. The magician put the ace of clubs on top of the dealt cards, and then closed them neatly. Put the closed card at the lower end of the card in your hand. The magician put the cards on the table. As soon as he opened the card, he took out the ace of spades and the card above the ace of spades and put it on the edge of the table. Then take out the top picture of club A and club A, open two cards, and there are four aces on the table. Surprise the audience. Interpretation: Just put a heart-shaped A at the top of the card in advance, and then put a square A at the bottom of the card before magic. Just follow the above steps.

Four-k phase aggregation

Preparation: First, select four "K" cards from the whole deck, then select the other two cards and insert them after the second "K". (Note: The six cards must be neat, and the audience should not find that there are two other cards in the four "K")

Magical steps:

1) Open the stack of "K" and show it to the audience in a fan shape (hide two miscellaneous cards behind the third K), and then put these four cards (actually six cards) face down on the top of the whole deck of poker.

2) Tell the audience that these four "kings" are very good friends and they will never be separated.

3) Put the top card "K" at the bottom of the whole deck, and you can show this card to the audience.

4) Insert the next top card (not "K") in the middle.

5) Repeat step 4.

6) Now leave the fourth picture at the top. You can open it and show the audience that it is a "K".

7) While cutting the card from the middle and putting the lower part on it, you can explain to the audience: "The four heavenly kings are good friends, so even if they are separated, they will come back together soon."

8) Open the whole deck in a fan shape and show the audience that the four "K's" are magically gathered together.

Pure manual card recognition method

With an ordinary deck of poker, let the audience shuffle cards at will and let him choose a card from the deck and give it to the magician. At this time, the magician put his right thumb down and the other four fingers on it, so that the card stands upright and turns his back on himself. Pay attention to the position of his hand under his chest, and arch the card inward with his fingers. At this time, you can just see the number and color of the card corner. Be careful to move naturally and quickly, and the card should not be bent too much. As long as the card is in the low position and just can see the point, this method should be performed well. Thank you, top one! !

Xunpuke

Looking for poker

Performance:

(1) The performer takes a deck of playing cards and unfolds the back of the card to show that there is no secret.

(2) Then shuffle the cards several times, invite an audience to take the stage, and he will shuffle the cards several times. The performer puts out his hands, palms up, and asks the audience to divide the cards into two piles, with their backs facing up, and put them on the performer's left palm and right palm respectively.

(3) The performer said to the audience on the stage: "Choose one card from the two piles, take this pile of cards, and record the top card, what card is it, what card color, and show it to the audience, but don't let the performer know. Then put the cards you have seen back on the top. "

(4) The performer stacks a pile of cards on the pile of cards selected by the audience and says, "Where is the card you have seen in the whole card?" The audience said, "I don't know." The performer said, "If you do it my way, you will know where it is."

5] Then let the audience face the stage and move the cards to the back. The first step is to move the top card below the card. The second step is to turn the top card over and insert it into the middle of the whole card at will. After these two steps are completed, take the whole card to the front.

[6] The performer said, "You unfold the card, and the card is facing up. Find the card you just turned over. The card below it is the card you clearly remember. " The same is true of the audience, who read the cards clearly and showed them to the audience.

Once, why did a card that was turned over by the audience, when inserted in the back, just inserted on the card that was clearly remembered? It's really mysterious

/shishang/paiji/ there are many more!

1:4 ace runs up and down.

Effect: Show the audience four trump cards. . Put it on the top. . Start opening the four aces on the desktop. Then take one and put it down Call me. A ran there. Put another one on it. . Call me. A runs down. Take another one and put it down. Ring your hand and run up! Take another one and put it in the middle. . Call me. Hey ~ it's not up there

Exercise: When you show the audience four aces, put an empty card under them. Then look at it separately. When you put it on the table, the first card is the last card inserted in the middle! Others follow suit and get the above effect!

2. Fable magic

Effect: Take a piece of paper and write two cards. For example: red 2 black 2. But not for the audience. Insert the paper into the middle of the card. And show it to the audience. . Paper is sandwiched between red 2 and black 2!

Practice: Write the upper and lower cards on paper. . After plugging it in. When you give it to the audience, you hold the top half of the paper with your back to the paper in your right hand. The lower half of the left hand is pressed against the paper. . Can give the audience an illusion!

3. Three-card fable

Effect: Shuffle. Give the card to the audience. Ask the audience to randomly divide a table card into three parts and put them on the table. The magician can know what cards are on the three cards!

Practice: first know the top card. . You can't wash the top one when you wash it! After being divided into three points. The first one is the card you remember. The card with the second score or more is the card with the first score or more. The cards in the third hand are the cards in the second hand. Then the top three cards were legendary!

4: 4a first.

Effect: Divide the card into 4 parts. Pick up the first book. Take three cards from the top of the first copy to the bottom of the first copy. . Then take a card from the top of the first card to the other three cards. Put down the first card. Take its second card. Do the same thing as the first card. Take the third portion. The fourth card is the same. What about after it is finished? There are four aces at the top of each card!

Exercise: At the beginning of the magic, four aces are at the top of the card. Then press the top and naturally put it on it!

5: Unified 3K

Effect: Kill Three Kings. . For the audience. Then the magician himself put a miscellaneous card on the table. Let the audience put a k on the miscellaneous card. The magician plays another one. Let the audience play another one. The magician plays another one. The audience plays the third picture! Put the cards on the table on the cards on the left hand. Shout for unity. Open the top three. The three kings are together again!

Practice: put the fourth K under the second card of the master card in advance. That is the location of the third picture! Just follow the above practice!

A very interesting card trick, the reason is very simple, as long as your performance ability is in place, then cut the crap and start teaching.

First of all, when we open a deck of poker, we secretly recite a card. Method: Beginners can push cards in front with four fingers and hold down the first playing card with their thumbs. Push from left to right! !

At this time, the first card that the audience saw actually became the second card.

We ask the audience to write a card in the first 12 cards and remember the design and position of this card, such as the fourth card.

Then we put the cards together and be careful not to let the audience see that there is a card behind us.

After the cards are closed, the fourth card that the audience sees becomes the fifth card. When we count to 4, it is actually the third card that the audience sees. Inserted in the middle of the cards, the fourth card that the audience sees is on the first card.

In fact, there are two ways of expression. You can tell the audience in one breath that you will be the first card. Believe it or not. Hehe, this is a kind of

The second is that you ask the audience, when is your birthday? In which number can this card appear, for example, 3. Tell the audience to hold the whole deck of cards and think about the cards they just saw. You put the cards on the table one by one, and the cards seen by the audience are in the first card you put down. Of course, the third card is not seen by the audience, so the audience will laugh at you, but it doesn't matter if he looks good soon. Explain to him that maybe you didn't concentrate just now, so think again. You put the last three cards at the top of the whole deck, and the first card just now becomes the third card. Tell the audience to hold the cards and think about the cards he just saw. When we count 1 2 3, the audience will see them.

[Share] Change coins empty-handed!

Hold out your right hand, point your palm at the audience, and then play the index finger, ring finger and middle finger with your thumb. When you play the middle finger, suddenly there is a coin in your hand! Do you know how to do it? This is a scam!

It's simple. Hide coins at the root of thumb by thumb root method or tiger mouth method. When facing the audience, the thumb is just in front of the audience's line of sight. When you play with your middle finger, just pull the coin out with your index finger and middle finger. But the technique needs practice, or the audience will see it:)

I strongly recommend this amazing website.

http://www.cardmagic.org/

Not enough words.

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