We can see from the popular Gong Dou plays in recent years that they all take a woman as the protagonist, which can be regarded as a woman's growth history. At the beginning, every girl is a teenager, and her psychology is only the desire for love. In the process of pursuing love, she encountered many difficulties, twists and turns, and even framed them, which made them have to participate in the palace fight, from unremitting struggle to necessary struggle, so that their psychological level would become love, until this man, that is, the emperor, lost her eyes because of the confusion of so many women, which broke the heroine's heart and completely changed the reason for the heroine's struggle from love to simple superior.
The fixed pattern of Gong Dou's operas is to fight for love and rights. Therefore, love and rights are the two main lines of Gong Dou's plays, and all stories should be unfolded around these two main lines. Let's take a look at the most classic kung fu drama "The Queen of the Palace". When Zhen Xuan entered the palace, she was so young and lovely. She chose to escape the court battle and has been hiding in her own world. Even when she could wait on the bed, she lied that she was too ill to wait on the bed, lest she should have become a bird. However, it was love at first sight after meeting the emperor. Nevertheless, Zhen Xuan kept a low profile and was bullied by other concubines. Only when the emperor supported Zhen Xuan did Zhen Xuan know that jealousy could kill people. Only by gaining rights and respect can he survive.
But this is really just the beginning. Zhen Xuan was loved until she was aborted by Shi Lan in 2006. After losing her child, the silence of the emperor made Zhen Xuan completely discouraged and became a monk. This can reassure those women who are jealous of her, but even without Zhen Xuan, the struggle of other women will not stop. Even though Zhen Xuan was hiding in a nun, she didn't let them give up the blow to Zhen Xuan. Finally, Zhen Xuan clearly realized that she had to go back and confront him head-on. So with her intelligence, it was easy for the emperor to change his mind, take her back to the palace and step by step onto the peak of power.
A man is innocent, but he is guilty. Therefore, Gong Dou's plays are, in the final analysis, the growth history of a woman. Many relationships serve this main line, which seems messy but not complicated.