Students should all have experience in writing compositions. Ten thousand compositions are ten thousand thoughts. A good composition must be revised and scrutinized repeatedly by the author. Do you often find it difficult to write a composition? In my column, I specially collected and sorted out the "Dialogue Composition with the Characters in the Book" for you. Maybe you can find what you need from it.

Dialogue with the characters in the book 1 Dear La Traviata:

After reading your story, I can't help but be deeply moved by your tragic and painful life experience.

You used to be a poor country girl, beautiful, pure in heart and independent in character. In order to make a living, you came to Paris, but unfortunately you fell into the dust, became a prostitute, and got into the bad habit of spending money like water. Because of your beauty, the nobles in Paris are chasing you, and you have become a "social star" and "social flower". You often accompany viscount and earl to drink, smoke and chat until midnight. You are crazy about having fun and paralyzing yourself, but you hate this empty life. Because of overwork, you have an incurable disease, often coughing and even coughing up blood.

Although you are touted by many people, no one around you really loves you, and no one will pay for you sincerely. Whether cautious or those traders, what they spend on you is nothing more than money trading. You didn't have any hope of living until Armand appeared. But fate seems to think that you shouldn't be born with true love. Once you get it, it indicates the beginning of tragedy. Armand's suspicious character led to this tragedy. He seems obsessed with the pursuit of true love, but he failed to persuade his father to agree to the marriage. Under the oppression of reality, you can't give up your beloved Armand and leave him, for his happiness and for the benefit of his family.

I can imagine how sad you were when you decided to leave armand! The only ray of sunshine in your life passed away in yesterday's sadness. Without him, you lost all hope, and after returning to your hometown, you made your illness worse. In the end, you left this world with memories of Armand, and you were free forever in this dark world. Yes, you died alone, and there was no luxury when you were alive. Countless lovers have forgotten you. The more emotional before death, the more desolate after death.

I deeply understand your pain, helplessness and despair at that time, and I understand that you sacrificed the happiness of your life. But you have no regrets. When Armand's father, Mr. Dewar, gently kissed you on the forehead, you were very excited, because once you left Armand, Armand's sister could marry her beloved aboveboard. At that moment, I was moved by your great and pure love. You traded all your happiness for another girl's decent marriage. You are as selfless as an angel, although your eyes are full of tears when you make all these decisions.

Although you live in such a dirty, hypocritical and cruel capitalist era, you still keep a tough and holy soul. If you hadn't been born in such a dark age, maybe your fate wouldn't be so rough?

La Traviata, as the name implies, you live in a dark corner, but you still retain the pure and refined essence of La Traviata. Although you are finally swallowed up by darkness, the beauty of the flowers that once bloomed will surely be remembered by everyone.

You are the most sacred in that era!

I wish you peace in heaven!

Ma Yujing

September 24, xx

Dialogue with the characters in the book Composition 2 One morning, I looked at the birthday present "The History of the Three Kingdoms" given to me by my father, and I couldn't help but get lost in thought, thus starting my dialogue with the characters in the book.

Hey, who are you? A man in a robe with a light green sword around his waist appeared in front of me. What about you? I was surprised to ask, who are you, and how can you have the green barrel sword worn by lean Cao Cao? The man opened his mouth and uttered an old and powerful voice with his mouth: I am lean Cao Cao Aman, and I know you must have something to say to me, son. Today, I will tell you one by one.

All right, all right! I said with ecstasy. Excuse me, why did Zhang Jaw Ben work under your youngest son, Yuan Shao, who ordered him to write a letter to humiliate you? Why did you still lose in Yuan Shao's army? When he came to you, he took him in and made him one of the Five Heroes? I asked, puzzled.

Cao Cao said calmly: Zhang Jaw only helped Yuan Shao humiliate me because he worked under Yuan Shao. He is actually very talented. Yuan Shao is so arrogant because he has four generations of wealth. He was foolhardy and defeated normally, but Cao Cao's voice suddenly sank here.

Just what? I asked curiously. Cao Cao ignored me, and I thought and thought, saying that Guo Jia left you not long after the battle of Guandu, Prime Minister Cao! Prime Minister Cao, I'm sorry for your loss. People can't come back from the dead!

Filial piety is my fault. I shouldn't invite you out of the mountain. Cao Cao cried. Later, Cao Cao fought back his tears and said, in order not to let Guo Jia lose me, I issued a decree to recruit talents for Wei Yan, so that I could have a large number of talents for Wei Yan to use, so that I could complete this great cause. This is better for me to lose the world than the world to lose me.

After listening to Cao Cao's words, I was lost in thought, and only then did I see that the "History of the Three Kingdoms" was still in my hand.

Dialogue with the characters in the book Composition 3 I was holding a copy of Around the World in 80 Days, and gradually, my eyes blurred. ...

"Let's go!" I boarded a huge ship and started my journey. The boat drove slowly, "hey? What about other tourists? How come there are only a few people? " I scratched my head and said. I looked around warily and found a boat full of British people: I looked at the "only tourists" on board one by one. One of the gentlemen is wearing a suit and a black hat. The black suit is very elegant. The other seems to be an assistant, and a big bald head with an orange hat looks familiar.

"Huh?" I took a closer look. "Isn't that Mr Fogg and Passepartout?" I couldn't help walking up to this gentleman and asking cautiously, "Excuse me … excuse me … are you … Mr. and Mrs. Fog?" I'm so nervous that my heart is about to jump out. Mr. Wang smiled at me and nodded. I think the timing is good, so I strike while the iron is hot: "I admire you very much. Are you going to travel around the world in 80 days? " Passepartout was surprised: "Yes." I went on to say, "Why does it cost so much to rent an elephant in Africa? You can buy three elephants with that money. Don't regret it? " Mr fogg said quietly, "money is not important. If not, can we really go back to England soon? " I nodded if I realized something. Suddenly, there was a big storm at sea. The wind and waves are too strong for the waves to swallow us up with the ship. Mr. Fogg still maintained the same expression and calmly commanded the "Captain". Passepartout and I were stunned. Soon, we met this big storm.

"wake up, son!" An elder sister told me that my station had arrived and I could get off the boat. When I came down, I thought: Mr. Fogg is really a cool, far-sighted and considerate good man!

As the saying goes, "reading a good book is like talking to a celebrity." It's really good at all. Mr fogg's helpful and calm attitude deserves our study and respect!

Dialogue with the characters in the book Composition 4 One night, I fell asleep holding Four Great Classical Novels-Water Margin.

Suddenly, I stood in a place surrounded by a lake, with forests on the left and mountains on the right. This place is easy to defend but difficult to attack. Oh! This is the Water Margin! Before I could react, several minions shouted and caught me on the water margin. Then, the aspirant took me into Juyitang and met Song Jiang.

"Brother, why did you come?" Song Jiang looked kind and gave me a chair. I walked in the chair, looked at the half-truth and half-falsehood, and said the lines that every character must say: "Hero Song Jiang, I have heard a lot about you. I have no intention of coming here this time. I just want to ask you a few questions. " Oh, go ahead. ""Song Daxia, why did you join the heroes of the Water Margin? "I asked my first question. Song Jiang's eyes are bright and his tone is firm. " I joined the Heroes of the Water Margin not only to have a place to live, but also because there are many traitors who oppress the people. I really couldn't stand it anymore, so I added Water Margin to kill people and recruited national heroes. "I asked," then if something happens to you and you are arrested and tortured, it will break your bones and muscles and implicate your family! " "Song Jiang took a sip of tea, sighed and said," I know, but you also know that if I can get rid of a group of people alone, I will die without regret. " Sung river came and patted me on the shoulder. "Brother, if you want to be a great man, you have to make relative sacrifices. However, these sacrifices are not worth the loss. Just like us, we asked for it.

Suddenly, I woke up from my sleep and faced everything like a dream, especially those few words. Yes! Great men have to make sacrifices, but ordinary people also have to listen to the command of great men, so those sacrifices are really not worth the candle! I came into contact with the Water Margin, and I gained a lot from this conversation. I hope to enter this book again and communicate with all kinds of people.

Dialogue with the characters in the book Composition 5 Dialogue refers to the dialogue between the characters in the work. Dialogue plays an important role in shaping characters, portraying characters' personalities, developing story lines and expressing the theme of articles. Language is not only a tool for human communication, but also a means to express ideas. Therefore, it is very important to write a good dialogue between characters, because it can reflect people's personality, psychology and spirit, as well as their thoughts and feelings. To write a good dialogue between characters, we should closely focus on the center and serve to highlight the center. Of course, the dialogue description should be realistic, but it is more important to be selective and not to record everything you say.

A well-written dialogue between characters should conform to their status and let readers see people (Lu Xun's language) from what they say. For example, in A Dream of Red Mansions, Granny Liu went to Guo Rongfu to ask for money. First, Wang Xifeng said that she was in trouble, and then she gave twenty taels of silver. Grandma Liu said, warm! I know it's hard, but as the saying goes, a thin camel is bigger than a horse. With him, you always pluck hair thicker than our waist! This vulgar flattery is in line with Grandma Liu's status as an uneducated and sophisticated woman. Write the dialogue of the characters well, which should conform to the performance of the characters in a specific environment.

In life, people's personality is also very complicated. Therefore, to write a good dialogue, it is necessary to express the complexity of the characters' thoughts and personalities from different aspects through their languages on different occasions. Write the dialogue well and conform to the spoken language. What we say in our mouth is different from written language, which is concise, short and easy to understand. Therefore, when writing dialogue, we should pay attention to refinement, not long and not vulgar.

Talking to the characters in composition 6, family ties are happy. Every time I go home, I can eat delicious rice cooked by my mother. After washing vegetables, my mother rushed to supervise me to finish my composition and help me wash clothes at home. When I was asleep, my father came to see if I kicked off the quilt from time to time, lest I catch a cold. I didn't care when I saw the bean-sized sweat on my parents' heads. I know that family is happiness.

2. For new teaching, pre-class design is the key. Teaching design, like composition, pays attention to strategy. In short, we should establish the concept of lifelong learning, keep pace with the times and pursue it unremittingly.

Maybe that's history. It's easy to fold if it's too rigid. But those who live under the carapace have lost their humanity. The most arrogant stubbornness is toughness. The unyielding backbone is the soul that supports the Chinese nation from weakness to strength and from decline to prosperity.

The Ming Dynasty was the last feudal dynasty established by the Han nationality in the history of central China. It was destroyed not so much by its own fate as by its momentary kindness.

(Miss Zhou: The article is well written, and it reads smoothly, giving people a feeling of doing it in one go. In particular, the body language is vivid, the inner monologue is well written, and the description of the environment and the inner feelings are very well integrated. This composition is refreshing to read and awesome! )

Dialogue with the characters in the book 7 3. The idea of writing a composition for a material should be a similar association made directly from the material, and there is an inevitable connection between opinions and materials. However, there are also candidates who, after many turns, ambitiously drift away and digress. The article expresses ideas, which are not rigorous and will lead to heavy points and points deduction.

The Journey to the West not only has profound ideological content, but also has made great achievements in art. With rich and peculiar artistic imagination, vivid and tortuous story, vivid characters and humorous language, he has built a unique art palace in The Journey to the West.

Among these figures, I admire Liu Siyang the most. Although he was born with a silver spoon in his mouth, he did not take refuge in the Kuomintang, but insisted on Marxism-Leninism. When Kuomintang leader Xu Pengfei asked him why he wanted to join the * * * production party, he firmly said that only the * * * production party could liberate all China. Xu Pengfei decided to seduce him with all kinds of possessions, but he didn't look at the gold and said nothing. Xu Pengfei threatened Liu Siyang. Do you want to go to jail for life? Liu Siyang replied categorically: No, I will do it until the day you die. Therefore, Liu Siyang was imprisoned by a spy and suffered a lot. Finally, Liu Siyang escaped from prison with his comrades, rushed out of the cell and took part in the revolution.

Dialogue with the characters in the book Composition 8 "Rinrin Bell, Rinrin Bell ..." The alarm clock rang. Look at the watch It is still early. It is only six o'clock. Go to sleep. "Rinrin Bell, Rinrin Bell ..." Why did it ring again? Qingqing had to reluctantly wake up from her dream, get dressed and look in the mirror. She looked in the mirror and smiled. "Hey, no, that seems to be ... not me. What did I just do? " So she looked in the mirror and said to the people inside, "Are you me?" There was no response, and I obviously wondered if I was out of my mind or my eyes were blurred. After a while, I remembered a voice, "Hello, I am your mirror demon." "I didn't listen to wrong? This is not what I said! " "Hello, I am your mirror demon." A voice similar to hers rang in her ear again. Qingqing returned to the mirror.

"Are you ..."

"Oh, you finally came. I am your mirror demon. "

"Mirror demon? How come you look exactly like me, even with the same voice! "

"Then you have to listen to me slowly. I am a member of the kingdom of mirrors. Our duty is to stand in front of you when you humans look in the mirror and compare the same actions with you. So, as many people as you have, we have as many mirror demons. A mirror demon has only one master. Here, you are my master. Do you understand? "

"Oh, I see, so you don't have your own place?"

"Ha ha, our place is very big. If we need a mirror, we will be there. "

"Can I be a guest of your kingdom?"

"Welcome, warm welcome, please come in! ! "

"How did you get in?"

"Directly from the mirror? ! "

"Straight ... straight, not annoying?"

"Yes!"

I patted my head clearly and couldn't believe it was true. It was a long time before she realized, "Let's go."

Qingqing and the mirror demon entered the mirror world together.

"Wow, it's beautiful. It is clear everywhere. Your cooking is really good. Teach me! " Qingqing is very excited!

"This is all natural, not man-made."

"Can't you break it?"

"The mirror in the mirror kingdom will never be broken. If they are broken, none of our mirror demons will live! "

"Oh. By the way, didn't you say that everyone has a mirror demon? "

"Yes!"

"Then can I meet my good friend Chen xx's mirror demon?"

"I don't know about this, because every mirror demon has to follow his master day and night, never leaving. Ok, I'll take you to have a try. "

"Good, good!"

"shh! Don't make any noise. Mirror monsters are very fragile, so they will get hurt. Be careful. "

"Oh" "Wow, Chen ..."

"Shh, say, can't speak loudly. That's just a mirror demon, not your friend! "

"Mirror demon, all my classmates are here!"

"Know know. Oh, sorry, it's time. Don't tell anyone about it, or the mirror kingdom will face an unprecedented disaster. See you in a year, or this time. "

Whew ... "Where am I? Where is the mirror demon? " "Oh, I'm already at home."

I wonder what strange things will happen in a year. I wonder if I will meet the mirror demon in a year?

During the conversation with the characters in Composition 9, my mother and I chatted over dinner and inadvertently talked about her childhood.

Me: Mom, what did you eat when you were a child?

Mom: We don't eat as well as you do now. We all ate steamed rice from your grandmother in the canteen. Where is the food? Either mixed tofu or steamed eggplant, there is no oil in it, and that dish tastes terrible. I'm a picky eater, so I have tea and rice every day, plus pickles made by your grandmother herself.

Me: What's the best thing you've ever eaten?

Mom: We only cook some meat during the Spring Festival, but there are only a few pieces. Guests also buy some mutton, and we can only drink a few mouthfuls of soup, which is the best. Your wife likes to eat tofu brain in the morning. She is old and can't move easily. In the morning, we went to buy tofu brain for her and stole it several times, but fortunately it was not found.

Today, you eat technetium really fast. I had to go into my room to do my homework, but when I thought about it, we are so happy now, eating technetium better than then, eating meat every week, but our grades are not as good as then! We should study hard and not let our parents down!

Dialogue with the characters in the book 10 composition describing the dialogue between the characters

Ji Xianlin: Xin Wei, now that you are the interviewer and I am the interviewee, can you ask me and answer?

Xin Wei: OK.

Ji Xianlin: Then feel free to ask.

Xin Wei: Grandpa, when I was young, you said that when you were young, you were most interested in reading leisure books. You like reading Romance of the Three Kingdoms, and you can remember the names of fugitives. Grandpa, I'm just like you. I like reading leisure books best. Once in a math class, I looked down at the Water Margin, and while watching it, I recited a hundred seats for eight generals. The teacher found out. Dad hit me for the first time after knowing this. Although it didn't hurt at all, I haven't seen the Water Margin since.

Ji Xianlin: (Laughter) My parents were away when I was a child, and my uncle didn't care much about me, but I wasn't allowed to read casual books. What do we do? We don't go home after school, and we secretly hide in a place to read idle books. I read a lot of light books, including Gong Peng Case, Biography of the Duke of Ji, Shi Gong Case and Three Heroes and Five Righteousnesses. I advocate reading leisure books. Why? Tell me, Xin Wei, how can I write this article well?

Xin Wei: I think it should be a photo.

Ji Xianlin: That's right. Writer Lu Xun once said that the most reliable thing to write a good article is to read more books. I watched it with a sister when I was a child. There is a big bucket of white flour under the table at home. When my uncle came, I quickly hid the idle books in the vat. All the books on the desk are ordinary classes. (Laughter)

Xin Wei: Grandpa, I like Chinese, but I'm not good at math.

Ji Xianlin: It's good to like Chinese, but Chinese is better and math is better. Young people in 2 1 century should be literate and rational. So, whether you like it or not, you must learn math well. Recently, a class was held in Tsinghua University, and all the students were excellent students. It is proposed to cultivate talents who are well versed in Chinese and western cultures, ancient and modern, Chinese and foreign. In my opinion, these two links are not enough, and a link between arts and sciences should be added. Three links, this is the youth of 2 1 century.

Xin Wei: Chinese and western, ancient and modern, arts and sciences, I remember. Grandpa, someone told my mother to find me a good foreign language teacher as soon as possible. She said that it is never cold to learn a foreign language at the age of 12. Grandpa, you speak so many foreign languages. Do you think they are right?

Ji Xianlin: Not necessarily 12 years old. Of course, learning early is better than learning late. Learning the pronunciation of a foreign language has a lot to do with the mother tongue. People in some places have too strong accents to learn. Ancient prose is also very important. In my opinion, it is the minimum requirement for a child to write 200 poems and 50 ancient prose on horseback. A book was recently published to encourage children to recite poems. Let me make a suggestion. We should publish another collection of essays, select some from the viewpoints of China's ancient literature, and add some notes. I recited it when I was a child and I can't forget it.

Xin Wei: Recite 200 poems and 50 ancient prose!

Ji Xianlin: (Laughter) I don't want you to recite it all day.